For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading.

With a wealth of never-before-accessed materials, Heather Clark brings to life the brilliant Sylvia Plath, who had precocious poetic ambition and was an accomplished published writer even before she became a star at Smith College. Refusing to read Plath’s work as if her every act was a harbinger of her tragic fate, Clark considers the sociopolitical context as she thoroughly explores Plath’s world.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.

During her lifetime, Emily Dickinson did not seek out recognition or attempt to change the world around her, even in the smallest way. A private but not antisocial person, she kept her life’s work, and her innermost feelings, almost entirely to herself. After her death in 1886, it was only the good judgment of her sister Lavinia that preserved the more than 1,700 poems Dickinson had secretly produced. Her poetry was so intensely individual that it immediately captivated a national audience. More than a century later, her special genius continues to surprise readers young and old.

“I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.” So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness to lose herself within the beauty and mysteries of the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, who inspired her to vanish into the world of her own writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love.

In her last days, Sylvia Plath struggled to break out from the control of the towering figure of her husband Ted Hughes. In the antique mythology of his retinue, she had become the gorgon threatening to bring down the House of Hughes. Drawing on recently available court records, archives, and interviews, and reevaluating the memoirs of the formidable Hughes contingent who treated Plath as a female hysteric, Carl Rollyson rehabilitates the image of a woman too often viewed solely within the confines of what Hughes and his collaborators wanted to be written.

Wild and Precious: A Celebration of Mary Oliver is a first of its kind audio commemoration of one of the greatest poets in modern history. Actress and activist Sophia Bush guides listeners on a journey of contemplation and discovery into the artistry of Mary Oliver as remembered by many who were most greatly impacted by it.

In his poetry, Walt Whitman set out to encompass all of America, and in so doing, heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age.

Working with the full cooperation of the Van Gogh Museum in Amsterdam, Steven Naifeh and Gregory White Smith have accessed a wealth of previously untapped materials. While drawing liberally from the artist's famously eloquent letters, they have also delved into hundreds of unpublished family correspondences, illuminating with poignancy the wanderings of Van Gogh's troubled, restless soul. Naifeh and Smith bring a crucial understanding to the larger-than-life mythology of this great artist.

This is the story of the rise to national power of a desperately poor young man from the Texas Hill Country. The Path to Power reveals in extraordinary detail the genesis of the almost superhuman drive, energy, and ambition that set LBJ apart. It follows him from the Hill Country to New Deal Washington, from his boyhood through the years of the Depression to his debut as Congressman, his heartbreaking defeat in his first race for the Senate, and his attainment, nonetheless, at age 31, of the national power for which he hungered.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Miller, through Keats’s poetry, brilliantly resurrects and brings vividly to life, the man, the poet in all his complexity and spirit, living dangerously, disdaining respectability and cultural norms, and embracing subversive politics. Keats was a lower-middle-class outsider from a tragic and fractured family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression, who delighted in the sensation of the moment.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.