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Swann's Way
- Narrated by: George Guidall
- Length: 21 hrs and 27 mins
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Publisher's summary
Swann’s Way is the first and best-known part of Proust’s monumental work, Remembrance of Things Past. Often compared to a symphony, this complex masterpiece is ideally suited for audio. Listening lets you appreciate anew the incredible beauty of Proust’s language and the uniqueness of his style. The novel’s narrator, Marcel, finds the true meaning of experience in memories stimulated by some random object or event. He recalls his childhood, and eventually reconstructs the story of Monsieur Swann and his passion for Odette, a beautiful, but socially inferior woman. Marcel’s waking reverie gives rise to fascinating questions about the meaning of time. Swann’s Way, with its long passages of intricate introspection, becomes much more accessible and enjoyable with George Guidall’s lucid narration.—Includes an exclusive interview with Mary Ann Caws, Distinguished Professor of English, French, and Comparative Literature at CUNY.
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Editorial reviews
Recorded Books has selected a narrator who makes Proust light-going, if that's imaginable. George Guidall draws us into the banter and gossip of the provincial French bourgeoisie; he makes us feel as if we were at the table with Marcel's family or sharing the parlor with Monsieur Swann's coterie. More impressive still is the ease with which he handles even the most difficult exposition. Try, for instance, Guidall's rendition of "Combray," a complex meditation on Marcel's childhood at his family's country home. What might have been sleep-inducing becomes a haunting, even mesmerizing, experience - the mark of a virtuoso audiobook narrator.
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Old New York
- By: Edith Wharton
- Narrated by: Gabrielle de Cuir, Stefan Rudnicki
- Length: 9 hrs and 30 mins
- Unabridged
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Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.
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narration
- By Alissa on 01-31-23
By: Edith Wharton
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Zorba the Greek
- By: Nikos Kazantzakis
- Narrated by: George Guidall
- Length: 12 hrs and 35 mins
- Unabridged
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A wonderful tale of a young man’s coming of age, Zorba the Greek has been a classic of world literature since it was first translated into English in 1952 and made into an unforgettable movie with Anthony Quinn. Zorba, an irrepressible, earthy hedonist, sweeps his young disciple along as he wines, dines, and loves his way through a life dedicated to fulfilling his copious appetites. Zorba is irresistible in this charming audio production by veteran narrator George Guidall.
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Drink life to the lees
- By Scot Potts on 04-25-13
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The Paladin
- By: David Ignatius
- Narrated by: George Guidall
- Length: 10 hrs
- Unabridged
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When a daring, high-tech CIA operation goes wrong and is disavowed, Michael Dunne sets out for revenge. CIA operations officer Michael Dunne is tasked with infiltrating an Italian news organization that smells like a front for an enemy intelligence service. Headed by an American journalist, the self-styled bandits run a cyber operation unlike anything the CIA has seen before. Fast, slick, and indiscriminate, the group steals secrets from everywhere and anyone, and exploits them in ways the CIA can neither understand nor stop.
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Could have been a short story
- By disappointed buyer on 05-28-20
By: David Ignatius
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The Lost Wife
- A Novel
- By: Alyson Richman
- Narrated by: George Guidall, Suzanne Toren
- Length: 10 hrs and 4 mins
- Unabridged
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In pre-war Prague, the dreams of two young lovers are shattered when they are separated by the Nazi invasion. Then, decades later, thousands of miles away in New York, there's an inescapable glance of recognition between two strangers. Providence is giving Lenka and Josef one more chance. From the glamorous ease of life in Prague before the Occupation, to the horrors of Nazi Europe, The Lost Wife explores the power of first love, the resilience of the human spirit, and the strength of memory.
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Love, Strength & Survival
- By Sara on 01-27-14
By: Alyson Richman
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Dances with Wolves
- By: Michael Blake
- Narrated by: George Guidall
- Length: 9 hrs and 10 mins
- Unabridged
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Ordered to hold an abandoned army post, John Dunbar found himself alone, beyond the edge of civilization. Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Set in 1863, the novel follows Lieutenant John Dunbar on a magical journey from the ravages of the Civil War to the far reaches of the imperiled American frontier, a frontier he naively wants to see "before it is gone".
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Even better than the movie. Excellent narration.
- By JSP on 12-28-19
By: Michael Blake
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To the Lighthouse
- By: Virginia Woolf
- Narrated by: Nicole Kidman
- Length: 6 hrs and 37 mins
- Unabridged
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To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel
The Hours, brings the impressionistic prose of this classic to vibrant life.
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A book that will challenge you to think.
- By Kelly on 04-23-17
By: Virginia Woolf
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Madame Bovary
- Penguin Classics
- By: Gustave Flaubert
- Narrated by: Fiona Glascott
- Length: 15 hrs and 8 mins
- Unabridged
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Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent reader of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and the consequences are devastating. Flaubert's erotically charged and psychologically acute portrayal of Emma Bovary caused a moral outcry on its publication in 1857.
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Irritating French pronunciation
- By Amazon Customer on 10-02-20
By: Gustave Flaubert
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Amerika
- The Missing Person: A New Translation by Mark Harman Based on the Restored Text
- By: Franz Kafka
- Narrated by: George Guidall
- Length: 9 hrs and 37 mins
- Unabridged
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A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.
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ha ha ha this is terrific
- By tom on 01-29-14
By: Franz Kafka
What listeners say about Swann's Way
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Gary
- 05-29-16
This version has the best narrator
I fully appreciated this version of the novel for two reasons: I had read the Graphic Novel of the book (comic book) by Stephane Heuet, and I absolutely always love a George Guidall narration. I haven't listened to the other versions of this volume by other narrators, there's no need to since nobody narrates better than Guidall.
For me, this is a rare fictional book in which I would have been served by reading the physical copy since I could have underlined all of the brilliant lines within the text which clearly transcended the story that is ostensibly being told. Though, the interview at the end by the Proust expert mentions that the book is noted for it's extremely long sentences, but that would have confused me if I had to read it but for which I didn't really notice while listening.
This book was definitely worth while for me even though I almost never tip my toes into the murky water of great fiction, but I enjoy philosophy and this book within the text has plenty of insights into philosophy. I had noticed that Sartre in 'Being and Nothingness' had quoted from this book multiple times. There is a philosophical question that glides thru this book: 'how do we know what we know" and how our external and internal worlds form our perceptions, and of course the question of time and memory. But, I'll leave it to the individual listener to find their own wisdom within this book and to understand why this book is said to be the greatest book of the 20th century.
The book can be hard to follow because so much of it deals with "involuntary memory" excursions, but having had read the comic book fairly recently before listening to the story, I was never overly confused by where the narrator was in the story. (The expert at the end of the story mentioned that the narrator of this book does give his name once and his name is Marcel).
There is an extremely funny line in the book and I would not have understood it unless I had read the comic book and had my DNA sampled by 23andMe. It turns out there is a gene which some people carry which makes their 'chamber pot' smell of perfume if the person eats asparagus. The author makes use of that fact and says a line about that (though in this translation they say 'chamber' not 'chamber pot') and would have gone completely passed me if I had not been aware of that effect or had not read the comic.
My advice for people who want to read great literature but get confused by it because they can't always understand it is 1) get the graphic novel and 2) get this version narrated by Guidall, and you will be surprised by how much you'll get out of this book.
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7 people found this helpful
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- steve
- 08-16-16
Priceless Proust Performance.
narrator is great, good, easy to listen to. story is, well, Proust. Everyone should listen or read Proust, the writing is superb, descriptions amazing, and hearing them is much different than reading. The rhythm comes through.
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2 people found this helpful
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- Jill Viggiano
- 02-02-23
Nothing like it
No detail is passed over and yet not tedious. I’m glad I listened to it.
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- Michael
- 02-04-13
Beautiful, BUT
This is the first book of an extraordinary seven part novel. I listened to the samples of all the versions available on audible, and as soon as I heard George Guidall’s narration I was hooked. With a narration the least bit pedantic or dry or florid or scholarly this could be quite tiresome. Guidall’s light touch and almost childlike tone was perfect for the story. This is less a story than ephemerally connected evocations, exploring the associations between memory and sense and time. The writing is introspective, complex and beautiful.
The only downside that, after completing this first part, I found this narrator had not read the other parts on Audible. The samples by Rowe and Jason did not entice me. I hope Guidall will narrate the other parts.
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31 people found this helpful
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- SandyK
- 06-23-21
Brilliant Literature
What can one say? This is one of the great novels of all time. As to the use of language, the exploration of memory, impressions, the flow of time, the past, characters in their time, and the interaction of all of this in the plots of time - Proust is a genius!
It’s a treat finally to encounter In Search of Time. I’ve already queued up the second and third volumes and can’t wait to get to them.
The narration is ok. Guidall is better at performing stories in which he doesn’t have the challenge of reading as too many characters, and he doesn’t here He, thus, manages well.
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- Aida B
- 09-26-19
A good read for the right mood
There’s no question that Proust is a master of language, descriptions, deep thought and philosophical insights; however, one must be in the right mood to endure the long sentences, the digging of ideas and observations to the point of deconstruction.
George Guidall - as always - performs the work so vividly and warmly.
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- Theasophia
- 01-03-18
Best cure for insomnia; lovely, but not fast-paced
Would you listen to Swann's Way again? Why?
I have listened to it repeatedly, and will again. I dread ever losing my downloaded copies, or access to download it again.
What was the most interesting aspect of this story? The least interesting?
I am in awe of the duplication of the way the mind works and how well Proust has managed to capture the feeling of wandering thoughts.There isn't really much story, just a string of vignettes as remembrances (of, as it says on the tin, time lost) tied together by introspection and fleeting philosophical statements.
I can't say I find it interesting, precisely; too much interest would ruin the effect it has on me. I find it familiar. I recognize the patterns of thought and reminiscence as if they belonged to a me who lived a completely different life. It's soothing, pleasant, anxious in places but never alarming, always mild, always faintly dreamy. I can't really vouch much for the story, however; because of its effect on me and its place in my life, I've never read or heard it all the way through. I only know it as a series of descriptions and reflections, held together by thematically-smooth transitions but never progressing forward together as any type of plot.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
It makes me sleep. My extreme reaction to this book is falling asleep, usually promptly, and falling back to sleep quickly and pleasantly every time I awake during the night. This is a literally unprecedented reaction for me.
I have used this particular book, and especially this particular recording -- with Guidall's calmly-inflected, soothing voice -- as a soporific for seven years and counting. It never fails to put me to sleep. I've had multiple types of insomnia since I was an infant, and I'm now in my 40s; no pill, habit, tea, clothing, or environmental arrangement recommended by anyone from parents to doctors to sleep specialists has ever managed to put me to sleep more peacefully and reliably than this recording does.
Any additional comments?
I don't want to give the impression that I don't like this book, or this recording, by emphasizing that it puts me to sleep. I don't even want to give the impression that I find it boring, although someone who wants a bit more action (or even dialogue) would probably find it so.
The writing is masterful at achieving its goal, however terrible it is at being anything it isn't trying to be. It's a stunning tapestry of musings and recollections, loosely strung together, the internal monologue of a man looking back on his life.
The narration is outstanding, even accounting for the narrator himself being one of my personal favorites, and the narrator is ideally-suited to the tone, pace, and themes of the content.It's superb.
It's just that I have a neurological disability that makes spoken words difficult for me to understand, and after too long listening for comprehension without something to occupy my eyes and hands, my brain gives up and switches off and I go to sleep. I usually buy ebooks and audiobooks in pairs, and the "Immersion Reading" feature of Kindles makes this even easier for me. It helps me practice things that can partially compensate for my disability, like understanding certain accents, or using small gestures to help myself keep track of long, intricate sentences. Listening to audiobooks with the Kindle screen turned off are a great way for me to get to sleep, although I will wake up later in the story when the plot picks up and the narrator's voice shows appropriate excitement.
That never happens in this book. There's never really a point where it's appropriate for the narrator to raise his voice enough or speak fast enough to wake me. I drop off somewhere around waiting for Mama's goodnight kiss, or on a very bad night, the magic lantern; I wake up again in time to hear about the madeleine dunked in tea, and drop back off again. There's no need for me to set a sleep timer; the audiobook shutting off would wake me, while the soporific reading keeps me asleep all night (however lightly at points) and gives me quiet, stately scenes for my dreams to recreate when I would otherwise be in danger of waking.
The prose is lovely, and the reminiscences are honest enough to be utterly credible and meticulously detailed enough to feel as if they are my own. The narrator and narration are ideal for the content. For someone who doesn't have a sleep disability to overcome, and a hearing disability to wield against it, it would be a lovely listen. For me, though, it's a very specific and useful tool, dreamy and pleasant, and I cannot bring myself to read the book while staying awake for fear of spoiling the effect while I sleep.
How fitting that it opens on a scene of an insomniac fitfully trying to sleep through the night:
"For a long time I used to go to bed early. Sometimes, when I had put out my candle, my eyes would close so quickly that I had not even time to say 'I’m going to sleep.' And half an hour later the thought that it was time to go to sleep would awaken me; I would try to put away the book which, I imagined, was still in my hands, and to blow out the light; I had been thinking all the time, while I was asleep, of what I had just been reading, but my thoughts had run into a channel of their own, until I myself seemed actually to have become the subject of my book: a church, a quartet, the rivalry between François I and Charles V...
"I would fall asleep, and often I would be awake again for short snatches only, just long enough to hear the regular creaking of the wainscot, or to open my eyes to settle the shifting kaleidoscope of the darkness, to savour, in an instantaneous flash of perception, the sleep which lay heavy upon the furniture, the room, the whole surroundings of which I formed but an insignificant part and whose unconsciousness I should very soon return to share. Or, perhaps, while I was asleep I had returned without the least effort to an earlier stage in my life, now for ever outgrown; and had come under the thrall of one of my childish terrors, such as that old terror of my great-uncle’s pulling my curls, which was effectually dispelled on the day–the dawn of a new era to me–on which they were finally cropped from my head. I had forgotten that event during my sleep; I remembered it again immediately I had succeeded in making myself wake up to escape my great-uncle’s fingers; still, as a measure of precaution, I would bury the whole of my head in the pillow before returning to the world of dreams.
"...When a man is asleep, he has in a circle round him the chain of the hours, the sequence of the years, the order of the heavenly host. Instinctively, when he awakes, he looks to these, and in an instant reads off his own position on the earth’s surface and the amount of time that has elapsed during his slumbers; but this ordered procession is apt to grow confused, and to break its ranks. Suppose that, towards morning, after a night of insomnia, sleep descends upon him while he is reading, in quite a different position from that in which he normally goes to sleep, he has only to lift his arm to arrest the sun and turn it back in its course, and, at the moment of waking, he will have no idea of the time, but will conclude that he has just gone to bed. Or suppose that he gets drowsy in some even more abnormal position; sitting in an armchair, say, after dinner: then the world will fall topsy-turvy from its orbit, the magic chair will carry him at full speed through time and space, and when he opens his eyes again he will imagine that he went to sleep months earlier and in some far distant country."
It's like this book, and thus this recording, is a love letter written from one person's sleep -- and insomnia -- to another's.
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3 people found this helpful
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- AR
- 07-01-15
Too Precious for My Taste
OK, I know Proust is considered a great writer. I wanted to like this book, to see what so many others have seen in it. But my honest reaction is that it was a snooze fest.
There's no story. The whole long book is Marcel's memories of his childhood. Sometimes the characters he describes are interesting, and when that happened, I woke up and enjoyed the passage. But most of the time he simply recounts how his exquisitely sensitive young self reacted to trivial, mundane incidents. And he goes on and on and on about them. Raindrops, for instance, take up a whole paragraph. Not rain--raindrops. Some people may find that poetic, but it just put me to sleep.
I was an English major. I love good writing, and with a highly regarded author I am willing to go a long way toward appreciating his or her style, even when it is not to my taste. Recordings of classic literature have been some of my favorite Audible purchases. But I just couldn't finish this.
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7 people found this helpful
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- Dr. Terence M. Dwyer
- 01-09-23
M Proust is the ultimate navel gazer. His work should be labelled “Recalling how I wasted my time”.
Andre Gide’s first instincts were correct. Two volumes of navel gazing are enough for this reader. It really is an appalling piece of self-absorption.
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