In the first of six witty short stories, 60s-something English barrister, Horace Rumpole, takes on the younger generation both at home and in the hallowed courtroom—while offending his esteemed colleagues and his draconian wife, Hilda.

Horace Rumpole is back, but this one time he relates his witty tale as he now takes a turn as an Old Bailey prosecutor, one with a penchant for gin and justice. Listen to Rumpole's biting cynicism and dry humor...then become a lifelong fan!

Benedict Cumberbatch plays the young, feisty, devastatingly acute Horace Rumpole in this collection of cracking cases, also starring Timothy West as the older Rumpole. Rumpole and the Penge Bungalow Murders: It is the '50s, and two war heroes have been shot dead. Defending the suspect is deemed hopeless, so the case is handed to a novice. But the novice's superiors didn't count on the tenacity and wit of the young and hungry Horace Rumpole.

Following the best-selling Summer of a Dormouse, Sir John Mortimer - playwright, novelist, octogenarian, and erstwhile QC - offers up more lessons in living and growing old disgracefully. What would we like to leave to our descendants? Not a third-rate painting or our PEPS, according to Sir John, but a love of Shakespeare, a taste for alcohol, the ability to defeat boredom, the importance of never locking the lavatory door, and so on.

Here are two wonderful stories about the irrepressibly audacious Old Bailey hack Horace Rumpole, including the immortal moment in Rumpole's Last Case when, pinning his hopes on a four-horse accumulator, Rumpole decides to retire from the hallowed halls of justice, but not before first speaking his mind to the "Mad Bull" - Judge Roger Bullingham.

Benedict Cumberbatch plays Horace Rumpole in this fourth collection of dramatic court cases. 'Rumpole and the Bubble Reputation': Erskine-Brown is working on a sordid ABH and affray case which allegedly occurred in a Soho night club. When he and Rumpole visit the disreputable scene of the crime, they meet Maurice Machin, the editor of the Daily Beacon, whose paper is being sued for libel.

After a fight with his wife, Rumpole stays with Erskine-Browns and finds that Portia is prosecuting one of his clients.

Benedict Cumberbatch plays the young Horace Rumpole in this second stellar collection of court cases, also starring Timothy West as the older Rumpole. 'Rumpole and the Man of God': It is 1959, and Rumpole must defend a clergyman accused of shoplifting who, although he clearly did not commit the crime, is curiously reluctant to be cross-examined under oath. Meanwhile, Hilda (she who must be obeyed) has big news....

Rumpole defends a Pakistani doctor accused of molesting a female patient. Meanwhile his colleague Phyllida suspects her husband, Erskine-Brown, of philandering. To complicate these matters even more, Rumpole is sidetracked by the romantic advances of a middle-aged ex-client.

Rumpole unenthusiastically accompanies Hilda and her cousin to a very fashionable restaurant. Rumpole hates the ostentatious ambiance and pretentious food with its scant portions. He requests steak and kidney pudding. Jean Pierre O'Higgins, the owner, is insulted that Rumpole would expect him to prepare such low-class dishes. Suddenly, pandemonium strikes when a live mouse jumps out from the serving dish at another table. Unfortunately, the diners are Erskine-Brown with an attractive colleague that he's romancing.

Benedict Cumberbatch plays the young, feisty, devastatingly acute Horace Rumpole in this collection of cracking cases, also starring Timothy West as the older Rumpole.

Timothy West takes on the role of Rumpole in this collection of cracking court cases, including Rumpole and the Teenage Werewolf, Rumpole and the Right to Privacy, Truth Makes All Things Plain, and The Past Catches Up with Us All....

'Rumpole and the Way Through the Woods': Rumpole makes friends with a dog named Sir Lancelot and finds himself defending a hunt saboteur who claims to be guilty of murder. 'Rumpole for the Prosecution': Rumpole’s personal commandment is ‘Thou Shalt Not Prosecute’ - but he breaks this rule to take on a private prosecution brought by a dead girl’s father. However, an obscure literary reference and a piece of evidence that doesn’t fit bring his defender’s instincts to the fore....

Timothy West takes on the role of Rumpole in these two thrilling dramas featuring the wily magician of the Old Bailey at his implacable best. Rumpole takes up the cause of young Bertie Timson, whose sole ‘crime’ seems to be playing football in the street. As he endeavours to defend our ancient freedoms, he becomes uneasy about exactly what his wife Hilda is up to in her continuing friendship with a high court judge.

While Rumpole defends a union activist accused of manslaughter, Hilda creates her own union and goes on strike as Rumpole's cook because of his unpredictable and frequent late hours. Rumpole is under pressure to win his case and negotiate a proper labor settlement with “She Who Must Be Obeyed”.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.