This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Langston Hughes is a widely celebrated African American writer and important leader of the 1920s Harlem Renaissance. Deeply inspired by the great poet Walt Whitman, Hughes’ own writings gave voice to the Black community in the American literary canon. His assertion that “I, too, sing America” echoes through history and continues to be a battle cry in the fight for fair representation and equality. The Weary Blues, published in 1926, was Hughes’ first collection of poetry. He was only twenty-four years old at the time, but his insights carry wisdom beyond his years.

Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters. “It is true poetry she is writing,” M. F.K . Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity.... It is astounding, flabbergasting, to recognize it, in all the words I read every day and night...it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”

Langston Hughes was only twenty-four when he published his debut collection of poetry, The Weary Blues. The poems included here blend vernacular speech and musical rhythms to offer a bracing perspective on the African American experience. Traversing a wide range of settings—including the jazz clubs of Harlem, expansive natural landscapes, and seaside taverns—Hughes’s voice as a poet ties these various places together.

First published in 1962, Negroes with Guns is the story of a southern black community's struggle to arm itself in self-defense against the Ku Klux Klan and other racist groups. Frustrated and angered by violence condoned or abetted by the local authorities against blacks, the small community of Monroe, North Carolina, brought the issue of armed self-defense to the forefront of the civil rights movement.

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.'s nonviolence and Malcolm X's "by any means necessary." In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.

Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life. Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before.

In The Project, award-winning journalist David A. Graham offers much-needed context and distills the essential elements of this sprawling document. Breaking down the Project’s strategy for transforming—and radically empowering—the executive branch, Graham then explains what the architects behind Project 2025 would do with that power: restoring traditional gender norms and the supremacy of the nuclear family, decimating the civil service, performing mass deportations, reducing corporate regulation and worker protections, and more.

A collection of vibrant and incisive short stories depicting the sometimes humorous, but more often tragic interactions between Black people and white people in America in the 1920s and ‘30s.

Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She cofounded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement. This engaging memoir relates Wells’ private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice.

The New York Times bestselling author brings his trademark legal acumen and passionate snark to offer a brilliant takedown of ten shocking pieces of legislation that continue to perpetuate hate, racial bias, injustice, and inequality today—an urgent yet hopeful story for our current political climate

Angela Davis has been a political activist at the cutting edge of the Black Liberation, feminist, queer, and prison-abolitionist movements for more than 50 years. Angela Davis: An Autobiography, first published and edited by Toni Morrison in 1974, is a powerful and commanding account of her early years in these struggles. Read by Angela Davis herself, this autobiography, told with warmth, brilliance, humor, and conviction, is a classic account of a life in struggle, with echoes in our own time.

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

Countee Cullen was already a prominent literary figure when he published Color, his auspicious debut collection of poetry. In deceptively simple verse, and in harmony with lyric tradition rather than rebellion against it, Cullen covered such complex terrain as race, faith, mortality, sexuality, and identity. Cullen may be less well known today than his contemporaries, but his emotional candor, creative ambition, and impudent humor retain an unforgettable spark.