Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

The Portrait of a Lady tells the compelling and ultimately tragic tale of a beautiful young American woman's encounter with European sophistication. Set principally in England and Italy, the story follows Isabel Archer's fortunes as a variety of admirers vie for her hand. Her choice will be crucial, and she is not wanting for advice, whether from the generous-spirited Ralph Touchett or the charming Madame Merle.

Self-made American millionaire Christopher Newman arrives in Paris brimming with hope and optimism, excited to experience the culture and, hopefully, find the perfect woman to become his wife. After a chance encounter with American expatriate friends, his attention is drawn to Madame de Cintré, 25-year-old widowed daughter of the late Marquis de Bellegarde. Having fallen on hard times, the centuries-old aristocratic family permits Newman's courtship to proceed; however, they later persuade the widow to break off her engagement to the nouveau-riche businessman.

Following a violent and messy divorce, young Maisie Farange floats back and forth between her parents, Beale and Ida, who use her as a weapon to torment each other in their ongoing, internecine war. Eventually the parents both remarry, and it becomes clear that the new spouses care more for Maisie than her own parents. Beale and Ida soon embark on a series of extramarital affairs, leaving Maisie in the care of the new step-parents, who begin their own affair with each other.

Mrs Gereth, a wealthy widow, is dreading the day that her son, Owen, gets married. She hopes that he will marry a woman who will appreciate their home and all of its treasures as she does. So she enlists the help of Fleda Vetch to try to corrupt the impending marriage of her son and Mona Brigstock - a philistine who is determined to marry Owen in order to inherit Mrs Gereth’s valuable possessions and home by any means. Meanwhile, Fleda hides her real feelings towards Owen. Even when he ends up feeling the same way, Fleda cannot bring herself to marry him as this would force him to break his engagement to Mona, and thus betray all of her own ideals.

Academy Award, Golden Globe, and Emmy winner Emma Thompson lends her immense talent and experienced voice to Henry James' Gothic ghost tale, The Turn of the Screw. When a governess is hired to care for two children at a British country estate, she begins to sense an otherworldly presence around the grounds. Are they really ghosts she's seeing? Or is something far more sinister at work?

The battle between a father and a daughter is usually portrayed in literature as a struggle between a headstrong but feisty girl and a tradition-bound lead weight of a father. Henry James, of course, had to do it somewhat differently. He tells a story of an intelligent man riding the turn of the tide in mid-19th-century New York and watching what he sees as his numbingly dull and conventional daughter making the mistake of her life in her choice of husband.

One of the wittiest and most scathing of Henry James' novellas, The Aspern Papers chronicles the attempt to extract the valuable letters of the famous and recently deceased poet Jeffrey Aspern from the hands of his past lover and formidable adversary in the battle Juliana Bordereau. The plot was reputedly suggested to James by a story he heard of an illicit attempt to get hold of several of Lord Byron's letters.

Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.

In Madame Bovary, one of the great novels of 19th-century France, Flaubert draws a deeply felt and sympathetic portrait of a woman who, having married a country doctor and found herself unhappy with a rural, genteel existence, longs for love and excitement. However, her aspirations and her desires to escape only bring her further disappointment and eventually lead to unexpected, painful consequences. Flaubert’s critical portrait of bourgeois provincial life remains as powerful as ever

Anne Elliot has grieved for seven years over the loss of her first love, Captain Frederick Wentworth. But events conspire to unravel the knots of deceit and misunderstanding in this beguiling and gently comic story of love and fidelity.

Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

Mrs Gereth, a wealthy widow, is dreading the day that her son, Owen, gets married. She hopes that he will marry a woman who will appreciate their home and all of its treasures as she does. So she enlists the help of Fleda Vetch to try to corrupt the impending marriage of her son and Mona Brigstock - a philistine who is determined to marry Owen in order to inherit Mrs Gereth’s valuable possessions and home by any means. Meanwhile, Fleda hides her real feelings towards Owen. Even when he ends up feeling the same way, Fleda cannot bring herself to marry him as this would force him to break his engagement to Mona, and thus betray all of her own ideals.

Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.

Young Prince Mishkin is that rare thing - a "completely beautiful human being". He is honest, humble, generous, and selfless, but unfortunately these traits mean he is often mistaken for an idiot. Upon his return to St. Petersburg, after being away at a Swiss sanatorium for the treatment of epilepsy, Prince Mishkin is taken under the wing of the wife of General Yepanchin, who arranges for him to live with the family of her money-obsessed friend Ganya.

Previously unpublished in unabridged audio, these three works (one novel unpublished in her lifetime and two unfinished fragments) reveal Jane Austen's development as a great artist.

In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Edith Wharton stands among the finest writers of early 20th-century America. In The Custom of the Country, Wharton’s scathing social commentary is on full display through the beautiful and manipulative Undine Spragg. When Undine convinces her nouveau riche parents to move to New York, she quickly injects herself into high society. But even a well-to-do husband isn’t enough for Undine, whose overwhelming lust for wealth proves to be her undoing.

Charming, loving Clara Amedroz is involved with two suitors. How she deals with this dilemma is full of humor and very moving.

Can You Forgive Her? is the first of the six in the Palliser series. Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined, and none remains unscathed. But above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the audiobook.

Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family. Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose.

Written when women---and workers generally---had few rights in England, Agnes Grey exposes the brutal inequities of the rigid class system in mid-19th-century Britain. Agnes comes from a respectable middle-class family, but their financial reverses have forced her to seek work as a governess.

Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.

Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Milly Theale is a young, beautiful, and fabulously wealthy American. When she arrives in London and meets the equally beautiful but impoverished Kate Croy, they form an intimate friendship. But nothing is as it seems: materialism, romance, self-delusion, and ultimately fatal illness insidiously contaminate the glamorous social whirl.

When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors, declaring that she will never marry. It is only when she finds herself irresistibly drawn to the cultivated but worthless Gilbert Osmond that she discovers that wealth is a two-edged sword.

Edith Wharton stands among the finest writers of early 20th-century America. In The Custom of the Country, Wharton’s scathing social commentary is on full display through the beautiful and manipulative Undine Spragg. When Undine convinces her nouveau riche parents to move to New York, she quickly injects herself into high society. But even a well-to-do husband isn’t enough for Undine, whose overwhelming lust for wealth proves to be her undoing.

Lambert Strether, a mild, middle-aged American of no particular achievements, is dispatched to Paris from the manufacturing empire of Woollett, Massachusetts. The mission conferred on him by his august patron, Mrs. Newsome, is to discover what, or who, is keeping her son Chad in the notorious city of pleasure and to bring him home. But Strether finds Chad transformed by the influence of a remarkable woman.

Kate Croy is secretly engaged to Merton Denscher, a journalist who lacks money. By chance, Kate befriends Milly, an American heiress, and learns she is suffering from a fatal illness. Kate devises a scheme to maximize their combined assets: she encourages Merton to take an interest in Milly and marry her. Kate intends to make him a rich widower whom she herself can marry. But such well-laid plans are not enough for the subtlety of the heart.