Returning home to England from Van Diemen's Land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of Australian Aboriginals, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties – to her dead husband, to her rescuer, to her own and to her adoptive class.

The Good Soldier Švejk, written shortly after the First World War, is one of the great antiwar satires - and one of the funniest books of the 20th (or any) century. In creating his eponymous hero, Jaroslav Hašek produced an unforgettable character who charms and infuriates and bamboozles his way through the conflagration that tore through the heart of Europe, upending empires and changing social history. It is the closing period of the Austro-Hungarian Empire. The assassination at Sarajevo has just occurred and armies are on the march.

In six short stories Patrick White probes beneath the surface of events to expose a deeper, truer reality. These six short novels and stories achieve the majesty and power of the best of Patrick White’s great novels. They probe beneath the surface of events – a sexual lapse, the unaccustomed climate of a foreign country, interruptions in a cherished routine, a death, a toothache – to expose a deeper, truer reality.

Elizabeth Hunter, an ex-socialite in her 80s, has a mystical experience during a summer storm in Sydney which transforms all her relationships – her existence becomes charged with a meaning which communicates itself to those around her. From this simple scenario, Patrick White unfurls a monumental exploration of the tides of love and hate, comedy and tragedy, impotence and longing that fester within family relationships.

With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.

So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use. He is born into a world of poverty, ignorance and injustice, but Azaro awakens with a smile on his face. Despite belonging to a spirit world made of enchantment, where there is no suffering, Azaro chooses to stay in the land of the Living: to feel it, endure it, know it and love it. This is his story.

Tom McCann, a professor of sociology, and his young assistant, Roger, infiltrate a religious cult group based in New York State, deciding it will make excellent study material. But they find it hard to maintain their deception, especially as Verena, the cult's leader, is an attractive woman.

'The sun shone, having no alternative, on the nothing new.' So opens Murphy, Samuel Beckett's first novel, published in 1938. Its work-shy eponymous hero, adrift in London, realises that desire can never be satisfied and withdraws from life, in search of stupor. Murphy's lovestruck fiancée, Celia, tries with tragic pathos to draw him back, but her attempts are doomed to failure. In Dublin, Murphy's friends and familiars are simulacra of him, fragmented and incomplete. They come to London in search of him.

Published in 1897, The Spoils of Poynton is one of the quintessential works of James's middle period. The "spoils" of the book's title refer to furniture and other objets d'art that the widow Adela Gereth moves to her cottage so that they are kept away from the clutches of her coarse future daughter-in-law, Mona Brigstock. However, events take an unexpected turn when her married son Owen is attracted to her friend, Fleda Vetch.

In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Werther, a sensitive young artist, finds himself in Wahlheim, a quiet, attractive village in Germany where he seeks solace from the turmoils of love. It is a young spring, and he hopes that arcadian solitude will prove a genial balm to his mind. But his romantic tendency rules otherwise, and he falls in love with Charlotte - Lotte - even though he knows she is affianced to another.

There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).

Robert Musil (1880-1942) is best known for his enduring masterpiece The Man Without Qualities, one of the great European works of the 20th century. It was with The Confusions of Young Master Törless first published in 1906, a challenging but very different work, that he signalled his extraordinary talent. As the nineteenth century draws to an end, young Torless is sent to a military boarding school for the sons of the nobility on the eastern outreaches of the Austro-Hungarian Empire.

When old friends Henry and Cato reunite after years apart, they quickly become embroiled in the drama of each other’s lives. Henry, who has just returned to England as the sole heir to his recently deceased brother’s estate, quickly begins to uncover secrets buried long ago. Meanwhile, Cato, a Catholic priest, has fallen in love with the criminal Beautiful Joe, and struggles to reform him despite the thief’s continual efforts to rob him.

Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With this androgynous hero – Eudoxia/Eddie/Eadith Twyborn – and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us on a journey into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.

Returning home to England from Van Diemen's Land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of Australian Aboriginals, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties – to her dead husband, to her rescuer, to her own and to her adoptive class.

Mrs Standish, ageing but still beautiful, is drawn into secret liaisons, while her daughter Eden experiments openly and impulsively with left-wing politics and love affairs. Only the son, Elyot, remains an aloof and scholarly observer –until dramatic events shock him into sudden self-knowledge.

Elizabeth Hunter, an ex-socialite in her 80s, has a mystical experience during a summer storm in Sydney which transforms all her relationships – her existence becomes charged with a meaning which communicates itself to those around her. From this simple scenario, Patrick White unfurls a monumental exploration of the tides of love and hate, comedy and tragedy, impotence and longing that fester within family relationships.

Waldo is the competent man of reason – he sees himself as the superior intellect. Arthur, accepted as a half-wit, is the innocent, God's fool, loving and outgoing in a blundering way. As they compete with and care for each other through half a century, their lives are inextricably intertwined – the two sides of man's nature forming a totality.