The Vorrh
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Narrated by:
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Allan Corduner
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By:
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Brian Catling
About this listen
Prepare to lose yourself in the heady, mythical expanse of The Vorrh, a daring debut that Alan Moore has called "a phosphorescent masterpiece" and "the current century's first landmark work of fantasy".
Next to the colonial town of Essenwald sits the Vorrh, a vast - perhaps endless - forest. It is a place of demons and angels, of warriors and priests. Sentient and magical, the Vorrh bends time and wipes memory. Legend has it that the Garden of Eden still exists at its heart. Now a renegade English soldier aims to be the first human to traverse its expanse. Armed with only a strange bow, he begins his journey, but some fear the consequences of his mission, and a native marksman has been chosen to stop him. Around them swirl a remarkable cast of characters, including a Cyclops raised by robots and a young girl with tragic curiosity as well as historical figures, such as writer Raymond Roussel and photographer Edward Muybridge. While fact and fictional blend, the hunter will become the hunted, and everyone's fate hangs in the balance under the will of the Vorrh.
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Hot on the heels of Gardner Dozois's acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf... and a Saruman. For every Dorothy, a Glinda... and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore... and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped - or misshaped - by the potent magic they seek to wield.
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some stinkers mostly good
- By M.T. on 12-11-18
By: Gardner Dozois - editor, and others
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Haunted
- David Ash Series, Book 1
- By: James Herbert
- Narrated by: Steven Pacey
- Length: 7 hrs and 22 mins
- Unabridged
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A ghostly twist. Three nights of terror at the house called Edbrook. Three nights in which David Ash, there to investigate a haunting, will be victim of horrifying games. Three nights in which he will face the blood-chilling enigma of his own past. Three hideous nights before Edbrook's dreadful secret will be revealed...And the true nightmare will begin.to the surface, tormenting him, refusing to let him rest. The memory of what he once had been.
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Wait For It-----Wait For It
- By Jim "The Impatient" on 11-09-13
By: James Herbert
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Angelique's Descent
- By: Lara Parker
- Narrated by: Lara Parker
- Length: 16 hrs and 18 mins
- Unabridged
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The dashing heir of a New England shipping magnate, Barnabas Collins captures the heart of the exquisite, young Angelique amidst the sensual beauty of Martinique, her island home. But Angelique's brief happiness is doomed when Barnabas deserts her and becomes engaged to another. With this one betrayal, Barnabas unleashes an evil that will torment him for all time.
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I loved this!
- By Alabama purchaser on 07-19-15
By: Lara Parker
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House of Furies
- By: Madeleine Roux
- Narrated by: Billie Fulford-Brown
- Length: 8 hrs and 36 mins
- Unabridged
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After escaping a harsh school where punishment was the lesson of the day, 17-year-old Louisa Ditton is thrilled to find employment as a maid at a boardinghouse. But soon after her arrival at Coldthistle House, Louisa begins to realize that the house's mysterious owner, Mr. Morningside, is providing much more than lodging for his guests. Far from a place of rest, the house is a place of judgment, and Mr. Morningside and his unusual staff are meant to execute their own justice on those who are past being saved.
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One of the characters is Satan..lots of the occult
- By Angela Briggs on 07-25-19
By: Madeleine Roux
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A Study in Silks
- By: Emma Jane Holloway
- Narrated by: Angele Masters
- Length: 21 hrs and 38 mins
- Unabridged
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In a Victorian era ruled by a council of ruthless steam barons, mechanical power is the real monarch and sorcery the demon enemy of the Empire. Nevertheless, the most coveted weapon is magic that can run machines - something Evelina has secretly mastered. But rather than making her fortune, her special talents could mean death or an eternity as a guest of Her Majesty's secret laboratories. What's a polite young lady to do but mind her manners and pray she's never found out?
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Too much of a bad thing
- By Bomberwizz on 11-30-14
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Pretty Little Dead Things
- A Thomas Usher Novel
- By: Gary McMahon
- Narrated by: Jay Villiers
- Length: 9 hrs and 44 mins
- Unabridged
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Thomas Usher has a terrible gift. Following a car crash in which his wife and daughter are killed, he can see the recently departed, and it's not usually a pretty sight. When he is called to investigate the violent death of the daughter of a prominent local gangster, Usher's world is torn apart once more. For the barriers between this world and the next are not as immutable as once he believed.
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good book good reader
- By Anonymous User on 12-12-20
By: Gary McMahon
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Worldship: Udo the Digger
- Worldship, Book 1
- By: Joshua Gayou
- Narrated by: R.C. Bray
- Length: 14 hrs and 29 mins
- Unabridged
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Udo's biggest problem isn't being a digger (that's low class), or staying drunk (that's damn expensive), or avoiding the Dwergaz (they're monsters), or even pissing off the supposed Gods. It's that his reality...well, it isn't what he thought. And now, he can't even afford to drink because his so-called friend Nicz is cutting into his business, digging up tin, iron, and copper. So Udo forms a new plan: clay. After all, clay jars are used to store everything: meat, herbs, and, his personal favorite, ale.
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I am confused.
- By Ahkia on 06-02-20
By: Joshua Gayou
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The Vagrant
- By: Peter Newman
- Narrated by: Jot Davies
- Length: 13 hrs and 24 mins
- Unabridged
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The Vagrant is his name. He has no other. Years have passed since humanity's destruction emerged from the Breach. Friendless and alone he walks across a desolate, war-torn landscape. A s each day passes the world tumbles further into depravity, bent and twisted by the new order, corrupted by the Usurper, the enemy, and his infernal horde. His purpose is to reach the Shining City, last bastion of the human race, and deliver the only weapon that may make a difference in the ongoing war.
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It was the concept and the prose that kept me goin
- By Alexandra on 08-18-15
By: Peter Newman
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Bloodleaf
- By: Crystal Smith
- Narrated by: Nicola Barber
- Length: 10 hrs and 35 mins
- Unabridged
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Princess Aurelia is a prisoner to her crown and the heir that nobody wants. Surrounded by spirits and banned from using her blood-magic, Aurelia flees her country after a devastating assassination attempt. To escape her fate, Aurelia disguises herself as a commoner in a new land and discovers a happiness her crown has never allowed. As she forges new bonds and perfects her magic, she begins to fall for a man who is forbidden to rule beside her.
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Not Understanding All the Praise
- By GPChlorine on 08-23-19
By: Crystal Smith
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Lamentation
- The Psalms of Isaak, Book 1
- By: Ken Scholes
- Narrated by: Stefan Rudnicki, Scott Brick, William Dufris, and others
- Length: 14 hrs and 47 mins
- Unabridged
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In Lamentation, the first entry in the Psalm of Isaak series, an ancient weapon has completely destroyed the city of Windwir. From many miles away, Rudolfo, Lord of the Nine Forest Houses, sees the horrifying column of smoke rising. He knows that war is coming to the Named Lands. Nearer to the Devastation, a young apprentice is the only survivor of the city—he sat waiting for his father outside the walls, and was transformed as he watched everyone he knew die in an instant. Soon all the Kingdoms of the Named Lands will be at each others' throats.
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Highly Enjoyable
- By RB on 05-15-09
By: Ken Scholes
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The Feed
- A Novel
- By: Nick Clark Windo
- Narrated by: Clare Corbett, Nick Clark Windo
- Length: 11 hrs and 20 mins
- Unabridged
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The Feed is accessible everywhere, by everyone, at any time. It instantaneously links us to all information and global events. Tom and Kate use the Feed, but Tom has resisted its addiction. The Feed's collapse, taking modern society with it, leaves people scavenging to survive. Tom and Kate have managed to protect themselves and their family. But then their six-year-old daughter, Bea, goes missing. Who has taken her? How do you begin to look for someone in a world without technology?
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uhhh
- By Michelle on 03-10-20
By: Nick Clark Windo
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The List
- By: Patricia Forde
- Narrated by: Imogen Wilde
- Length: 8 hrs and 10 mins
- Unabridged
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Performance
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In the post-apocalyptic, neo-medieval city of Ark, speech is constrained to 500 sanctioned words. If somewhere were to speak outside that approved lexicon, they'd face banishment. The only exceptions to this rule are the Wordsmith and his apprentice, Letta. Together, they are the keepers and archivists of all language. But when Letta's master dies, she is suddenly promoted to Wordsmith and finds the situation more complicated than she knew.
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Love is Language
- By Jennie Smith on 02-19-21
By: Patricia Forde
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In Navola, a city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur.
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Needlessly brutal
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Lapvona
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Little Marek, the abused and delusional son of the village shepherd, believes his mother died giving birth to him. One of Marek’s few consolations is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby. For some people, Ina’s ability to receive transmissions of sacred knowledge from the natural world is a godsend. For others, Ina’s home in the woods is a godless place.
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uncomfortable
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Any Human Power
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As Lan lies dying, she makes a promise that binds her long into the Beyond. A decade later her teenage granddaughter is caught up in an international storm of outrage that unleashes the rage of a whole, failed generation. For one shining fragment of time, the world is with her. But then the backlash begins, and soon she and her family are besieged by the press, facing the all-powerful wrath of the old establishment whose only understanding is power-over, not power-with.
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What listeners say about The Vorrh
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- MCSama
- 05-23-21
Fantastic fiction with heavy religious inspiration
Surprised I’d never heard of this before. As someone who grew up heavily indoctrinated as an Independent Baptist with background in versions religions, this was an absolutely phenomenal read and very interesting glance into the “different bibles”. I’m very excited to read The Erstwhile to see where these familiar tales take me!
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- Brian
- 06-17-20
What the heck!
What a wild ride! Excellent narrator, and a wonderful writer. A possible good find for fans of Gene Wolfe.
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- April Pritchard
- 10-20-21
Unusual
I finished this story but it was not what I was expecting. It was interesting in it own right, but I found it sometimes hard to follow. Maybe that's just me however. It did catch me enough that I will listen to the rest, but it is very different from what I was thinking.
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- lisa kadison
- 07-02-19
Skillfully written and superbly narrated
No one else writes like Calling. I think his writing is beautiful, weird, and completely original. I got goosebumps from the way he described a tear moving down an old man's face. This trilogy feels like a fever dream and I loved it.
The narrator is tied with Simon Vance and Steven Pacey for my favorite narrator of all time. I think a big part of why the story works is because of his expert delivery.
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- Jb
- 02-23-18
Incredibly complex but imaginative
This book, both its performance and its story, take some time to warm up to, but in the end an absolutely worthwhile read. Though fantasy, it is without a doubt a literary feat. The language borders on the poetic and the plot meanders and pulls together an almost impossible web of characters, locations, and events. Initially I tried to listen to the book and had to put it down. It required too much concentration to follow the story, and the narrator’s tone was more grandiloquent than I prefer. However, much later (after continually hearing about the book’s merit) I gave it another shot. Again it took a LONG time to warm up to the book, but ultimately I grew to enjoy the author’s style and storytelling, and the narrator’s skill shone through as more characters developed. I’m only giving it a 4 because of the difficulty of the read, some of which I felt was distracting to the plot itself. For lovers of fantasy or literature, this is a must read.
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- Seantron
- 06-23-22
Hallucinatory and utterly unique
I was lucky enough to have come into this without any mental model of what to expect, and wow.
Mind blowing.
I feel like this work has given birth to a new genre impossible to name.
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- Joe Kraus
- 08-30-19
A Glimpse of All that Fantasy Might Make Possible
Fifteen pages into this one, I was ready to declare it a masterpiece. The opening scene describes a man constructing a bow from the bones and sinews of the woman he has loved, a woman who, supposed to have various dryad like powers, has just died. It’s haunting and memorable, a cross between a love story and a fever-dream fantasy. And then it goes even further when the man ventures into a mysterious forest – “the Vorrh” of the title – finding his way by shooting arrows from his bow/lover and then following the path they trace for him.
A hundred pages into this, I had almost resolved to give it up altogether. I wanted more of our original protagonist, but the book had spun into at least half a dozen seemingly unrelated tangents. There’s a story about a cyclops being raised in the basement of a well-preserved old mansion (where disembodied creatures keep a vague but terrifying order) by creatures made of bakelite plastic. There’s a native hunter, resentful of the British who have trained and armed him, who determines to kill our bow-explorer. There’s a “Frenchman” who, as various footnotes and commentaries explain, is Raymond Rousell, the French surrealist poet, who determines to venture into the Vorrh in dilettante fashion. There’s the pioneering photographer Edward Muybridge who’s venturing around the world taking pictures and dipping a toe into the Victorian occult. There’s a vicious Scottsman, MacLeish, who oversees work crews of slaves who are the only ones able to harvest the timber of the Vorrh – and then only because they are near-zombies.
And those separate plots – I may have missed a couple – all have further branches that divide into ever smaller tributaries of narrative, only some of which later come together. It’s so busy, so crowded with strange characters and radically shifting metaphysics, that it seemed – after those first 100 pages – an impenetrable mess.
But I did keep reading. For a time it was out of perversity, with a sense that I wanted to be able to counter some of the great hype I’d heard about the book. Then I felt a growing curiosity as I saw some of the different elements beginning to cohere. And at last I discovered an unexpected and deep joy: this was a book that seemed never to exhaust its inventiveness. It implies familiar fantastic tropes, mythological possibilities, and historical touchstones, all of which come together in a balance I could never have predicted but that I can still somehow appreciate.
Nothing here turns out as you would expect. [MAJOR SPOILERS:] Williams, our bowman, loses everything – his bow, his memory, and finally his life. Ishmael, our cyclops, gets a second eye and becomes a dull figure inclined to settle down with the woman whose sight he has restored while remaining friends with the woman who “raised” him and now bears his child. The economy of the great city by the Vorrh begins to falter as the slave work crews have fled and no one can bring in the wood. What begins as a quest concludes as a murder but, maybe, we see our hunter Tsungali assume the mantle and proceed in what will be the second part of the trilogy.
[END SPOILER:] The surprising and, to some readers I imagine, disappointing outcomes are only part of what makes this a concussive, memorable work. This is – as Alan Moore says in his spectacular afterword – an effort to wrest the fantasy novel from the narrow tropes and signifiers of the post-Tolkien experience. This is fantasy written by someone who may never have read a word of George R.R. Martin, and that’s all to the good even as Martin does many things very well.
Moore’s point, one I’ve tried to make without Moore’s articulateness, is that the imagination ought to be freer to follow its own course. All of this book is vaguely familiar, yet none of it proceeds as we expect it might. This is a glimpse of how we might free fantasy from the tyranny of the Tor paperback, those punishingly long “high fantasies” of kingdoms governed by rules from what Blake would have called “Newton’s night” rather than from a truly unfettered imagination.
I see some reviewers comparing this to the Gormenghast trilogy, and I do buy it. Gormenghast is haunted by what-might-have-beens, though – a fine ambition, but one that makes it feel as if we are coming too late to the real magic of its vision – while this feels more like ever-unfolding possibility.
By way of comparison, I’d add Drew Magary’s The Hike and Josiah Bancroft’s Sendlin Ascends, recent books that explore a similar refusal to play by “the conventions” of the quest narrative and, instead, plunge into the surreal and imaginative. Solid as each of those is, though, neither is at this level.
Instead, the only comparison that really holds for me is Alan Moore’s own Jerusalem, a vast and ambitious novel that begins not with the surreal but with the lower-case-D divine of Blake himself.
I’d rank Jerusalem even above this – it’s more coherent while achieving a similar sense of deep wonder – but I have two more books of Catling’s trilogy to go so maybe it will get there by the end.
You’ll know if this sounds too busy and too strange for you, and, if it is, stay away. If you’re intrigued, though, if you think there’s a chance that the deep weird might attract you, then give this a shot. With Moore’s Jerusalem and a handful of other books, it’s at the heart of a set of novels showing the potential for the true fantastic to produce a literature as vast and colorful as dream.
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- Max
- 08-10-18
Poetic, unique, disjointed, boring.
Poetic, unique, disjointed, boring. Titles say it all. This is a love it or hate it audiobook... there is no middle ground.
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- Smokey Joe
- 01-06-23
One of the most original works of fantasy published this century
Very few books like this one have every been written, or will ever be written again. Original in every way. Utterly fantastic
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- Huoguo Fengzi
- 09-17-17
Intriguing but ultimately aimless story, spectacular reading performance
Incredible reading performance - the best audio book performance I've heard with splendid accents, voices and pronunciations. Beautiful and ambitious descriptive language. But the story....huh? More like 15 stories none of which ever really develop, connect or resolve. Do we need to read the entire series to get anything coherent? Mood is set beautifully and the magical-surrealist setting in colonial Africa is brilliantly evoked...but what the hell is going on? We never get any real delivery of plot, explanation of the (many) ideas and stories hinted at, or even what the story dances around the whole time - a deeper understanding of the Vorrh itself. It's all confusing and nothing seems to fit together as far as the plot lines...so enticing...and therefore, ultimately, very frustrating.
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