This collection contains all of Robert E. Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author.

In a meteoric career that spanned a mere 12 years, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. From his fertile imagination sprang some of fiction's most enduring heroes. Yet while Conan the Cimmerian is indisputably Howard's greatest creation, it was in his earlier sequence of tales featuring Kull, a fearless warrior with the brooding intellect of a philosopher, that Howard began to develop the distinctive themes and the richly evocative blend of history and mythology .

Between the years when the oceans drank Atlantis and the gleaming cities...there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars.... Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand...to tread the jeweled thrones of the earth under his sandalled feet.

A collection of Robert E. Howard's early tales, all of which appeared in Weird Tales Magazine between 1928 and 1932.

In his hugely influential and tempestuous career, Robert E. Howard created the genre that came to be known as sword and sorcery - and brought to life one of fantasy's boldest and most enduring figures: Conan the Cimmerian, reaver, slayer, barbarian, king. This volume gathers together three of Howard's longest and most famous Conan stories.

This collection features Howard at his finest and Conan at his most savage. Truly heroic fantasy at its best, this volume contains "The Servants of Bit-Yakin", "Beyond the Black River", "The Black Stranger", "The Man-Eaters of Zamboula", and "Red Nails", which is perhaps Conan's most famous adventure.

Robert E. Howard, renowned creator of Conan the Barbarian, was also a master at conjuring tales of hair-raising horror. In a career spanning only 12 years, Howard wrote more than 100 stories, with his most celebrated work appearing in Weird Tales, the preeminent pulp magazine of the era.

With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century---he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard's fertile imagination.

It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

After fleeing the authorities in the Imperial city of Altdorf, Felix Jaeger swears a drunken oath to dour dwarf Gotrek Gurnisson to record his death saga. In the cold light of day, Felix's worst fears are confirmed as he learns that Gotrek is a Trollslayer - a dwarf doomed to seek out a heroic death in battle to atone for an unknown personal disgrace. Their travels throw them into a string of extraordinary adventures as Felix tries to survive his companion's destiny.

In a world scarred by an apocalyptic past, evoking a time both 2,000 years past and 2,000 years into the future, untold thousands gather for a crusade. Among them, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus - part warrior, part philosopher, part sorcerous, charismatic presence - from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.

A strange darkness grows in Allward. Even Corayne an-Amarat can feel it, tucked away in her small town at the edge of the sea. She soon discovers the truth: She is the last of an ancient lineage—and the last hope to save the world from destruction. But she won't be alone. Even as darkness falls, she is joined by a band of unlikely companions. Together they stand against a vicious opponent, invincible and determined to burn all kingdoms to ash, and an army unlike anything the realm has ever witnessed.

Thomas Covenant is a leper, a bitter and solitary pariah who is mystically transported to another Earth where time moves differently than ours, one in which magic takes many forms. The Land is threatened by many evils, the most immediate of which is a maddened Cavewight whose subterranean excavations have unearthed the ancient and puissant Staff of Law. More dangerous to the free people of the Land is the Gray Slayer, Lord Foul, the Despiser, who intends to destroy the actual foundations of the Earth that he might wage war against the universe’s creator.

Long ago, the world fell into twilight, when the great empires of old consumed each other in sorcerous cataclysms. In the south, the Star Towers fell, swallowed by the sea, while the black glaciers descended upon the northern holdfasts, entombing the cities of Min-Ceruth in ice and sorcery. Then from the ancient empire of Menekar, the paladins of Ama came, putting every surviving sorcerer to the sword and cleansing their taint from the land. The pulse of magic slowed, fading like the heartbeat of a dying man. But after a thousand years, it has begun to quicken again.

With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century---he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard's fertile imagination.

In his hugely influential and tempestuous career, Robert E. Howard created the genre that came to be known as sword and sorcery - and brought to life one of fantasy's boldest and most enduring figures: Conan the Cimmerian, reaver, slayer, barbarian, king. This volume gathers together three of Howard's longest and most famous Conan stories.

Long ago when the Earth was flat, beautiful, indifferent Gods lived in the airy Upperearth realm above; curious, passionate demons lived in the exotic Underearth realm below; and mortals were relegated to exist in the middle. Azhrarn, Lord of the Demons and the Darkness, was the one who ruled the night, and many mortal lives were changed because of his cruel whimsy. And yet, Azhrarn held inside his demon heart a profound mystery which would change the very fabric of the Flat Earth forever.

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work.

To the Danes, he is skraelingr; to the English, he is orcnéas; to the Irish, he is fomóraig. He is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. He is Grimnir, and he is the last of his kind - the last in a long line of monsters who have plagued humanity since the Elder Days. Drawn from his lair by a thirst for vengeance against the Dane who slew his brother, Grimnir emerges into a world that’s changed. A new faith has arisen. The Old Ways are dying; even still, Grimnir’s vengeance cannot be denied.

On the fabled world of Krynn, Lord Soth finally learns that there is a price to pay for his long history of evil deeds, a price even an undead warrior might find horrifying. Dark powers transport Soth to Barovia, and there the death knight must face the dread minions of Count Strahn Von Zarovich, the vampire lord of the nightmare land. But with only a captive Vistani woman and an untrustworthy ghost for allies, Lord Soth soon discovers that he may have to join forces with the powerful vampire if he is ever to escape the realm of terror.

In a world scarred by an apocalyptic past, evoking a time both 2,000 years past and 2,000 years into the future, untold thousands gather for a crusade. Among them, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus - part warrior, part philosopher, part sorcerous, charismatic presence - from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.

In the ancient city of Lankhmar, two men forge a friendship in battle. The red-haired barbarian Fafhrd left the snowy reaches of Nehwon looking for a new life, while the Gray Mouser, apprentice magician, fled after finding his master dead. These bawdy brothers-in-arms cement a friendship that leads them through the wilds of Nehwon facing thieves, wizards, princesses, and the depths of their desires and fears.

1315 BC: Tensions soar between the great powers of the Late Bronze Age. The Hittites stand toe-to-toe with Egypt, Assyria and Mycenaean Ahhiyawa, and war seems inevitable. More, the fierce Kaskan tribes—age-old enemies of the Hittites—amass at the northern borders. When Prince Hattu is born, it should be a rare joyous moment for all the Hittite people. But when the Goddess Ishtar comes to King Mursili in a dream, she warns that the boy is no blessing, telling of a dark future where he will stain Mursili’s throne with blood and bring destruction upon the world.

To save his kingdom, Anubis, Lord of the Dead, sends forth his servant on a mission of vengeance. At the same time, from The House of Life, Osiris sends forth his son, Horus, on the same mission to destroy utterly and forever The Prince Who Was a Thousand.

The Singer quickly became a favorite of evangelists, pastors, artists, students, teachers and readers of all sorts when it was originally published in 1975. Retelling the story of Christ through an allegorical and poetic narrative of a Singer whose Song could not be silenced, Miller's work reinvigorated Christian literature and offered believers and seekers the world over a deeply personal encounter with the gospel.

Druss, Captain of the Axe: the stories of his life were told everywhere. Instead of the wealth and fame he could have claimed, he had chosen a mountain lair, high in the lonely country bordering on the clouds. There the grizzled old warrior kept company with snow leopards and awaited his old enemy, death.

She and Allan is a novel by H. Rider Haggard, first published in 1921. It brought together his two most popular characters, Ayesha from She (to which it serves as a prequel), and Allan Quatermain from King Solomon's Mines. Its significance was recognized by its republication by the Newcastle Publishing Company as the sixth volume of the celebrated Newcastle Forgotten Fantasy Library series in September 1975.

A country in desperate need of heroes. Angostin invaders surge through the Highlands, laying waste to everything in their path. Darkness follows in their wake as a mad necromancer resurrects the eons-dead Vampyre Kings. Only the bandit Jarek Mace, and the magicker and bard Owen Odell, have the courage to fight the Angostins and the undead. Whispers soon spread that Mace is the legendary Morningstar, a saviour who will protect his country in its hour of need. Yet Mace seems nothing more than a thief and a liar.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.