Malone Dies is the first person monologue of Malone, an old man lying in bed and waiting to die. The tone is fiercely ironic, highly quotable, and because of its extravagance, also very comic. It catches the reality of old age in a way that is grimly convincing, cruel as humor so often is, and memorable because of Beckett's way with words. A master dramatist, Beckett's novels can be even more effective when heard, and especially when read by such a Beckett specialist as Sean Barrett.

'The sun shone, having no alternative, on the nothing new.' So opens Murphy, Samuel Beckett's first novel, published in 1938. Its work-shy eponymous hero, adrift in London, realises that desire can never be satisfied and withdraws from life, in search of stupor. Murphy's lovestruck fiancée, Celia, tries with tragic pathos to draw him back, but her attempts are doomed to failure. In Dublin, Murphy's friends and familiars are simulacra of him, fragmented and incomplete. They come to London in search of him.

Written initially in French, later translated by the author into English, Molloy is the first book in Dublin-born Samuel Beckett's trilogy. It was published shortly after WWII and marked a new, mature writing style, which was to dominate the remainder of his working life. Molloy is less a novel than a set of two monologues narrated by Molloy and his pursuer, Moran.

There is now no doubt that not only is Waiting for Godot the outstanding play of the 20th century, but it is also Samuel Beckett's masterpiece. Yet it is both a popular text to be studied at school and an enigma. The scene is a country road. There is a solitary tree. It is evening. Two tramp-like figures, Vladimir and Estragon, exchange words. Pull off boots. Munch a root vegetable. Two other curious characters enter. And a boy. Time passes. It is all strange yet familiar.

How It Is, a landmark in 20th century literature, is one of the most challenging of Samuel Beckett's early novels. He published it first in French in 1961 and then in his own translation in 1964. He explained in a letter that it was the outpouring of a "'man' lying panting in the mud and dark murmuring his 'life' as he hears it obscurely uttered by a voice inside him.... The noise of his panting fills his ears and it is only when this abates that he can catch and murmur forth a fragment of what is being stated within...."

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

These four works show Samuel Beckett at his most penetrating. Both Krapp's Last Tape (1958) and Not I (1972) are among the most striking pieces written for the theatre in the 20th century. An old man sits at a table, playing back old tapes made when he was younger, mixed glimpses of past feelings. In Not I, we have just a mouth expressing memories and torment in a torrent of words.

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.

Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.

From his 1935 debut with "The Universal History of Iniquity", through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language.

Swann’s Way is the first and best-known part of Proust’s monumental work, Remembrance of Things Past. Often compared to a symphony, this complex masterpiece is ideally suited for audio. Listening lets you appreciate anew the incredible beauty of Proust’s language and the uniqueness of his style. The novel’s narrator, Marcel, finds the true meaning of experience in memories stimulated by some random object or event.

Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa - a fictional Juárez - on the U.S.-Mexico border.

Laurence Sterne’s most famous novel is a biting satire of literary conventions and contemporary 18th-century values. Renowned for its parody of established narrative techniques, Tristram Shandyis commonly regarded as the forerunner of avant-garde fiction. Tristram’s characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain’s greatest comic achievements.

This is a tale of sorrow, a tale of survival, a tale of one man's search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend.

After a staged terrorist attack kills the President and most of Congress, the government is deposed and taken over by the oppressive and all-controlling Republic of Gilead. Offred is a Handmaid serving in the household of the enigmatic Commander and his bitter wife. She can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name.

Written initially in French, later translated by the author into English, Molloy is the first book in Dublin-born Samuel Beckett's trilogy. It was published shortly after WWII and marked a new, mature writing style, which was to dominate the remainder of his working life. Molloy is less a novel than a set of two monologues narrated by Molloy and his pursuer, Moran.

Malone Dies is the first person monologue of Malone, an old man lying in bed and waiting to die. The tone is fiercely ironic, highly quotable, and because of its extravagance, also very comic. It catches the reality of old age in a way that is grimly convincing, cruel as humor so often is, and memorable because of Beckett's way with words. A master dramatist, Beckett's novels can be even more effective when heard, and especially when read by such a Beckett specialist as Sean Barrett.

There is now no doubt that not only is Waiting for Godot the outstanding play of the 20th century, but it is also Samuel Beckett's masterpiece. Yet it is both a popular text to be studied at school and an enigma. The scene is a country road. There is a solitary tree. It is evening. Two tramp-like figures, Vladimir and Estragon, exchange words. Pull off boots. Munch a root vegetable. Two other curious characters enter. And a boy. Time passes. It is all strange yet familiar.

'The sun shone, having no alternative, on the nothing new.' So opens Murphy, Samuel Beckett's first novel, published in 1938. Its work-shy eponymous hero, adrift in London, realises that desire can never be satisfied and withdraws from life, in search of stupor. Murphy's lovestruck fiancée, Celia, tries with tragic pathos to draw him back, but her attempts are doomed to failure. In Dublin, Murphy's friends and familiars are simulacra of him, fragmented and incomplete. They come to London in search of him.

These four works show Samuel Beckett at his most penetrating. Both Krapp's Last Tape (1958) and Not I (1972) are among the most striking pieces written for the theatre in the 20th century. An old man sits at a table, playing back old tapes made when he was younger, mixed glimpses of past feelings. In Not I, we have just a mouth expressing memories and torment in a torrent of words.