This is heralded as the very first mystery novel. Collins, in his great work, created the guidelines for the genre as we know it today: a fabulous diamond stolen, everyone in the house is suspected, three mysterious Indians sworn to protect the jewel at all costs, the upstairs/downstairs tension from the servants, and a brilliant detective who is eccentrically fond of roses.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.

Samuel Pickwick, founder and chairman of the Pickwick Club, engages three fellow members to accompany him on a journey. By coach they’ll travel to the outreaches of London to explore, observe, and report back on the quaint wonders of the English countryside. What transpires is a picaresque romp of misadventures, hair-raising challenges, and romantic follies entangling the fates of a riot of colorful characters - a passel of villains, spinsters, poets, and sportsmen - and the unworldly Pickwick himself, who has much to learn about life outside his gentleman’s club.

With her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron shares with us her ups and downs in I Feel Bad About My Neck, a candid, hilarious look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself.

Based in part on Dickens's own life, it is the story of a young man's journey from an unhappy and impoverished childhood to the discovery of his vocation as a successful novelist. Among its gloriously vivid cast of characters, he e.ncounters his tyrannical stepfather, Mr. Murdstone; his formidable aunt, Betsey Trotwood; the eternally humble yet treacherous Uriah Heep; the frivolous, enchanting Dora; and one of literature's great comic creations, the magnificently impecunious Mr. Micawber.

Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.

Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries—and there he dies suddenly.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human.... But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders.

James Bennett, nephew of Sir Henry Merrivale (the cantankerous yet genius sleuth), has been invited to stay at White Priory for Christmas, among the retinue of the glamorous Hollywood actress Marcia Tait. Her producer, her lover, her playwright and her agent are all here along with the haughty master of the estate, Canifes and his daughter. So many suspects they become when Marcia Tait is found dead on Christmas morning in the lakeside pavilion, having been left there alone the night before and with a distinct lack of footprints in the snow to reveal any possible killer.

World-renowned Harvard symbologist Robert Langdon is summoned to a Swiss research facility to analyze a cryptic symbol seared into the chest of a murdered physicist. What he discovers is unimaginable: a deadly vendetta against the Catholic Church by a centuries-old underground organization, the Illuminati. Desperate to save the Vatican from a powerful time bomb, Langdon joins forces in Rome with the beautiful and mysterious scientist Vittoria Vetra.

Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister enters Molly's quiet life, the loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

Published in instalments in 1859, The Woman in White is often considered to be one of the very first detective novels. Although critics weren’t impressed at the time, the novel proved to be a hit with the public and has since gone on to become one of the timeless classics of the Victorian era. Following the adventures of Walter Hartright, this is a story of sleuthing, inheritance, ghosts and mistaken identity and was recently the subject of a hit TV adaptation by the BBC.

Claimed as the first detective story in the English language, Wilkie Collins weaves his classic mystery through a series of often "meandering" narratives by various characters in the book who had first hand knowledge surrounding the disappearance of a large valuable yellow diamond (the Moonstone) from the room of it's young owner, Rachel Verinder.

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison.

Art teacher Walter Hartright is on the road to London when he encounters an enigmatic woman dressed entirely in white. She's an unnerving portent of strange things to come as Hartright starts a new job as drawing-master at Limmeridge House. There the teacher falls in love with Laura, his betrothed pupil, who bears a striking resemblance to the woman in white. Soon Walter is drawn into a family intrigue of greed, secrets, madness, and revenge.

Walter Hartright, a drawing teacher to two sisters, wants to marry Laura, though she is betrothed to another. But who is the mysterious woman in white he encounters? Wilkie Collins was a master of suspense, but his transfer to audiobook requires a cast of readers to faithfully reflect the11 different characters who tell the story. Naxos AudioBooks brings together a strong cast to bring alive the mystery and suspense of The Woman in White.

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

Walter Hartright, a struggling art teacher, is stopped for directions while traveling on a dark road by a mysterious woman in white. Thus begins Walter's deep dive into the twists and turns of stolen identities, fraud, spies, conspiracy and death. Along the way, he meets the lovely Laura Fairlie and her emboldened half-sister, Marian Halcombe. Marian is brazen and assertive in her search for the truth, a strong female during a time when women were simply viewed as the weaker sex. She joins Walter on his journey to untangle the web of lies and deceit that has been spun so expertly.

Here's Mickey Spillane and Mike Hammer in their roughest and readiest—a double-strength shot of sex, violence, and action that is vintage Spillane all the way. It's a tough-guy mystery to please even the most bloodthirsty of fans!

Toby Stephens and Juliet Aubrey star in a BBC Radio 4 full-cast dramatisation of Wilkie Collins’ chilling Gothic drama. A lonely stretch of road on Hampstead Heath is the venue for Walter Hartright’s midnight first encounter with a mysteriously distressed figure in white. As he helps the woman to escape from unnamed pursuers, he has little understanding of the way she will affect his future. At Limmeridge House in Cumberland, Walter meets and falls in love with Laura, who strangely resembles the woman in white.

Everyone in Foss Butcher’s village knows what happens when the magic-workers come; they harvest human hearts to use in their spells. That’s just how life in her kingdom works. But Foss, plain, clumsy, and practical as a boot, never expected anyone would want hers. When a sorcerer snags a piece of Foss’s heart without meaning to, she is furious. For once a heart is snagged, the experience is . . . well, unpleasant. So, Foss finds herself stomping toward the grand City to keep his enchanted House and demands that he fixes her before she keels over and dies.

In the ruggedness of the beautiful Kentucky mountains, Honey Lovett has always known that the old ways can make a hard life harder. As the daughter of the famed blue-skinned Troublesome Creek packhorse librarian, Honey and her family have been hiding from the law all her life. But when her mother and father are imprisoned, Honey realizes she must fight to stay free, or risk being sent away for good.

When the remains of a young child are discovered during a winter storm on a stretch of the bleak Lancashire coastline known as the Loney, a man named Smith is forced to confront the terrifying and mysterious events that occurred 40 years earlier, when he visited the place as a boy. At that time his devoutly Catholic mother was determined to find healing for Hanny, his disabled older brother. And so the family, along with members of their parish, embarked on an Easter pilgrimage to an ancient shrine.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.

Six years after four family members died of arsenic poisoning, the three remaining Blackwoods—elder, agoraphobic sister Constance; wheelchair-bound Uncle Julian; and 18-year-old Mary Katherine, or, Merricat—live together in pleasant isolation. Merricat has developed an idiosyncratic system of rules and protective magic to guard the estate against intrusions from hostile villagers. But one day a stranger arrives—cousin Charles, with his eye on the Blackwood fortune.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.