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The Werewolf of Paris
- A Novel
- Narrated by: Jean Brassard
- Length: 11 hrs and 9 mins
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Publisher's summary
Endore's classic werewolf novel - now back in print for the first time in over forty years - helped define a genre and set a new standard in horror fiction. The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature.
In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this audiobook was decidedly influential for the generations of horror and science fiction authors who came afterward.
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Editorial reviews
The Werewolf of Paris is acclaimed American author Guy Endore’s classic historical horror novel from 1933 that stealthily follows werewolf Bertrand Caillet - who was conceived when his teen mother was raped by a priest - as the beast navigates the rough-and-tumble streets of Paris during Franco-Prussian War.
Narrated in coolly ominous tones by Jean Brassard, this dark and often twisted morality tale is a literary classic and ranks right up there with Mary Shelley’s Frankenstein as an elite of gothic fiction.
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H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.
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Not all the stories are complete
- By SteffiT on 10-21-13
By: Henry James, and others
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The Magician of Lublin
- By: Isaac Bashevis Singer
- Narrated by: Larry Keith
- Length: 7 hrs and 27 mins
- Unabridged
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The Magician can dazzle the crowds with his sleight of hand, climb to any height, open any lock. Fearlessly, he does death-defying tricks in theaters all over Poland. At home, his sweet Jewish wife waits for him to return from the city. In the city, his adoring mistresses wait for him to return from home. He holds the key to all hearts, but his own is beset with confusion.
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Complex Masterpiece
- By Evan on 09-11-08
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Dombey and Son
- By: Charles Dickens
- Narrated by: Frederick Davidson
- Length: 36 hrs and 59 mins
- Unabridged
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In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.
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Perfect pair
- By Philip on 03-25-08
By: Charles Dickens
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The Setting Sun
- New Directions Book
- By: Osamu Dazai
- Narrated by: June Angela
- Length: 4 hrs and 28 mins
- Unabridged
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Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.
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MORE OSAMU DAZAI TRANSLATIONS PLEASE!!!!!
- By Lucky on 10-19-22
By: Osamu Dazai
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Crime and Punishment
- Pevear & Volokhonsky Translation (Vintage Classics)
- By: Fyodor Dostoevsky
- Narrated by: Peter Batchelor
- Length: 25 hrs and 5 mins
- Unabridged
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With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Pevear and Volokhonsky offer a brilliant translation of Dostoevsky's classic novel that presents a clear insight into this astounding psychological thriller. This audio edition of Crime and Punishment is expressively brought to life by Peter Batchelor.
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waited for this translation
- By L. Kerr on 12-22-20
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The Scarlet Pimpernel
- By: Baroness Orczy
- Narrated by: Stephen Crossly
- Length: 10 hrs and 3 mins
- Unabridged
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The French Revolution is at the height of its fury. Daily, hundreds of aristocratic heads fall from the guillotine. Emotions run high, and anyone suspected of sympathy toward the nobility is in mortal danger. Only one man is daring enough to lead a small band against popular opinion - the Scarlet Pimpernel. Using masterful disguises and clever strategies, the Scarlet Pimpernel smuggles noblemen and women from France to safety in England. His success is a thorn in the side of the Revolution. As he vanishes from each escapade, he leaves no trace behind except an image of the colorful flower that is his emblem.
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One of my favorite stories!
- By M. Cook on 08-06-18
By: Baroness Orczy
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A Hero of Our Time
- By: Mikhail Lermontov
- Narrated by: Nicholas Boulton
- Length: 6 hrs and 9 mins
- Unabridged
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Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.
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Sarcastic Title
- By SmartShopper on 04-23-24
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Les Misérables
- By: Victor Hugo
- Narrated by: Bill Homewood
- Length: 67 hrs and 53 mins
- Unabridged
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Les Misérables is set in Paris after the French Revolution. In the sewers and backstreets, we encounter "the wolf-like tread of crime", and assassination for a few sous is all in a day's work. We weep with the unlucky and heart-broken Fantine, and we exult with the heroic revolutionaries of the barricades; but above all we thrill to the steadfast courage and nobility of soul of ex-convict Jean Valjean, always in danger from the relentless pursuit of the diabolical Inspector Javert.
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Use earphones that are light on bass
- By Tad Davis on 11-08-15
By: Victor Hugo
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Mayhem
- By: Sarah Pinborough
- Narrated by: Steven Crossley
- Length: 10 hrs and 21 mins
- Unabridged
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A new killer is stalking the streets of London’s East End. Though newspapers have dubbed him 'the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames - and the heads are missing….
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Just Wow.
- By Sylvia on 03-04-14
By: Sarah Pinborough
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The Dead Travel Fast
- By: Deanna Raybourn
- Narrated by: Charlotte Parry
- Length: 10 hrs and 4 mins
- Unabridged
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With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh—and a disappointed suitor—far behind. She is bound for Romania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence. She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants, including the castle’s master, Count Andrei Dragulescu.
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Process vs getting their
- By Aryn on 04-29-11
By: Deanna Raybourn
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Les Misérables
- Penguin Classics
- By: Christine Donougher, Victor Hugo, Robert Tombs
- Narrated by: Adeel Akhtar, Natalie Simpson, Adrian Scarborough, and others
- Length: 65 hrs and 41 mins
- Unabridged
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Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience and by the relentless investigations of the dogged Policeman, Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty.
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Great Book, Great Translation, 5 Great Narrators
- By Rain Wiegartner on 06-07-20
By: Christine Donougher, and others
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What listeners say about The Werewolf of Paris
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Zach
- 10-02-15
The Dracula of Werewolves
This story was enjoyable, but so very melancholic. The way the writing goes, thank God for the last chapter and then appendix. Brilliant story.
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- Darryl
- 12-29-13
different than you'd expect
this is not just a blood and guts werewolf story, though there are some moments. it's much more of a psychological study and a biographical history of an individual that becomes a werewolf, and initially we get his ancestor's story for a stretch before he even comes into the story. it may not be fast paced enough for Twilight crowd but I thought there were some interesting things in it, and it is one of the "original" werewolf stories that laid the foundation for much that came after. with some modernization it could be done very well as a film. & was the basis for the Oliver Reed werewolf film. for being written in 1933 it had some elements that surprised me. it is always interesting to me to find in some old lit tidbits of history or even "pop" culture, for example how early a word or phrase was used that i thought was modern or even how long ago Coke was popular etc. probably not going to be a favorite among the MTV generation
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4 people found this helpful
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- Hylian
- 10-27-23
The history of France
should be the title. overall it wasn't bad but I could have done without the history lesson, especially the last 1/3 of the book. there was also several weird niche things that really killed the story for me. I definitely have a different take on werewolf's after this book. I don't recommend it.
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- J. T. Stoltz
- 10-23-18
Classic werewolf novel + Paris Commune history
Searching for the quintessential werewolf novel led me to this book. Reviews lauding it as the Dracula or Frankenstein of werewolf literature are not far off, especially because of its similar multi-narrative structure. The novel explores a young man's coming of age as a werewolf, and its effect on himself, his family, and the community. The book is also a deeply researched history lesson, giving great historical and personal detail about the time surrounding the 1870 Paris Commune. Of course, the monster's acts parallel the military and other human brutality taking place. You get a healthy dose of traditional European werewolf lore as well. Like most great tales of the supernatural, the main narrator is thoroughly logical and skeptical. Will he end up believing?
The narrator does a great job with different voices between characters, and his French accent is completely palatable.
After having read great the art-history book The Judgement of Paris, by Ross King ( https://www.audible.com/pd/The-Judgment-of-Paris-Audiobook/B002V5CUZU ), I feel like I have about as deep an understanding of this period, and from many differing perspectives, as a 21st Century American layman can get.
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2 people found this helpful
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- Adam S.
- 08-06-18
A horror-tinged look at the Paris Commune
This book really soars when it delineates the everyday horrors of life during a time of incredible social and political upheaval. Werewolves aren't the scariest thing on display.
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- Tom
- 09-26-19
wow!
i read somewhere that this book did for werewolves what "dracula" did for vampires. and that's exactly right. moreover, it is a perfect book in so many regards that i am completely baffled why it doesn't rank as a 20th century classic, at least as a twin to "dracula". maybe "the paris werewolf" with an author's name like guy endore -- per'aps pronounzed as in guee encore -- does not sound sufficiently americain? possibly a "loup garou from noo awlins" would have done more to establish the book as an AMERICAN classic. audible does the right thing by telling us that THIS reading can be had "only from audible", but then gives it a confusingly classical packaging that furher distracts possible listeners. shooing them away from the book. the reader//renderer does an excellent job, providing a more-than-5-star production of the story, with some real french inflections, unlike so many american readers whose three words of french or german or yiddish are so much chopped liver, ie, total gobble-dee-gook. oh yes, there does exist some estimation that americans couldn't read a book that has more than a few words in some other language scattered through its pages. the same might be true for british readers, just as german readers would get every single english word wrong, spell it wrong, pronounce it wrong, understand it wrong. that's why this rendition by a master linguist in american english and french is so helpful, so enjoyable to listen to -- comparable, say, to stephen fry's rendition of sherlock holmes. i'm also surprised to see that the book -- as a book -- was published in germany, in a german version -- where it sank without a trace -- although it seems fairly obvious to me that this was the place where patrick süskind got a good deal of his inspiration for his very successful novel "perfume". bram stoker came by his "dracula" via sheridan le fanu's "carmilla" and wilkie collins's "the woman in white" and finally also by way of oscar wilde's helping hand -- so why begrudge süskind his success? but this is the original werewolf classic, an american novel written by an american who spent time enough in france to inject a major shot of strangeness into his story, much the same as the artist who painted "american gothic" did from his sojourn in paris. BTW there are longueurs and meanderings in this book, which i find rather nice in an audio book. the rigid editors of today would have surely jabbed their hedge-trimming tools at these passages, but a faster or shorter version doesn't always necessarily make for a better book. there are two books in english written in the 20th century that i would like to see translated into the viennese dialect of austria -- one being james joyce's "ulysses" --- and the other -- this one.
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3 people found this helpful
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- John
- 10-12-21
I feel icky for even having gotten through half
I thought the story was dark but compelling, the themes of humanity struggling with its bestial passions was fascinating. Felt like an allegorical analysis of human psychology (a human’s experience of a traumatic event can perpetuate that trauma and lead to further victimization, i.e. the famous maxim “Hurt people hurt people). However, I couldn’t stomach the depravity written into this story (surprising for a book written in the 1930s). I found it distasteful. I threw in the towel when he had sex with his mother and she enjoyed it. This book was not for me.
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- Faunus
- 12-21-23
Werewolf story, not so much.....
I started this audiobook right around Halloween, I mean anything that says it's equivalent to Bram Stoker's Dracula has to be good right? Unfortunately this is not the case for this book. This story should be about the main character, Bertrand Caillet, who was born to his mother after she was raped by a priest, in a church, underneath the stain glass windows. From this unholy act a child was born who seemed to be different from his brown eyes, his hairy palms, and his unusual howling and violent behavior as he grew older. Other strange and disturbing situations happen through the book, all perfectly disturbing parts of a good horror story, but sadly the book becomes more of a history of France during it's Franco-Prussian War and the Paris Commune of 1870-1871 than a werwolf story. The main character and werewolf, Bertrand, pretty much takes a back seat to the history of France. Add in a multitude of characters and events that just confuse the whole story and I found myself waiting impatiently for the book to end, and I so wanted to enjoy this book! I wasn't going into this book looking for blood and gore. I love how they keep to actual stories and "historical" accounts of lycanthropy with Bertrand. Unfortunately the rest of the events with the war and so on waters this book down and ruined it for me. The only saving grace that had me give this book two stars instead of one is the few parts scattered throughout regarding Bertrand, and the ending of the book and the appendix which goes into detail about Paris cemeteries at that time, including a detailed account about how Bertrand's grave was later dug up after he died and his body was not there. Where his body was at was instead a dead dog, which, after the long period of time being dead, has seemed to not decomposed.
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- Bunny89
- 11-05-20
Couldn't finish it.
Neither of the two short stories in the first couple of chapters had anything to do with werewolves. The second story started off with a priest taking advantage of a 14 year old girl. While during other years I might have been willing to finish the book, I don't have the energy for that this year in 2020.
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1 person found this helpful
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- Amazon Customer
- 03-04-15
Pass!
Struggled through this story. Did not like it one bit, no action, only one compelling character, and a whole lot of period observations that did not enrich the story.
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2 people found this helpful