In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s. His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow.

Langston Hughes is a widely celebrated African American writer and important leader of the 1920s Harlem Renaissance. Deeply inspired by the great poet Walt Whitman, Hughes’ own writings gave voice to the Black community in the American literary canon. His assertion that “I, too, sing America” echoes through history and continues to be a battle cry in the fight for fair representation and equality. The Weary Blues, published in 1926, was Hughes’ first collection of poetry. He was only twenty-four years old at the time, but his insights carry wisdom beyond his years.

This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade - Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet - at the center of the "Harlem Renaissance." Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best...."

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,” but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind.

Angela Davis has been a political activist at the cutting edge of the Black Liberation, feminist, queer, and prison-abolitionist movements for more than 50 years. Angela Davis: An Autobiography, first published and edited by Toni Morrison in 1974, is a powerful and commanding account of her early years in these struggles. Read by Angela Davis herself, this autobiography, told with warmth, brilliance, humor, and conviction, is a classic account of a life in struggle, with echoes in our own time.

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before.

Langston Hughes was only twenty-four when he published his debut collection of poetry, The Weary Blues. The poems included here blend vernacular speech and musical rhythms to offer a bracing perspective on the African American experience. Traversing a wide range of settings—including the jazz clubs of Harlem, expansive natural landscapes, and seaside taverns—Hughes’s voice as a poet ties these various places together.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

The black experience in America - starting from its origins in western Africa up to 1961 - is examined in this seminal study from a prominent African American figure. The entire historical timeline of African Americans is addressed, from the Colonial period through the civil rights upheavals of the late 1950s to 1961, the time of publication.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Clark Griswold was onto something...at least with his annual holiday meltdown. And since the last three weeks of my life have been riddled with humbug—another breakup, a broken toe, an office promotion I deserved and didn’t get—I’m not at all in the mood to celebrate nor have the happ, happ, happiest Christmas EVER.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s. His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow.

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before.

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade - Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet - at the center of the "Harlem Renaissance." Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best...."

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.

Langston Hughes was only twenty-four when he published his debut collection of poetry, The Weary Blues. The poems included here blend vernacular speech and musical rhythms to offer a bracing perspective on the African American experience. Traversing a wide range of settings—including the jazz clubs of Harlem, expansive natural landscapes, and seaside taverns—Hughes’s voice as a poet ties these various places together.

Hear rare recordings from five of the most-respected African American poets reading their own works: Langston Hughes, "The Negro Speaks of Rivers"; Arna Bontemps, "Nocturne At Bethesda"; Countee Cullen, "Heritage"; Gwendolyn Brooks, "The Vacant Lot"; and Sonia Sanchez, "Black Magic".

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

Langston Hughes is a widely celebrated African American writer and important leader of the 1920s Harlem Renaissance. Deeply inspired by the great poet Walt Whitman, Hughes’ own writings gave voice to the Black community in the American literary canon. His assertion that “I, too, sing America” echoes through history and continues to be a battle cry in the fight for fair representation and equality. The Weary Blues, published in 1926, was Hughes’ first collection of poetry. He was only twenty-four years old at the time, but his insights carry wisdom beyond his years.

Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon's masterwork is now available in a new translation that updates its language for a new generation of listeners. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching—yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.

Experience a bold take on this classic autobiography as it’s performed by Oscar-nominated Laurence Fishburne. In this searing classic autobiography, originally published in 1965, Malcolm X, the Muslim leader, firebrand, and Black empowerment activist, tells the extraordinary story of his life and the growth of the Human Rights movement. His fascinating perspective on the lies and limitations of the American dream and the inherent racism in a society that denies its non-White citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time.

The poetry of Nikki Giovanni has spurred movements, turned hearts, and informed generations. She's been hailed as a firebrand, a radical, a healer, and a sage; a wise and courageous voice who has spoken out on the sensitive issues, including race and gender, that touch our national consciousness.