
The Vorrh
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Narrated by:
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Allan Corduner
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By:
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Brian Catling
About this listen
Prepare to lose yourself in the heady, mythical expanse of The Vorrh, a daring debut that Alan Moore has called "a phosphorescent masterpiece" and "the current century's first landmark work of fantasy".
Next to the colonial town of Essenwald sits the Vorrh, a vast - perhaps endless - forest. It is a place of demons and angels, of warriors and priests. Sentient and magical, the Vorrh bends time and wipes memory. Legend has it that the Garden of Eden still exists at its heart. Now a renegade English soldier aims to be the first human to traverse its expanse. Armed with only a strange bow, he begins his journey, but some fear the consequences of his mission, and a native marksman has been chosen to stop him. Around them swirl a remarkable cast of characters, including a Cyclops raised by robots and a young girl with tragic curiosity as well as historical figures, such as writer Raymond Roussel and photographer Edward Muybridge. While fact and fictional blend, the hunter will become the hunted, and everyone's fate hangs in the balance under the will of the Vorrh.
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Story
Jean le Flambeur is a post-human criminal, mind burglar, confidence artist, and trickster. His origins are shrouded in mystery, but his exploits are known throughout the Heterarchy - from breaking into the vast Zeusbrains of the Inner System to stealing rare Earth antiques from the aristocrats of Mars. Now he’s confined inside the Dilemma Prison, where every day he has to get up and kill himself before his other self can kill him.
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Starts Confusing, Gets Exciting, Ends Awesome
- By Matthew on 10-21-11
By: Hannu Rajaniemi
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City of Stairs
- By: Robert Jackson Bennett
- Narrated by: Alma Cuervo
- Length: 17 hrs and 50 mins
- Unabridged
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The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions - until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world's new geopolitical power, but the surreal landscape of the city itself - first shaped, now shattered, by the thousands of miracles its guardians once worked upon it - stands as a constant, haunting reminder of its former supremacy. Into this broken city steps Shara Thivani.
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Something Different
- By Scott S. on 10-17-14
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Pilgrim
- A Medieval Horror
- By: Mitchell Lüthi
- Narrated by: Alan Turton
- Length: 21 hrs and 27 mins
- Unabridged
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Set in 12th-century Jerusalem, Pilgrim follows the treacherous journey of a German knight and his companions as they return home after seven arduous years battling for God in the Holy Land. Within this sprawling tale lies a tapestry of medieval horror, intertwining history and folklore, encompassing both a metaphysical and literal odyssey.
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An even greater story than I had hoped for
- By RandyMarsh on 09-13-24
By: Mitchell Lüthi
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Jerusalem
- By: Alan Moore
- Narrated by: Simon Vance
- Length: 60 hrs and 42 mins
- Unabridged
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Alan Moore channels both the ecstatic visions of William Blake and the theoretical physics of Albert Einstein through the hardscrabble streets and alleys of his hometown of Northampton, UK. In the half a square mile of decay and demolition that was England's Saxon capital, eternity is loitering between the firetrap housing projects. Embedded in the grubby amber of the district's narrative, among its saints, kings, prostitutes, and derelicts, a different kind of human time is happening.
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Neither Engaging nor Satisfying
- By Asha Ember on 12-20-16
By: Alan Moore
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Titus Groan
- Volume 1 of the Gormenghast Trilogy
- By: Mervyn Peake
- Narrated by: Simon Vance
- Length: 17 hrs and 26 mins
- Unabridged
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Enter the fantastical world of Mervyn Peake's Gormenghast Trilogy, one of the undisputed fantasy classics of all time. Novelist C.S. Lewis called Peake's books "actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience."
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A great book ,no cliches, worth the effort
- By Zachariah on 08-17-09
By: Mervyn Peake
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Weaveworld
- By: Clive Barker
- Narrated by: Simon Vance
- Length: 21 hrs and 12 mins
- Unabridged
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Clive Barker has made his mark on modern fiction by exposing all that is surreal and magical in the ordinary world - and exploring the profound and overwhelming terror that results. With its volatile mix of the fantastical and the contemporary, the everyday and the otherworldly, Weaveworld is an epic work of dark fantasy and horror - a tour de force from one of today's most forceful and imaginative artists.
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A Chore I Gave Up On
- By Michael V. on 09-30-18
By: Clive Barker
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Perdido Street Station
- By: China Mieville
- Narrated by: John Lee
- Length: 24 hrs and 21 mins
- Unabridged
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The metropolis of New Crobuzon sprawls at the center of the world. Humans and mutants and arcane races brood in the gloom beneath its chimneys, where the river is sluggish with unnatural effluent and foundries pound into the night. For a thousand years, the Parliament and its brutal militias have ruled over a vast economy of workers and artists, spies and soldiers, magicians, crooks, and junkies. Now a stranger has arrived, with a pocketful of gold and an impossible demand. And something unthinkable is released.
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Brilliant, wonderful book -- horrible recording
- By James on 08-19-09
By: China Mieville
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The Abominable
- A Novel
- By: Dan Simmons
- Narrated by: Kevin T. Collins
- Length: 29 hrs and 40 mins
- Unabridged
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The year is 1924 and the race to summit the world's highest mountain has been brought to a terrified pause by the shocking disappearance of George Mallory and Sandy Irvine, high on the shoulder of Mt. Everest. By the following year, three climbers - a British poet and veteran of the Great War, a young French Chamonix guide, and an idealistic young American - find a way to take their shot at the top.
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Great story, great detail
- By David Shear on 10-30-13
By: Dan Simmons
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The Traitor Baru Cormorant
- By: Seth Dickinson
- Narrated by: Christine Marshall
- Length: 14 hrs
- Unabridged
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In Seth Dickinson's highly anticipated debut The Traitor Baru Cormorant, a young woman from a conquered people tries to transform an empire in this richly imagined geopolitical fantasy. Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
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Read for detail explainations, skip otherwise
- By Nathan on 10-19-15
By: Seth Dickinson
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Black Leopard, Red Wolf
- The Dark Star Trilogy, Book 1
- By: Marlon James
- Narrated by: Dion Graham
- Length: 24 hrs and 2 mins
- Unabridged
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In the stunning first novel in Marlon James' Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child. Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy.
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Opaque. And hard to care about.
- By Lisa Gray on 02-07-19
By: Marlon James
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The Deep
- By: Nick Cutter
- Narrated by: Corey Brill
- Length: 12 hrs and 27 mins
- Unabridged
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A strange plague called the "Gets" is decimating humanity on a global scale. It causes people to forget - small things at first, like where they left their keys... then the not-so-small things like how to drive, or the letters of the alphabet. Then their bodies forget how to function involuntarily - and there is no cure. But now, far below the surface of the Pacific Ocean, deep in the Marianas Trench, an heretofore unknown substance hailed as "ambrosia" has been discovered - a universal healer, from initial reports.
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Extreme animal abuse warning
- By Kassandra Escandell on 03-21-20
By: Nick Cutter
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Foundryside
- A Novel
- By: Robert Jackson Bennett
- Narrated by: Tara Sands
- Length: 19 hrs and 34 mins
- Unabridged
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Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle. But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic - the art of using coded commands to imbue everyday objects with sentience - have already used it to transform Tevanne into a vast, remorseless capitalist machine.
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Parts & Sums
- By CaffineFreeJAVA on 05-07-19
Fantastic fiction with heavy religious inspiration
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What the heck!
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Unusual
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The narrator is tied with Simon Vance and Steven Pacey for my favorite narrator of all time. I think a big part of why the story works is because of his expert delivery.
Skillfully written and superbly narrated
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Incredibly complex but imaginative
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Mind blowing.
I feel like this work has given birth to a new genre impossible to name.
Hallucinatory and utterly unique
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A hundred pages into this, I had almost resolved to give it up altogether. I wanted more of our original protagonist, but the book had spun into at least half a dozen seemingly unrelated tangents. There’s a story about a cyclops being raised in the basement of a well-preserved old mansion (where disembodied creatures keep a vague but terrifying order) by creatures made of bakelite plastic. There’s a native hunter, resentful of the British who have trained and armed him, who determines to kill our bow-explorer. There’s a “Frenchman” who, as various footnotes and commentaries explain, is Raymond Rousell, the French surrealist poet, who determines to venture into the Vorrh in dilettante fashion. There’s the pioneering photographer Edward Muybridge who’s venturing around the world taking pictures and dipping a toe into the Victorian occult. There’s a vicious Scottsman, MacLeish, who oversees work crews of slaves who are the only ones able to harvest the timber of the Vorrh – and then only because they are near-zombies.
And those separate plots – I may have missed a couple – all have further branches that divide into ever smaller tributaries of narrative, only some of which later come together. It’s so busy, so crowded with strange characters and radically shifting metaphysics, that it seemed – after those first 100 pages – an impenetrable mess.
But I did keep reading. For a time it was out of perversity, with a sense that I wanted to be able to counter some of the great hype I’d heard about the book. Then I felt a growing curiosity as I saw some of the different elements beginning to cohere. And at last I discovered an unexpected and deep joy: this was a book that seemed never to exhaust its inventiveness. It implies familiar fantastic tropes, mythological possibilities, and historical touchstones, all of which come together in a balance I could never have predicted but that I can still somehow appreciate.
Nothing here turns out as you would expect. [MAJOR SPOILERS:] Williams, our bowman, loses everything – his bow, his memory, and finally his life. Ishmael, our cyclops, gets a second eye and becomes a dull figure inclined to settle down with the woman whose sight he has restored while remaining friends with the woman who “raised” him and now bears his child. The economy of the great city by the Vorrh begins to falter as the slave work crews have fled and no one can bring in the wood. What begins as a quest concludes as a murder but, maybe, we see our hunter Tsungali assume the mantle and proceed in what will be the second part of the trilogy.
[END SPOILER:] The surprising and, to some readers I imagine, disappointing outcomes are only part of what makes this a concussive, memorable work. This is – as Alan Moore says in his spectacular afterword – an effort to wrest the fantasy novel from the narrow tropes and signifiers of the post-Tolkien experience. This is fantasy written by someone who may never have read a word of George R.R. Martin, and that’s all to the good even as Martin does many things very well.
Moore’s point, one I’ve tried to make without Moore’s articulateness, is that the imagination ought to be freer to follow its own course. All of this book is vaguely familiar, yet none of it proceeds as we expect it might. This is a glimpse of how we might free fantasy from the tyranny of the Tor paperback, those punishingly long “high fantasies” of kingdoms governed by rules from what Blake would have called “Newton’s night” rather than from a truly unfettered imagination.
I see some reviewers comparing this to the Gormenghast trilogy, and I do buy it. Gormenghast is haunted by what-might-have-beens, though – a fine ambition, but one that makes it feel as if we are coming too late to the real magic of its vision – while this feels more like ever-unfolding possibility.
By way of comparison, I’d add Drew Magary’s The Hike and Josiah Bancroft’s Sendlin Ascends, recent books that explore a similar refusal to play by “the conventions” of the quest narrative and, instead, plunge into the surreal and imaginative. Solid as each of those is, though, neither is at this level.
Instead, the only comparison that really holds for me is Alan Moore’s own Jerusalem, a vast and ambitious novel that begins not with the surreal but with the lower-case-D divine of Blake himself.
I’d rank Jerusalem even above this – it’s more coherent while achieving a similar sense of deep wonder – but I have two more books of Catling’s trilogy to go so maybe it will get there by the end.
You’ll know if this sounds too busy and too strange for you, and, if it is, stay away. If you’re intrigued, though, if you think there’s a chance that the deep weird might attract you, then give this a shot. With Moore’s Jerusalem and a handful of other books, it’s at the heart of a set of novels showing the potential for the true fantastic to produce a literature as vast and colorful as dream.
A Glimpse of All that Fantasy Might Make Possible
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Poetic, unique, disjointed, boring.
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One of the most original works of fantasy published this century
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Intriguing but ultimately aimless story, spectacular reading performance
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