Andreas Egger knows every path and peak of his mountain valley, the source of his sustenance, his livelihood - his home. Set in the mid-20th century and told with beauty and tenderness, Robert Seethaler's A Whole Life is a story of man's relationship with an ancient landscape, of the value of solitude, of the arrival of the modern world, and above all, of the moments, great and small, that make us who we are.

In 1918, Philadelphia was a city teeming with promise. Even as its young men went off to fight in the Great War, there were opportunities for a fresh start on its cobblestone streets. Into this bustling town came Pauline Bright and her husband, filled with hope that they could now give their three daughters - Evelyn, Maggie, and Willa - a chance at a better life. But just months after they arrive, the Spanish flu reaches the shores of America.

Two half sisters, Effia and Esi, unknown to each other, are born into different villages in 18th-century Ghana. Effia is married off to an Englishman and will live in comfort in the palatial rooms of Cape Coast Castle, raising children who will be sent abroad to be educated before returning to the Gold Coast to serve as administrators of the empire. Esi, imprisoned beneath Effia in the castle's women's dungeon and then shipped off on a boat bound for America, will be sold into slavery.

The life of Urbain Martien - artist, soldier, survivor of World War I - lies contained in two notebooks he left behind when he died in 1981. His grandson, a writer, retells his story, the notebooks giving him the impetus to imagine his way into the locked chambers of Urbain's memory. He vividly recounts a whole life: Urbain as the child of a lowly church painter, retouching his father's work; dodging death in a foundry; fighting in the war that altered the course of history, and much more.

Londoner Madeleine Grant is studying at the Sorbonne in Paris when she marries charismatic French journalist Giles Martin. As they raise their son, Olivier, they hold on to a tenuous promise for the future. Until the thunder of war sets off alarms in France. Staying behind to join the resistance, Giles sends Madeleine and Olivier to the relative safety of England, where Madeleine secures a job teaching French at a secondary school. Yet nowhere is safe. After a devastating twist of fate resulting in the loss of her son, Madeleine accepts a request from the ministry to aid in the war effort.

The year is 1921. Lesley Hamlyn and her husband, Robert, a lawyer and war veteran, are living at Cassowary House on the Straits Settlement of Penang. When “Willie” Somerset Maugham, a famed writer and old friend of Robert’s, arrives for an extended visit with his secretary Gerald, the pair threatens a rift that could alter more lives than one. Maugham, one of the great novelists of his day, is beleaguered: Having long hidden his homosexuality, his unhappy and expensive marriage of convenience becomes unbearable after he loses his savings—and the freedom to travel with Gerald.

At the heart of this vibrant saga is an immense ship, the Ibis. Its destiny is a tumultuous voyage across the Indian Ocean, its purpose to fight China's vicious 19th-century Opium Wars. As for the crew, they are a motley array of sailors and stowaways, coolies and convicts.

Raised in a primitive one-room farmhouse with no indoor plumbing, the fourth of five children, Catherine Marenghi begins her life in poverty and isolation. She leaves home at the age of 17. A decade later, she is a successful journalist with the means to buy her family their first decent house. But the past will not be put to rest so easily. Catherine unravels a web of long-buried family secrets, and a terrible betrayal that robbed her family of the home that was rightfully theirs. And she finally uncovers the story her parents never shared: the gladiolus farm that was once their dream.

In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks.

Once upon a time in an enormous forest lived a woodcutter and his wife. The woodcutter is very poor and a war rages around them, making it difficult for them to put food on the table. Yet every night, his wife prays for a child. A Jewish father rides on a train holding twin babies. His wife no longer has enough milk to feed both children. In hopes of saving them both, he wraps his daughter in a shawl and throws her into the forest. While foraging for food, the wife finds a baby wrapped in a shawl. Although she knows harboring this baby could lead to her death, she takes the child home.

Growing up in New York City in the 1910s, Luella and Effie Tildon realize that even as wealthy young women, their freedoms come with limits. But when the sisters discover a shocking secret about their father, Luella, the brazen elder sister, becomes emboldened to do as she pleases. Her rebellion comes with consequences, and one morning Luella is mysteriously gone.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

We'd like to introduce you to Elizabeth Finch. We invite you to take her course in Culture and Civilisation. Her ideas are not to everyone's taste. But she will change the way you see the world. Elizabeth Finch was a teacher, a thinker, an inspiration—always rigorous, always thoughtful. With careful empathy, she guided her students to develop meaningful ideas and to discover their centers of seriousness. As a former student unpacks her notebooks and remembers her uniquely inquisitive mind, her passion for reason resonates through the years.

At the start of the 20th century, on the edge of the Russian empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified: this is a recipe for ecstasy that carries a very bitter aftertaste....

When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father's recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his 20-year high school reunion, where he runs into the long-lost characters of his youth.

Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate "originals" - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize.

Sartre's greatest novel and existentialism's key text, now introduced by James Wood, and read by the inimitable Edoardo Ballerini. Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form, he ruthlessly catalogs his every feeling and sensation.

Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a bookbinder - a vocation that arouses fear, superstition, and prejudice among their small community, but one neither he nor his parents can afford to refuse. For as long as he can recall, Emmett has been drawn to books, even though they are strictly forbidden. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born.

From Vladimir Nabokov, the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, comes a magnificent collection of stories. Written between the 1920s and the 1950s, these 68 tales — 14 of which have been translated into English for the first time - display all the shades of Nabokov’s imagination.

After a whirlwind romance, London teashop waitress Fleur Richards can’t wait for her new husband, Hugh, to return from the Great War. But when word of his death arrives on Armistice Day, Fleur learns he has left her a sizable family fortune. Refusing to accept the inheritance, she heads to his beloved home country of Australia in search of the relatives who deserve it more.

The Bahamas, 1941. Newly widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the governor and his wife for a New York society magazine. After all, American readers have an insatiable appetite for news of the duke and duchess of Windsor, that glamorous couple whose love affair nearly brought the British monarchy to its knees five years earlier. What more intriguing backdrop for their romance than a wartime Caribbean paradise, a colonial playground for kingpins of ill-gotten empires? Or so Lulu imagines.

In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds and tells a tale of secret doors, of love, adventure, and danger. Each page turn reveals impossible truths about the world, and January discovers a story increasingly entwined with her own.

A masterful debut novel by Plimpton Prize winner Isabella Hammad, The Parisian illuminates a pivotal period of Palestinian history through the journey and romances of one young man, from his studies in France during World War I to his return to Palestine at the dawn of its battle for independence.

A sweeping story of three generations of women, crossing from London to Ireland and back again, and the enduring effort to retrieve the secrets of the past.

Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy. The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings - a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, and many more.

From a variety of masterfully rendered perspectives, these six stories depict people at painful odds with the world around them. A wife can only surrender to a desert night by betraying her husband. An artist struggles to honor his own aspirations as well as society's expectations of him. A missionary brutally converted to the worship of a tribal fetish is left with but an echo of his identity. Whether set in North Africa, Paris, or Brazil, the stories in Exile and the Kingdom are probing portraits of spiritual exile, and man's perpetual search for an inner kingdom.

France, 1714: In a moment of desperation, a young woman makes a Faustian bargain to live forever - and is cursed to be forgotten by everyone she meets. Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world. But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.

The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

Discover a brilliant story of love, danger, courage and betrayal, from the internationally best-selling author of The Survivors. 1953, the South of France. The fragile peace between the West and Soviet Russia hangs on a knife edge. And one family has been torn apart by secrets and conflicting allegiances. Eloïse Caussade is a courageous young Frenchwoman, raised on a bull farm near Arles in the Camargue. She idolises her older brother, André, and when he leaves to become an Intelligence Officer working for the CIA in Paris to help protect France, she soon follows him.