Like millions of others, Louis Theroux’s plans were mothballed by the onset of COVID. Unable to escape to the porn sets and the prisons and the maximum-security mental hospitals that are his usual journalistic feeding ground, the garlanded documentary maker began reporting on a location even more full of pitfalls and hostile objects of inquiry - his own home during a pandemic.

Award-winning actor, creator of a myriad of memorable characters from Lady Whiteadder to Professor Sprout, Miriam Margolyes is a national treasure. Now, at last, at the age of 80, she has finally decided to tell her extraordinary life story. And it's far richer and stranger than any part she's played.

“What am I, bologna?” Mary Rodgers (1931-2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened.

Anne Glenconner has been at the center of the royal circle from childhood, when she met and befriended the future Queen Elizabeth II and her sister, the Princess Margaret. Though the firstborn child of the fifth Earl of Leicester, who controlled one of the largest estates in England, as a daughter she was deemed "the greatest disappointment" and unable to inherit. Since then she has needed all her resilience to survive court life with her sense of humor intact.

From being escorted off the Today programme (for saying what we were all thinking) to declaring her love to Vanessa Redgrave; from Tales of the Unexpected to Graham Norton's sofa, she is our most loved and most outspoken national treasure. Oh Miriam! takes you inside both her head and her heart. Buckle up for the most irrepressible, hilarious and moving listen of 2023.

'Between the Stops is a sort of a memoir, my sort. It's about a bus trip really, because it's my view from the Number 12 bus (mostly top deck, the seat at the front on the right), a double-decker that plies its way from Dulwich, in South East London, where I was living, to where I sometimes work - at the BBC, in the heart of the capital. It's not a sensible way to write a memoir at all, probably, but it's the way things pop into your head as you travel, so it's my way'.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

Jackie Kennedy is beautiful, sophisticated, and contemplating leaving her ambitious young senator husband. When she's offered a holiday on the luxurious yacht owned by billionaire Ari Onassis, she says yes...to a meeting that will ultimately change her life. Maria Callas is at the height of her operatic career and widely considered to be the finest soprano in the world. And then she's introduced to Aristotle Onassis, the world's richest man and her fellow Greek. Little by little, Maria's and Jackie's lives began to overlap, until everything they know about the world changes on a dime.

In this memoir, which she began before passing away in 2017 and completed by her co-writer, Edie recounts her childhood in Philadelphia, her realization that she was a lesbian, and her active social life in Greenwich Village's electrifying underground gay scene during the 1950s. Edie was also one of a select group of trailblazing women in computing, working her way up the ladder at IBM and achieving their highest technical ranking while developing software.

Nicole “Coco” Martin's destined to have it all. As the only child of doting, successful parents, she's been given every opportunity in life. Having inherited her mother’s stunning beauty and creativity, along with her father’s work ethic and diligence, she has the world at her feet. Her graduation from Columbia's fast approaching, and with it the summer job of her dreams working at a magazine. Between work, leisurely weekends at her family’s home in Southampton, and spending as much time as possible with her best friend, Sam, life couldn’t be better - until tragedy strikes.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

With a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world.

When Christina Crawford’s harrowing chronicle of child abuse was first published in 1978, it brought global attention to the previously closeted subject. It also shed light on the guarded world of Hollywood and stripped away the façade of Christina’s relentless, alcoholic abuser: her adoptive mother, movie star Joan Crawford.

There are few people Gyles Brandreth doesn't know or hasn't met. Now a grandparent, he traces his steps back to being a three-year-old tearing around 1950s London on his tricycle, to boarding school where he had an appendix removed simply to get out of football, to Bedales, where he met Camilla, Duchess of Cornwall, to balancing his growing love of theatre with his love for educating, the 'woolly jumper years', the stint as an MP, the years of close friendship with the queen, to becoming a septuagenarian Twitter star and stalwart fixture in British entertainment.

"I don't want you to rehabilitate me," Philip Roth said to his only authorized biographer, Blake Bailey. "Just make me interesting." Granted complete independence and access, Bailey spent almost 10 years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and listening to Roth's own breathtakingly candid confessions. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of postwar American culture.