Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

The incomparable Booker Prize winner’s next great crime novel - the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home. Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family.

Alexander Cleave, actor, has left his career and his family behind and banished himself to his childhood home. He wants to retire from life, but finds this impossible in a house brimming with presences, some ghostly, some undeniably human. Memories, anxiety for the future, and more particularly, for his beloved but troubled daughter, conspire to distract him from his dreaming retirement.

Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism, and the heart-wrenching humor that have marked all of John Banville's extraordinary works. And it is the question that haunts Alexander Cleave as he plumbs the memories of his first - and perhaps only - love (he, just 15, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring, and finally devastating).

As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

When the world is still counting the cost of the Second World War and the Iron Curtain has closed, eleven-year-old Roland Baines's life is turned upside down. 2,000 miles from his mother's protective love, stranded at an unusual boarding school, his vulnerability attracts piano teacher Miss Miriam Cornell, leaving scars as well as a memory of love that will never fade.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

When a leak is traced back to a small sub-section of SIS, it sparks off security checks, tensions and suspicions - the sort of atmosphere where mistakes could be made. This novel opens up the lonely, isolated, neurotic world of the Secret Service.

Summer 1924: On the eve of a glittering society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks.

It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband, and even servants, life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

In this daring debut, Susan Elia MacNeal blends meticulous research on the era, psychological insight into Winston Churchill, and the creation of a riveting main character, Maggie Hope, into a spectacularly crafted novel.

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

Bethan Griffiths has returned home for Christmas to unwrap secrets. It's the 1970s and she is back in the village of Foel in the Welsh hills to raise her daughter. They arrive to the open arms of her family and the community, but not all is what it seems, and Beth isn't home for the reason she pretends, either. Vicious notes start appearing that reveal harsh truths about the village inhabitants, stirring up ancient pasts, old loves, and the dead. Not even local dignitary, the elegant and aloof Lady Melling who hides in her manor house, is safe from the accusations.

From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.

Cornwall, 1940. Back in England after the harrowing evacuation at Dunkirk, WWII Red Cross nurse Anna Trenowyth is shocked to learn her adoptive parents, Graham and Prue Handley, have been killed in an air raid. She desperately needs their advice, as she's been assigned to the military hospital that has set up camp inside her biological mother's childhood home - Nanreath Hall. Anna was just six years old when her mother, Lady Katherine Trenowyth, died. All she has left are vague memories that tease her with clues she can't unravel.

This novel centres on the friendship of William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, who is searching for someone to write his biography.

From Vladimir Nabokov, the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, comes a magnificent collection of stories. Written between the 1920s and the 1950s, these 68 tales — 14 of which have been translated into English for the first time - display all the shades of Nabokov’s imagination.

Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.

Summer 1924: On the eve of a glittering society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks.

Alex Hyde is the leaders' leader. An executive coach par excellence, she's the person the great and the good turn to when the pressure gets too much; she can change the way they think, how they operate, she can turn around the very fortunes of their companies.

A vicar with a passion for nature, the Reverend Albert Canning leads a happy existence with his naive wife, Hester, in their sleepy Berkshire village in the year 1911. But as the English summer dawns, the Cannings' lives are forever changed by two new arrivals: Cat, their new maid, a disaffected, free-spirited young woman sent down from London after entanglements with the law; and Robin Durrant, a leading expert in the occult, enticed by tales of elemental beings in the water meadows nearby.

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behaviour Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love .

The year is 1928. On the outskirts of a large German city, three young men are earning a thin and precarious living. Fully armed young storm troopers swagger in the streets. Restlessness, poverty, and violence are everywhere. For these three, friendship is the only refuge from the chaos around them. Then the youngest of them falls in love and brings into the group a young woman who will become a comrade as well, as they are all tested in ways they can have never imagined.

The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

Winter in Madrid is set just after the bloody Spanish Civil War, with World War II looming over Europe. Reluctantly, Harry Brett looks for an old schoolmate who's become a person of interest for British intelligence.

In the spring of 1914, a group of young students gather in an art studio for a life-drawing class. Paul Tarrant and Elinor Brooke are two components of a love triangle, and at the outset of the war, they turn to each other. After volunteering for the Red Cross, Paul must confront the fact that life, love, and art will never be the same for him.

England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Institute of Art, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery.

Edie Burchill and her mother have never been close, but when a long lost letter arrives one Sunday afternoon with the return address of Milderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother’s emotional distance masks an old secret.

The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time.

The incomparable Booker Prize winner’s next great crime novel - the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home. Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family.

A man with a borrowed name steps from a flashy red sports car—also borrowed—onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, and with a woman from his past who comes bearing an unusual request.

Alexander Cleave, actor, has left his career and his family behind and banished himself to his childhood home. He wants to retire from life, but finds this impossible in a house brimming with presences, some ghostly, some undeniably human. Memories, anxiety for the future, and more particularly, for his beloved but troubled daughter, conspire to distract him from his dreaming retirement.

It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death.

Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism, and the heart-wrenching humor that have marked all of John Banville's extraordinary works. And it is the question that haunts Alexander Cleave as he plumbs the memories of his first - and perhaps only - love (he, just 15, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring, and finally devastating).

Isabel Archer is a young American woman swept off to Europe in the late 19th century by an aunt who hopes to round out the impetuous but naïve girl's experience of the world. When Isabel comes into a large, unexpected inheritance, she is finagled into a marriage with the charming, penniless, and - as Isabel finds out too late - cruel and deceitful Gilbert Osmond, whose connection to a certain Madame Merle is suspiciously intimate.

From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.

From the Booker Prize-winning author of The Sea comes a brilliantly haunting novel that forges an unforgettable amalgam of enchantment and menace that suggests both The Tempest and his own acclaimed The Book of Evidence.

Once the big house on an Irish estate, Birchwood has turned into a dilapidated family manor filled with memories and despair. One disaster succeeds another, until young Gabriel Godkin runs away to join a traveling circus and look for his long-lost twin sister. Soon he discovers that famine and unrest stalk the countryside, and Ireland is ruined too.

When John Glass's billionaire father-in-law hires him to write his biography, he feels he can't refuse. Then his research assistant on the book discovers some very sensitive information about John's in-laws, and is murdered before he can tell anyone what he knows. John is on his own to find out the young man's secret, before the murderer finds him.

As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived.