The Turn of the Screw
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Narrated by:
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Simon Vance
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Vanessa Benjamin
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By:
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Henry James
About this listen
With its possibly ambiguous content and powerful narrative technique, the story challenges the listener to determine if the unnamed governess is correctly reporting events or is instead an unreliable neurotic with an overheated imagination.
©2006 Henry James (P)2008 Blackstone Audio, Inc.Listeners also enjoyed...
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Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.
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A good story ruined by the narrator
- By i. Ski on 04-17-14
By: Anne Brontë
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Charlotte Brontë
- A Fiery Heart
- By: Claire Harman
- Narrated by: Corrie James
- Length: 16 hrs and 8 mins
- Unabridged
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Charlotte Brontë's life contained all the drama and tragedy of the great Gothic novels it inspired. Like Jane Eyre, she was raised motherless on remote Yorkshire moors and sent away to a brutally strict boarding school at a young age. Charlotte grew up and watched helplessly as, one by one, her five beloved siblings sickened and died; by the end of her short life, she was the only child of the Brontë clan remaining.
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Clear-Eyed Bio of Literature's Most Elusive Figure
- By wally on 09-02-16
By: Claire Harman
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No Name
- By: Wilkie Collins
- Narrated by: Nicholas Boulton, Rachel Atkins, Russell Bentley, and others
- Length: 27 hrs and 20 mins
- Unabridged
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Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.
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Good and Evil and Funny
- By John on 07-06-20
By: Wilkie Collins
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The Dead Secret
- By: Wilkie Collins
- Narrated by: Nicholas Boulton
- Length: 13 hrs and 20 mins
- Unabridged
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A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.
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Only complaint is I wish it were longer
- By alisammeredith on 03-15-22
By: Wilkie Collins
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The Age of Innocence
- By: Edith Wharton
- Narrated by: David Horovitch
- Length: 12 hrs and 5 mins
- Unabridged
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Countess Ellen Olenska, separated from her European husband, returns to old New York society. She bears with her an independence and an awareness of life which stirs the educated sensitivity of the charming Newland Archer, engaged to be married to her cousin, May Welland. Though he accepts the society's standards and rules he is acutely aware of their limitations. He knows May will assure him a conventional future but Ellen, scandalously separated from her husband, forces Archer to question his values and beliefs.
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Narrated to Perfection
- By Ilana on 09-18-12
By: Edith Wharton
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Villette
- By: Charlotte Brontë
- Narrated by: Davina Porter
- Length: 22 hrs and 39 mins
- Unabridged
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Hailed as Charlotte Brontë’s “finest novel” by Virginia Woolf, Villette is the timeless semi-autobiographical tale of Lucy Snowe. Left with no family and no money, Lucy goes against her own timid nature and travels to the small city of Villette, France, where she becomes a school teacher in Madame Beck’s school for girls. During her stay, she falls in love—twice—and discovers an independent, inner strength rarely seen in women of her time.
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The Divine Ms. Porter delivers as always
- By peachnmario on 03-17-15
By: Charlotte Brontë
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3 Classic Novels
- Sense & Sensibility, Pride & Prejudice, Mansfield Park
- By: Jane Austen
- Narrated by: Geoffrey Giuliano, The Spire
- Length: 36 hrs and 38 mins
- Unabridged
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Welcome to the world of Jane Austen, one of the most beloved authors in the English language. Austen's works are known for their wit, social commentary, and romantic storylines that have captivated readers for generations.
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Classic Novels are the best.
- By Maureen Hart on 09-07-23
By: Jane Austen
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The Man Without Qualities
- By: Robert Musil
- Narrated by: John Telfer
- Length: 60 hrs and 30 mins
- Unabridged
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In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.
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An unmatched intellectual epic
- By Delano on 06-23-22
By: Robert Musil
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The Phantom Coach
- A Connoisseur's Collection of the Best Victorian Ghost Stories
- By: Michael Sims
- Narrated by: Matthew Waterson
- Length: 10 hrs and 48 mins
- Unabridged
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Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.
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Excellent Narration and Great Selection of Stories
- By Robert on 05-03-15
By: Michael Sims
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Great, but Mightn't be the Best on Audible
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Excellent all around!
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This is the best
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Excellent all around!
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This is the best
- By Ninad on 01-21-08
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What listeners say about The Turn of the Screw
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- Leesha
- 11-05-12
Psychological study disguised as a ghost story
Any additional comments?
This brilliant book is a psychological study disguised a ghost story.
To really understand this book, you have to know something about the time it was written. This book was published in 1898 in Victorian England, in a society so uptight, it was considered improper to utter the word "leg" in mixed company. Gasp! Victorian society with riddled with blatant hypocrisy and double standards. On the surface, it was rigid, prudish and stuffy but this was to camouflage the sexual and moral decadence that often went on behind closed doors. While the legs of furniture were draped with cloth to avoid appearing too sexy, the patriarch of the house might be molesting the scullery maid when nobody was looking.
There are two first-person narrators throughout the story. Our first narrator introduces us to the story and gives us some background info. He's crafting of the story. The second narrator, the Governess, is telling her version of the story within the main story.
On the surface, this is a ghost story told from the point of view of a young, newly hired governess who will be in charge of a young boy and his sister in a haunted manor. The new governess begins seeing what she believes are ghosts peering into the windows. Are they really ghosts? Or is it a peeping Tom spying on the young children? Is this governess hallucinating? Everything is vague and it is left to the reader to decide these things.
Beneath the surface, this is the story of child sex abuse and pedophilia. Immediately after the governess starts her new job, the head housekeeper passes on some gossip about the boy Miles. She says that in spite of his angelic innocent demeanor, the boy has been "bad" in the past, he would disappear for hours in the company of Peter Quint who was "much too free with the boy” and engaged in "depravity." To deal with the disturbing scandal, young Miles was sent away to boarding school but he was quickly expelled after he tells some of his classmates about the sordid things Peter Quint did to him.
The author purposely misleads the reader about the true identity of many of the book's characters. At the beginning of the book, a small group of guests sits around a fire telling stories in the evening. An older man named Douglas tells the story we read. Douglas appears to be telling a story about himself when he was a child, changing his name to Miles. There is an Uncle who, for mysterious reasons, suddenly leaves his Grand Manor House and with no explanation, refuses to ever see Miles again. Could the Uncle and Quint, the man who molested Miles/Douglas, be the same person? There are other moments in the story when the Governess and the housekeeper complete each other's sentences, as if they are one person, talking to themselves.
Why would the author deliberately make things so confusing for the reader with a cover story about a haunted manor? It is all probably part of an elaborate smokescreen to veil the real, much more shocking, scandalous subject matter: pedophilia. Because one did not speak of such depraved matters like pedophilia in repressed Victorian England, Henry James had to jump through hoops to veil the real subject of his novel. Genius, when you think about it
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5 people found this helpful
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- Michael
- 01-03-13
Strange, ambiguous - a dissatisfaction that lasts
What did you like best about The Turn of the Screw? What did you like least?
It had a captivating tension that unfolded both slowly and rapidly. It had an ambiguity that created mystery. The ambiguity remained unresolved, creating ultimate dissatisfaction. But the dissatisfaction lasts in a way that is paradoxically satisfying. The (non) resolution left me annoyed, and as if I was supposed to have viewed the story another way all along.I suspect the reaction to it in the early 21st century may be quite different to when it was first written.
Would you recommend The Turn of the Screw to your friends? Why or why not?
Probably yes
What about Simon Vance and Vanessa Benjamin ’s performance did you like?
old English voices and modulating with different charactes.
Do you think The Turn of the Screw needs a follow-up book? Why or why not?
I don't think this question makes sense.
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3 people found this helpful
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- Sher from Provo
- 12-16-13
Ghost Story
I haven't decided if the governess is telling the truth or trying to hide something about herself. Or maybe she is delusional.
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6 people found this helpful
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Overall
- cristina
- 12-16-10
Ultimately disappointing
The mystery is not a mystery to the modern reader -- only to the protagonist (who is not easy to like -- I simply didn't care what happened to her). The ending is too predictable -- and unsatisfying.
The classic "gothic horror" tone is entertaining, I guess (that's why I gave it three stars), but you should read it more as a short story (it IS short). And do not expect Simon Vance to be the reader -- he is out of the story completely in less than 15 minutes.
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5 people found this helpful
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- Russell Bernard
- 11-06-16
Who done it, Murder or love?
I love the mystery of this story and i go back and forth on the ending depending on my mood. This is a great astory that is written so well that you get to decide the ending.
Narrration is not to be missed.
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- Sarah R. Jacobs
- 09-25-15
I didn't think I liked Henry James
But I do. I was just too young to "get" Henry James before. Vanessa Benjamin is perfect for this book.
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2 people found this helpful
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- D. Cobos
- 10-18-22
Good story but not too scary
I enjoyed this book, even though it wasn't as scary as I'd hoped it would be. Great narration, and a creepy, slow-building story line.
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- Jason Mecchi
- 06-25-23
A true classic
I do really enjoy the story and the performance. the work may be a bit dated though.
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- Silenced Majority
- 05-10-23
An Enduring Classic Wonder
This is o e of the books that started it all, the whole victorian "gothic" ghost story genre. It's positively brilliant. I feel sorry for those leaving the reviews calling this story "boring". It's enthralling. It's terrifying. It's psychological horror. It's cerebral and intelligent. And all the confused reviewers calling this "old English"? This is very, very *Modern* English. Even Shakespeare was Modern English. Old English is not at all intelligible to today's English speakers. It's closer to German than today's English. It wasn't even intelligible to Chaucer, whose work was in Middle English, which is several hundred years more recent than "old" English. It's sad that our kids don't know their heritage and think Henry James is "boring". He's way better than anything produced today. Masterful.
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- Darwin8u
- 03-12-13
Compelling, creepy and rich in its ambiguity
My first exposure to Henry James was this tight little psycho-drama of a ghost story. 'Turn of the Screw' is one of those amazing little stories that twists the reader back and forth between the extremes of believing the narrator is legitimate in her fear of actual ghosts or believing she is simply mad. James' story turns on this dilemma. One slight rotation to the right and all bets are off.
For a ghost story, I was far more creeped out by the two 'angelic' children, the vacant setting, and the remote English country house. Anyway, while not blown away by the story, I still found it compelling, creepy and rich in its ambiguity.
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26 people found this helpful