It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just 32 days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favourite film, celebrating moral fortitude.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

Updated and timed for the 60th anniversary (Thanksgiving Day, 1942) of this movie, this critically acclaimed book draws upon years of research, including access to Ingrid Bergman's personal acting diaries and the vast Warner Brothers archives, as well as interviews with many of those close to the film, including the late Paul Henreid, Lauren Bacall, and scriptwriters Howard Koch and Julius Epstein.

Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston.

Alan Le May’s Western novels are widely considered classics in the genre, and the movie adaptation of The Searchers was named AFI’s Greatest Western Movie of All Time. When Martin Pauley and Amos Edwards return to their Texas homestead to find a burning ruin, they set out to find Amos’ missing daughter - and exact revenge on the Comanche responsible for the attack.

Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed.

Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son, Quanah, who became the last and greatest chief of the Comanches.

Marvel Entertainment was a moribund toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. How did an upstart studio conquer the world? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole ongoing production, the Marvel Cinematic Universe.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

The distinguished filmmaker chronicles his life, from his birth in 1910 to the worldwide success in 1950 of his film Rashomon, and provides a provocative account of the Japanese film industry.

In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes.

In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of “Manifest Destiny,” this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness.

When Goodfellas first hit the theaters in 1990, a classic was born. Few could anticipate the unparalleled influence it would have on pop culture, one that would inspire future filmmakers and redefine the gangster picture as we know it today. From the rush of grotesque violence in the opening scene to the iconic hilarity of Joe Pesci’s endlessly quoted “Funny how?” shtick, it’s little wonder the film is widely regarded as a mainstay in contemporary cinema.

When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities, both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade.

On New Year's Day in 1870, 10-year-old Adolph Korn was kidnapped by an Apache raiding party. Traded to Comanches, he thrived in the rough nomadic existence, quickly becoming one of the tribe's fiercest warriors. Forcibly returned to his parents after three years, Korn never adjusted to life in white society. He spent his last years living in a cave, all but forgotten by his family. That is, until Scott Zesch stumbled upon his great-great-great-uncle's grave. Determined to understand how such a "good boy" could have become Indianized so completely, Zesch traveled across the West.

In 1851, Olive Oatman was a 13-year-old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own.

Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son, Quanah, who became the last and greatest chief of the Comanches.

Born in an era of rising violence, Black Elk killed his first man at Little Big Horn, witnessed the death of his second cousin Crazy Horse, and traveled to Europe with Buffalo Bill's Wild West show. Upon his return, he was swept up in the traditionalist Ghost Dance movement and shaken by the massacre at Wounded Knee. But Black Elk was not a warrior, and instead chose the path of a healer and holy man, motivated by a powerful prophetic vision that haunted and inspired him.

In the first and most reliable biography of Daniel Boone in more than 50 years, award-winning historian Faragher brilliantly portrays America's famous frontier hero while illuminating the American hero-making process itself. Drawing from popular narrative, the public record, scraps of documentation from Boone's own hand, and a treasure trove of reminiscences gathered by nineteenth-century antiquarians, Faragher uses the methods of new social history to create a portrait of the man and the times he helped shape.

His name was David Crockett. He never signed his name any other way, but popular culture transformed his memory into "Davy Crockett", and Hollywood gave him a raccoon hat he hardly ever wore. Best-selling historian Michael Wallis casts a fresh look at the frontiersman, storyteller, and politician behind these legendary stories.

In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of “Manifest Destiny,” this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness.

The must-have companion to Bill O'Reilly's historical docudrama Legends and Lies: The Patriots, an exciting and eye-opening look at the Revolutionary War through the lives of its leaders. The American Revolution was neither inevitable nor a unanimous cause. It pitted neighbors against each other as loyalists and colonial rebels faced off for their lives and futures. These were the times that tried men's souls: No one was on stable ground, and few could be trusted.

On the sparkling morning of June 25, 1876, 611 men of the US 7th Cavalry rode toward the banks of the Little Bighorn in the Montana Territory, where 3,000 Indians stood waiting for battle. The lives of two great warriors would soon be forever linked throughout history: Crazy Horse, leader of the Oglala Sioux, and General George Armstrong Custer.

Blood Moon is the story of the century-long blood feud between two rival Cherokee chiefs from the early years of the United States through the infamous Trail of Tears and into the Civil War. While little remembered today, their mutual hatred shaped the tragic history of the tribe far more than anyone, even the reviled President Andrew Jackson, ever did.

He was the most feared and loathed Indian of his time, earning his reputation in surprise victories against the troops of Generals Crook and Custer at the Rosebud and Little Bighorn. Despite his enduring reputation, he has remained an enigma (even the whereabouts of his burial place are unknown, and no portrait or photograph of him exists). Now, Pulitzer Prize-winning journalist Thomas Powers brings Crazy Horse to life in this vivid work of American history.

During one sweltering week in July 1948, the Democratic Party gathered in Philadelphia for its national convention. The most pressing and controversial issue facing the delegates was not whom to nominate for president—the incumbent, Harry Truman, was the presumptive candidate—but whether the Democrats would finally embrace the cause of civil rights and embed it in their official platform. On the convention's final day, Hubert Humphrey, the relatively obscure mayor of the midsized city of Minneapolis, ascended the podium.

At once an incredible adventure narrative and a penetrating biographical portrait, Egan's book tells the remarkable untold story behind Edward Curtis's iconic photographs, following him throughout Indian country from desert to rainforest as he struggled to document the stories and rituals of more than eighty tribes. Even with the backing of Theodore Roosevelt and J.P. Morgan, it took tremendous perseverance. The undertaking changed him profoundly, from detached observer to outraged advocate.

Pulitzer Prize winner Larry McMurtry crafts works synonymous with the grandeur and beauty of the American West. Here McMurtry turns his attention to George A. Custer, a complex man who has captivated historians for over a century. From graduating last in his class at West Point to leading the ill-fated 7th Cavalry in the attack at Little Bighorn, Custer forged a legacy - still very much alive today - as one of the West's most enduring historical figures.

Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid", who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of 21, became a new breed of celebrity outlaw.

Alan Le May’s Western novels are widely considered classics in the genre, and the movie adaptation of The Searchers was named AFI’s Greatest Western Movie of All Time. When Martin Pauley and Amos Edwards return to their Texas homestead to find a burning ruin, they set out to find Amos’ missing daughter - and exact revenge on the Comanche responsible for the attack.

It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just 32 days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favourite film, celebrating moral fortitude.

In November 1965, some 450 men of the First Battalion, Seventh Cavalry, under the command of Lt. Col. Hal Moore, were dropped by helicopter into a small clearing in the Ia Drang Valley. They were immediately surrounded by 2,000 North Vietnamese soldiers. Three days later, only two and a half miles away, a sister battalion was chopped to pieces. Together, these actions at the landing zones X-Ray and Albany constituted one of the most savage and significant battles of the Vietnam War. How these men persevered makes a vivid portrait of war at its most inspiring and devastating.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a listener “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen.

His name was David Crockett. He never signed his name any other way, but popular culture transformed his memory into "Davy Crockett", and Hollywood gave him a raccoon hat he hardly ever wore. Best-selling historian Michael Wallis casts a fresh look at the frontiersman, storyteller, and politician behind these legendary stories.