Twentysomething Frida Rodriguez arrives in Paris in 1991, relishing the city’s butter-soaked cuisine and seeking her future as a war correspondent. But then she writes to a bookshop in Seattle, and receives more than just the book she requests. A friendship begins that will redefine the person she wants to become.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Rough-around-the-edges Harriet Morrow has long been drawn to the idea of whizzing around the city on her bicycle as a professional detective, solving crimes for a living without having to take a husband. She seizes the chance when the prestigious Prescott Agency hires her as its first woman operative. The move sparks controversy—with skeptical male colleagues, a high-strung office secretary, and her boss, Mr. Theodore Prescott, all waiting for her to unravel under the pressure.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark.

During World War II, Elzbieta Zawacka—the WWII female resistance fighter known as Agent Zo—was the only woman to reach London as an emissary of the Polish Home Army command. In Britain, she became the only woman to join the Polish elite Special Forces, known as the "Silent Unseen." She was secretly trained in the British countryside, and then she was the only female member of these forces to be parachuted back behind enemy lines to Nazi-occupied Poland.

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin?

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Virginia, 1864—Libby Steadman’s husband has been away for so long that she can barely conjure his voice in her dreams. While she longs for him in the night, fearing him dead in a Union prison camp, her days are spent running a gristmill with her teenage niece, a hired hand, and his wife, all the grain they can produce requisitioned by the Confederate Army. It’s an uneasy life in the Shenandoah Valley, the territory frequently changing hands, control swinging back and forth like a pendulum between North and South, and Libby awakens every morning expecting to see her land a battlefield.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart, that's exactly what they get.

As late summer 1951 descends on Elmira, New York, Myra Larkin, thirteen, the oldest child of a large Catholic family, meets a young man she believes to be Mickey Mantle. He chats her up at a local diner and gives her a ride home. The matter consumes her until later that night, when a triple homicide occurs just down the street, opening a specter of violence that will haunt the Larkins for half a century.

On a bright spring afternoon, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes off the clothesline, she straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe—and that this time, when she leaves, she must stay away. On the surface, she has a perfect life: her husband, Ryan, is a good provider, sometimes even kind and attentive, from a nice Irish family, and they have another baby on the way.

1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory as the snow falls—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night. 1920. John has returned from war to North Yorkshire, near a different river. He is alive but still not whole. Reunited with Helena, an artist, he reopens his photography business and tries to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures

At the turn of the 20th century, Vivian Lesperance is determined to flee her origins in Utica, New York, and avoid repeating her parents’ dull, limited life. When she meets Oscar Schmidt, a middle manager at a soap company, Vivian finds a partner she can guide to build the life she wants—not least because, more interested in men himself, Oscar will leave Vivian to tend to her own romances with women.

Andreas Egger knows every path and peak of his mountain valley, the source of his sustenance, his livelihood - his home. Set in the mid-20th century and told with beauty and tenderness, Robert Seethaler's A Whole Life is a story of man's relationship with an ancient landscape, of the value of solitude, of the arrival of the modern world, and above all, of the moments, great and small, that make us who we are.

Virginia, 1864—Libby Steadman’s husband has been away for so long that she can barely conjure his voice in her dreams. While she longs for him in the night, fearing him dead in a Union prison camp, her days are spent running a gristmill with her teenage niece, a hired hand, and his wife, all the grain they can produce requisitioned by the Confederate Army. It’s an uneasy life in the Shenandoah Valley, the territory frequently changing hands, control swinging back and forth like a pendulum between North and South, and Libby awakens every morning expecting to see her land a battlefield.

Based on an 1895 disaster that went down in history when it was captured in a series of surreal, extraordinary photographs, The Paris Express is a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia.

Wien im Jahr 1966. Robert Simon verdient sein Brot als Gelegenheitsarbeiter auf dem Karmelitermarkt. Er ist zufrieden mit seinem Leben, doch zwanzig Jahre nach Ende des Krieges hat sich die Stadt aus ihren Trümmern erhoben. Überall wächst das Neue, und auch Simon lässt sich mitreißen. Er pachtet eine Gastwirtschaft und eröffnet sein eigenes Café. Das Angebot ist überschaubar, und genau genommen ist es gar kein richtiges Café, doch die Menschen aus dem Viertel kommen, und sie bringen ihre Geschichten mit – von der Sehnsucht, vom Verlust, vom unverhofften Glück.

Seventeen-year-old Franz Huchel journeys to Vienna to apprentice at a tobacco shop. There he meets Sigmund Freud, a regular customer, and over time the two very different men form a singular friendship. When Franz falls desperately in love with the music hall dancer Anezka, he seeks advice from the renowned psychoanalyst, who admits that the female sex is as big a mystery to him as it is to Franz.

The year is 1908, the height of the Belle Époque, and a brilliant, young French woman named Gabriële, newly graduated from the most elite music school in Europe, meets a volcanic Spanish artist named Francis. Following a whirlwind romance, they marry and fall headlong into a Paris that is experimenting with new forms of living, thinking, and creating. Soon after marrying Francis, Gabriële meets Marcel, another young artist, five years her junior. Soon, Francis, Marcel, and Gabriële are all involved in a fervent affair that will change the course of art history and redefine the avant-garde.

Clare is supposed to be the grown-up one. Married to the love of her life, with a major deal for her first novel, she has everything she thought she wanted. So then why does it all feel so wrong? When she agrees to a weeklong vacation in Hawai'i with five of her oldest friends as they each approach thirty, she is hoping for an escape with the people who know her best. But when a terrifying news alert shatters their peace, it becomes harder to ignore how much the world has changed since they were teenagers.

Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things: the cavorting of a newborn calf, the return of birdsong after a long winter, the steadfast love of a good (or tolerably good) farm dog. But the outer world still beckons, so Orri leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavík.

On the eve of the Nazi occupation, in the heart of Brussels, life for the residents of 33 Place Brugmann is about to change forever. Charlotte Sauvin, an art student raised by her beloved architect father in apartment 4L, knows all the details of the building and its people: how light falls on wood floors and voices echo off the marble staircase, the distinct knock of her dear friend, Julian Raphaël, the son of the art dealer’s family across the hall. Then the Raphaëls disappear, leaving everything behind but their priceless art collection, which has simply vanished.

Drew thought she was destined to rise above her small New Jersey hometown and make it as a serious journalist in New York City. But now she’s back in Clearfield, pushing thirty, newly single, and living with her father. After a chance encounter at the grocery store, she reconnects with her ex-best friend, Steph, who married young and never left their hometown. But Steph looks … good. She’s tanned, clear-skinned, and glowing. She drives an expensive car and wears only name-brands. What’s her secret?

On the eve of her first solo show, Ava is feeling defiant. The art gallery acolytes have insisted on writing “explanations” of her paintings for an accompanying catalog, but what do they know of her work? What do they know of her brother, Demetri, whose face echoes across every canvas? After all, Ava and Demetri have only ever had each other. Abandoned first by their mother, who drowned in the Long Island Sound, and then again by their father, who couldn’t see beyond his grief, each sibling has always been the other’s most ardent supporter.

G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

Lion is about an unlikely parent, more legend than presence in his daughter's life. He is a charismatic, dashing bon-vivant, a polo player, race car driver, cocaine addict, ex-con, pilot, and sky-diver. Born in the aftershocks of Argentina's greatest earthquake, he is like a minor god who comes down to earth in a grand manner, falling in all the ways there are to fall.