It’s Christmastime in Brighton, and the city is abuzz about magician Max Mephisto’s star turn in Aladdin. But the holiday cheer is lost on DI Edgar Stephens. He’s investigating the murder of two children, Annie and Mark, who were found in the woods alongside a trail of candy—a horrifying scene eerily reminiscent of “Hansel and Gretel.” Edgar has plenty of leads. Annie, a dark child, wrote gruesome plays based on the Grimms’ fairy tales. Does the key to the case lie in her final script? Or does the macabre staging of the bodies point to the theater and the capricious cast of Aladdin?

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

Natalka and Edwin are perfect if improbable partners in a detective agency. At eighty-four, Edwin regularly claims that he’s the oldest detective in England. He is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, Ukrainian-born and more than fifty years his junior, is a math whizz, who takes any cases concerning fraud or deception. Despite a steady stream of minor cases, Natalka is frustrated. She loves a murder, as she’s fond of saying, and none have come the agency’s way. That is until local writer Melody Chambers dies.

From deep in the heart of his 18th century English manor, millionaire Sir Adrian Beauclerk-Fisk writes mystery novels and torments his four spoiled children with threats of disinheritance. Gathering them all together for a family dinner, he announces his latest blow - a secret elopement. Within hours, eldest son and appointed heir Ruthven is found cleaved to death by a medieval mace. And soon Sir Adrian himself is found slumped over his writing desk - an ornate knife thrust into his heart.

Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.

Three very different women come together to complete an environmental survey on the Northumberland countryside. Three women who, in some way or another, know the meaning of betrayal....For team leader Rachael Lambert the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

DS Whitney Walker wants a promotion, but it’s hard when she’s trying to balance motherhood with a career. When a newborn baby is kidnapped from the local hospital, she draws on her skills as a mother to help. Despite being ordered not to, and when the leads are going nowhere, Walker enlists the help of a local journalist who’s convinced it’s the work of an international baby smuggling ring. Walker’s plan backfires and she fears they’re running out of time.

Flower shop owner Ellie McEwan is driving home late one frosty November night when a shadowy figure leaps into the road out of nowhere. Ellie swerves to avoid him — and slams head-on into the crash barrier. Days later, Ellie wakes up in hospital — and notices there’s something different. Everyone she looks at — the doctor, the nurse, her friend Carole — is surrounded by a coloured aura. Her near-death experience seems to have given her a new ability. And now Ellie must use her new-found gift to catch a killer.

The first three crime thrillers in the Detective Sebastian Clifford series together in a single collection for the first time. This collection includes Web of Lies, Speak No Evil, and Never Too Late.

Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan’s friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts. The outbreak of war changed everything. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive.

Wealthy Sir Hubert Handesley's original and lively weekend house parties are deservedly famous. To amuse his guests, he has devised a new form of the fashionable Murder Game, in which a guest is secretly selected to commit a 'murder' in the dark, and everyone assembles to solve the crime. But when the lights go up this time, there is a real corpse....

Richard is a middle-aged Englishman who runs a B&B in the fictional Val de Follet in the Loire Valley. Nothing ever happens to Richard, and really that’s the way he likes it. One day, however, one of his older guests disappears, leaving behind a bloody handprint on the wallpaper. Another guest, the exotic Valérie, persuades a reluctant Richard to join her in investigating the disappearance. Richard remains a dazed passenger in the case until things become really serious and someone murders Ava Gardner, one of his beloved hen...and you don’t mess with a fellow’s hens!

D.I. Duncan McAdam is dispatched home to the Misty Isle. A body has been found buried in a remote location on the Waternish peninsula. Well-preserved in the peat, Isla Matheson—missing for the better part of two decades—is revealed to a shocked island community. A teenage runaway is dead...and no one is talking.

An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his assistant, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar in London's Jewish ghetto. When the eccentric and enigmatic Barker takes the case, he must hire an assistant, and out of all who answer an ad for a position with "some danger involved", he chooses downtrodden Llewelyn, a gutsy young man with a murky past.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?

It’s Christmastime in Brighton, and the city is abuzz about magician Max Mephisto’s star turn in Aladdin. But the holiday cheer is lost on DI Edgar Stephens. He’s investigating the murder of two children, Annie and Mark, who were found in the woods alongside a trail of candy—a horrifying scene eerily reminiscent of “Hansel and Gretel.” Edgar has plenty of leads. Annie, a dark child, wrote gruesome plays based on the Grimms’ fairy tales. Does the key to the case lie in her final script? Or does the macabre staging of the bodies point to the theater and the capricious cast of Aladdin?

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

Natalka and Edwin are perfect if improbable partners in a detective agency. At eighty-four, Edwin regularly claims that he’s the oldest detective in England. He is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, Ukrainian-born and more than fifty years his junior, is a math whizz, who takes any cases concerning fraud or deception. Despite a steady stream of minor cases, Natalka is frustrated. She loves a murder, as she’s fond of saying, and none have come the agency’s way. That is until local writer Melody Chambers dies.

Forensic archeologist Ruth Galloway is in her late thirties. She lives happily alone with her cats in a remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine is harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Ruth for help, believing the bones to be the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor taunts him with bizarre letters referencing ritual sacrifice, Shakespeare, and the Bible.

When a child’s remains are found at a demolition site—a former children’s home in Norwich—forensic archaeologist Ruth Galloway is called in to examine the bones. She quickly notes that the skull is missing. Is this a Roman-era ritual sacrifice, or is the killer closer at hand? Ruth and DCI Nelson seek out the priest who served as the home’s operator. Father Hennessey reports that two children had gone missing there, about forty years earlier. They were never found. Is this one of them, finally unearthed?

Just back from maternity leave, forensic archeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The presence of DCI Harry Nelson, the married father of her daughter, does not help. The bones, six men with their arms bound, turn out to date back to World War II, a desperate time on this stretch of coastland. As Ruth and Nelson investigate, Home Guard veteran Archie Whitcliffe reveals the existence of a secret the old soldiers have vowed to protect with their lives.

When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum’s curator lying dead on the floor. Soon after, the museum’s wealthy owner is also found dead, in his stables. DCI Harry Nelson is called in to investigate, thrusting him into Ruth’s path once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth’s friends become involved, where will her loyalties lie? A

Still spinning from the hustle and bustle of city life, Jodie ‘Nosey’ Parker is glad to be back in the Cornish village she calls home. Having quit the Met Police in search of something less dangerous, the change of pace means she can finally start her dream catering company and raise her daughter, Daisy, somewhere safer. But there’s nothing quite like having your first job back at home be catering an ex-boyfriend’s wedding to remind you of just how small your village is.

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

Get three absolutely gripping crime thrillers set on the UK's atmospheric north Norfolk coast from number one best-selling British author J M Dalgliesh in this great value collection.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

The New York Times best-selling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues.

A producer at the BBC and mother to a new baby, Tessa is at work in Belfast one day when the news of another raid comes on the air. The IRA may have gone underground in the two decades since the Good Friday Agreement, but they never really went away, and lately bomb threats, security checkpoints, and helicopters floating ominously over the city have become features of everyday life. As the news reporter requests the public's help in locating those responsible for the robbery, security footage reveals Tessa's sister, Marian, pulling a black ski mask over her face.

The young man with the shock of white-blond hair lay spread-eagled on the floor, surrounded by fallen books. His hand reached out to the scattered pages, as though he was trying to tell her something. But who is he? How did he come to be killed in Flora’s ordinary little bookshop? Flora finds out he was staying at the Priory Hotel, and when the gardener suddenly dies in its beautiful grounds only a few days later, she is certain that something untoward is happening in her quiet village by the sea.

D.I. Duncan McAdam is dispatched home to the Misty Isle. A body has been found buried in a remote location on the Waternish peninsula. Well-preserved in the peat, Isla Matheson—missing for the better part of two decades—is revealed to a shocked island community. A teenage runaway is dead...and no one is talking.