In this dual collection of short stories, Alexander McCall Smith brings his trademark humor and warmth to inventive tales of spying and vengeance. In one story, a spy dropped deep into enemy territory manages to disguise himself—quite convincingly—as a nun. In another, an invitation to join the Vatican Secret Service sends a prospective operative down a rabbit hole of controversy and confusion. A third story finds an author, on the brink of public ruin, seeing the error of his ways after an act of kindness saves the day.

Mma "Precious" Ramotswe sets up a detective agency in Botswana on the edge of the Kalahari Desert, making her the only female detective in the country. At first, cases are hard to come by. But eventually, troubled people come to Precious with a variety of concerns. Potentially philandering husbands, seemingly schizophrenic doctors, and a missing boy who may have been killed by witch doctors all compel Precious to roam about in her tiny van, searching for clues.

It is 1938 and the final days of the British Empire. In a bungalow high up in the green hills above the plains of Ceylon, under a vast blue sky, live the Ferguson family: Bella, a precocious eight-year-old; her father Henry—owner of Pitlochry, a tea plantation—and her mother Virginia. The story centres around the Pavilion in the Clouds, set in the idyllic grounds carved out of the wilderness. But all is not as serene as it seems. Bella is suspicious of her governess, Miss White’s intentions.

In London’s Pimlico neighborhood lies a tenement described in architectural guides as “a building of no interest whatsoever.” But the residents of Corduroy Mansions—including a literary agent, a wine merchant, a thoroughly unpleasant member of Parliament, and a vegetarian dog—are a rather fascinating lot.

What matters most in life? For Alexander McCall Smith, it is friendship, love, and travel—the themes found throughout his work that have made him a cherished writer the world over. This first collection of McCall Smith’s poems reflects on these topics with all his characteristic wit and charm.

Chief Inspector Armand Gamache of the Surêté du Québec and his team of investigators are called in to the scene of a suspicious death in a rural village south of Montreal. Jane Neal, a local fixture in the tiny hamlet of Three Pines, just north of the U.S. border, has been found dead in the woods. The locals are certain it’s a tragic hunting accident and nothing more, but Gamache smells something foul in these remote woods, and is soon certain that Jane Neal died at the hands of someone much more sinister than a careless bowhunter.

It is said that a picture may be worth a thousand words, but an old photograph can inspire many more. In this beguiling book, Alexander McCall Smith casts his eye over five chanced-upon photographs from the era of black-and-white photography and imagines the stories behind them. Who were those people, what were their stories, why are they smiling, what made them sad?

From the original Greek financial crisis (when the profligate Gods of Olympus were punished by Odin and the other Norse Gods for their unchecked spending) to a handy unintended benefit of cosmetic surgery; from Pope Ron (the first Australian pope, who wants nothing more than to live quietly) to a rather droll cat named Stanley to Good President Wenceslas (benevolent leader of a snowy land) - these stories are by turns funny, poignant, and deliciously wicked, each one a gift begging to be unwrapped and enjoyed again and again.

In the words of Alexander McCall Smith: "You feel the rocking of the train, you hear the sound of its wheels on the rails; you are in the world rather than suspended somewhere above it. And sometimes there are conversations to be had, which is what the overarching story in this collection is all about. It is a simple device: people brought together entertain one another with tales of what happened to them on trains. It takes place on a journey I frequently make myself and know well, the journey between Edinburgh and London. It is best read on a train, preferably that one."

The complete BBC radio adaptations of Alexander McCall's bestselling series. Inspired by Armistead Maupin's Tales of the City, 44 Scotland Street started life as a serial in The Scotsman. It was a huge hit, and was soon novelised, adapted on stage and dramatised for BBC Radio 4. Collected here are all five radio series, in which we follow the interconnected lives of the residents of adjoining flats in a tenement in Edinburgh's Georgian New Town.

Three very different women come together to complete an environmental survey on the Northumberland countryside. Three women who, in some way or another, know the meaning of betrayal....For team leader Rachael Lambert the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide.

After losing his leg to a land mine in Afghanistan, Cormoran Strike is barely scraping by as a private investigator. Strike is down to one client, creditors are calling, and after a breakup with his longtime girlfriend, he’s living in his office. Then John Bristow walks through his door with a shocking story: His sister, the legendary supermodel Lula Landry - known to her friends as the Cuckoo - famously fell to her death a few months earlier.

A reluctant ex-spy with demons of her own, Elinor finds herself facing down one of the most dangerous organized crime gangs in London, ultimately exposing corruption from Scotland Yard to the highest levels of government. The private, quiet “Miss White" as Elinor is known, lives in a village in rural Kent, England, and to her fellow villagers seems something of an enigma. Well she might, as Elinor occupies a "grace and favor" property, a rare privilege offered to faithful servants of the Crown for services to the nation.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

When Charlotte Rainsford, a retired schoolteacher, is accosted by a petty thief on a London street, the consequences ripple across the lives of acquaintances and strangers alike. A marriage unravels after an illicit love affair is revealed through an errant cell phone message; a posh yet financially strapped interior designer meets a business partner who might prove too good to be true.

Damian Baxter is hugely wealthy and dying. He lives alone in a big house in Surrey, England, looked after by a chauffeur, butler, cook and housemaid. He has but one concern--his fortune in excess of 500 million and who should inherit it on his death.

Now a major motion picture. After an early career amongst the political elite of Cold War Russia, Alexander Ivanov has lived in America for 40 years and has managed to bury the tragic memories surrounding his charismatic late wife, Katya - or so he believes. For into his life come two women - one who will start to open up the heart he has protected for so long; another who is determined to uncover the truth about what really happened to Katya all those years ago.

Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.

Max Tudor has adapted well to his post as vicar of St. Edwold's in the idyllic village of Nether Monkslip. The quiet village seems the perfect home for Max, who has fled a harrowing past as an MI5 agent. But this new-found serenity is quickly shattered when the highly vocal and unpopular president of the Women's Institute turns up dead at the Harvest Fayre. The death looks like an accident, but Max's training as a former agent kicks in, and before long he suspects foul play.

Baked, mashed, boiled or fried, Mr Doubler knows his potatoes. But the same can’t be said for people. Since he lost his wife, he’s been on his own at Mirth Farm - and that suits Doubler just fine. Crowds are for other people; the only company he needs are his potato plants and his housekeeper, Mrs Millwood, who visits every day. So when Mrs Millwood is taken ill, it ruins everything - and Mr Doubler begins to worry that he might have lost his way. But could the kindness of strangers be enough to bring him down from the hill?

Iris Grey rents a quaint cottage in a picture-perfect Hampshire village, looking to escape from her crumbling marriage. She is drawn to the neighboring Wetherby family and is commissioned to paint a portrait of Dominic Wetherby, a celebrated crime writer. At the Wetherby's Christmas Eve party, the mulled wine is in full flow - but so are tensions and rivalries among the guests. On Christmas Day, the youngest member of the Wetherby family, Lorcan, finds a body in the water. A tragic accident? Or a deadly crime?

Introducing Stuart, Gillian and Oliver. One by one they take their turn to speak straight out to the camera - and give their side of a contemporary love triangle. What begins as a comedy of misunderstanding slowly darkens and deepens into a compelling exploration of the quagmires of the heart.

It’s been years since Abby O’Brien Winters set foot in Chesapeake Shores. The Maryland town her father built has too many sad memories, and Abby has too few spare moments - thanks to her demanding Wall Street career, the crumbling of her marriage, and her energetic daughters. Then one panicked phone call from her youngest sister brings her racing back home to protect Jess’ dream of renovating the charming Inn at Eagle Point. But saving the inn from foreclosure means dealing not only with her own fractured family but also with Trace Riley, the man Abby left 10 years ago.

It all began with a correspondence between two quite different women: 28-year-old Sara from Haninge, Sweden, and 65-year-old Amy from the small town of Broken Wheel, Iowa. After years of exchanging books, letters and thoughts on the meaning of literature and life, Sara, mousy, disheveled, who has never been anywhere in her life--has really lived only for her work in a beloved bookshop, which has just closed its doors for the last time--bravely decides to accept her unknown friend's invitation to visit. But when she arrives, she finds her house empty, the funeral guests just heading home. . .

Matthew is a normal 11-year-old boy living with his parents and little sister in Surrey. He's too old and sensible to have an imaginary friend really. Yet when Matthew's parents keep finding him talking and arguing with a strange presence whom Matthew calls Chocky, that's what they believe it must be…at first. But Chocky is oddly sinister, and keeps asking Matthew all sorts of complicated questions about the world and making him behave in unusual and erratic ways. Then Matthew suddenly does something heroic, well beyond his capabilities; the media become interested and the interest in Matthew widens.

Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

When the Templeton family from England takes up residence in a stately home in country Australia, they set the locals talking – and with good reason. From the outside, the seven Templetons seem so bohemian, peculiar even. No one is more intrigued by the family than their neighbours, single mother Nina Donovan and her young son Tom. Before long, the two families' lives become entwined in unexpected ways.

In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).

Straitlaced tycoon Richard Carlton suspects that his Aunt Destiny has more than business matters on her mind when she insists he meet klutzy PR executive Melanie Hart. Melanie might be brilliant - and beautiful - but Richard won't open his wounded heart to any woman, no matter how much she might make his pulse race.