Many historians and cultural observers argue we live in a post-truth world—but if truth is dead, who killed it? And how did it die? Join celebrated historian Jill Lepore as she cracks the case by examining key moments in the history of truth, doubt, and evidence across the last century.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness.

At a time of much despair over the future of liberal democracy, Harvard historian Jill Lepore makes a stirring case for the nation in This America. Since the end of the Cold War, Lepore writes, American historians have largely retreated from the idea of "the nation", in part because the rise of political nationalism has rendered it suspect and unpalatable. Bucking this trend, however, Lepore argues forcefully that the nation demands scrutiny. Without an honest reckoning with America's collective past, we will be at the mercy of unscrupulous demagogues....

The Simulmatics Corporation, founded in 1959, mined data, targeted voters, accelerated news, manipulated consumers, destabilized politics, and disordered knowledge - decades before Facebook, Google, Amazon, and Cambridge Analytica. Silicon Valley likes to imagine that it has no past, but the scientists of Simulmatics are the long-dead grandfathers of Mark Zuckerberg and Elon Musk. Borrowing from psychological warfare, they used computers to predict and direct human behavior, deploying their “People Machine” from New York, Cambridge, and Saigon.

Like every other superhero, Wonder Woman has a secret identity. Unlike every other superhero, she has also has a secret history. Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman's creator.

From the days of the Mayflower and the Virginia Company, America has been a place for people to dream, invent, build, tinker, and bet the farm in pursuit of a better life. Americana takes us on a 400-year journey of this spirit of innovation and ambition through a series of Next Big Things - the inventions, techniques, and industries that drove American history forward: from the telegraph, the railroad, guns, radio, and banking, to flight, suburbia, and sneakers, culminating with the Internet and mobile technology at the turn of the 21st century.

In this monumental history, Vaclav Smil provides a comprehensive account of how energy has shaped society, from pre-agricultural foraging societies through today's fossil fuel-driven civilization and offers listeners a magisterial overview of humanity's energy eras.

For much of his life, historian Howard Zinn chronicled American history from the bottom up, throwing out the official version taught in schools - with its emphasis on great men in high places - to focus on the street, the home, and the workplace. Known for its lively, clear prose as well as its scholarly research, A People's History of the United States is the only volume to tell America's story from the point of view of - and in the words of - America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers.

Here, anthropologist David Graeber presents a stunning reversal of conventional wisdom: He shows that before there was money, there was debt. For more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods - that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors.

As a young man, Frederick Douglass (1818-1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. He wrote three versions of his autobiography over the course of his lifetime and published his own newspaper. His very existence gave the lie to slave owners: with dignity and great intelligence, he bore witness to the brutality of slavery.

Two of the boldest and most creative scientists of all time were Michael Faraday (1791-1867) and James Clerk Maxwell (1831-1879). This is the story of how these two men - separated in age by 40 years - discovered the existence of the electromagnetic field and devised a radically new theory which overturned the strictly mechanical view of the world that had prevailed since Newton's time.

In The Story of America, Harvard historian and New Yorker staff writer Jill Lepore investigates American origin stories - from John Smith's account of the founding of Jamestown in 1607 to Barack Obama's 2009 inaugural address - to show how American democracy is bound up with the history of print. Over the centuries, Americans have read and written their way into a political culture of ink and type. Part civics primer, part cultural history, The Story of America excavates the origins of everything from the paper ballot and the Constitution to the I.O.U. and the dictionary.

In Why We’re Polarized, Klein reveals the structural and psychological forces behind America’s descent into division and dysfunction. Neither a polemic nor a lament, this book offers a clear framework for understanding everything from Trump’s rise to the Democratic Party’s leftward shift to the politicization of everyday culture. America is polarized, first and foremost, by identity. Everyone engaged in American politics is engaged, at some level, in identity politics.

We are familiar with maps that outline all 50 states. And we are also familiar with the idea that the United States is an "empire", exercising power around the world. But what about the actual territories - the islands, atolls, and archipelagos - this country has governed and inhabited? In How to Hide an Empire, author Daniel Immerwahr tells the fascinating story of the United States outside the United States. In crackling, fast-paced prose, he reveals forgotten episodes that cast American history in a new light.

Fifty Inventions That Shaped the Modern Economy paints an epic picture of change in an intimate way by telling the stories of the tools, people, and ideas that had far-reaching consequences for all of us. From the plough to artificial intelligence, from Gillette's disposable razor to IKEA's Billy bookcase, best-selling author and Financial Times columnist Tim Harford recounts each invention's own curious, surprising, and memorable story.

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness.

Many historians and cultural observers argue we live in a post-truth world—but if truth is dead, who killed it? And how did it die? Join celebrated historian Jill Lepore as she cracks the case by examining key moments in the history of truth, doubt, and evidence across the last century.

In The Story of America, Harvard historian and New Yorker staff writer Jill Lepore investigates American origin stories - from John Smith's account of the founding of Jamestown in 1607 to Barack Obama's 2009 inaugural address - to show how American democracy is bound up with the history of print. Over the centuries, Americans have read and written their way into a political culture of ink and type. Part civics primer, part cultural history, The Story of America excavates the origins of everything from the paper ballot and the Constitution to the I.O.U. and the dictionary.

At a time of much despair over the future of liberal democracy, Harvard historian Jill Lepore makes a stirring case for the nation in This America. Since the end of the Cold War, Lepore writes, American historians have largely retreated from the idea of "the nation", in part because the rise of political nationalism has rendered it suspect and unpalatable. Bucking this trend, however, Lepore argues forcefully that the nation demands scrutiny. Without an honest reckoning with America's collective past, we will be at the mercy of unscrupulous demagogues....

The United States is known as a nation of immigrants. But it is also a nation of xenophobia. Here, Erika Lee shows that an irrational fear, hatred, and hostility toward immigrants has been a defining feature of our nation from the colonial era to the Trump era. Benjamin Franklin ridiculed Germans for their "strange and foreign ways." Americans' anxiety over Irish Catholics turned xenophobia into a national political movement. Forcing us to confront this history, America for Americans explains how xenophobia works, why it has endured, and how it threatens America.

Through the last 150 years of American history—from the post-reconstruction South and the mythic stories of cowboys in the West, to the present-day controversy over NFL protests and the backlash against the rise of women in politics—Ijeoma Oluo exposes the devastating consequences of white male supremacy on women, people of color, and white men themselves. Mediocre investigates the real costs of this phenomenon in order to imagine a new white male identity, one free from racism and sexism.

Like every other superhero, Wonder Woman has a secret identity. Unlike every other superhero, she has also has a secret history. Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman's creator.

So many thousands of books deifying Abraham Lincoln have been published that it is nearly impossible for the average citizen to learn much of anything that is truthful about Lincoln’s presidency. You’ll learn that the real reason why Lincoln launched an invasion of his own country (he never admitted that secession was legal or legitimate) was to destroy the voluntary union of the founders and replace it with a coerced union held together by violence and threats of violence, much more like the old Soviet Union than the original American union.

King Philip's War, the excruciating racial war - colonists against Indians - that erupted in New England in 1675, was, in proportion to population, the bloodiest in American history. Some even argued that the massacres and outrages on both sides were too horrific to "deserve the name of a war". Telling the story of what may have been the bitterest of American conflicts, and its reverberations over the centuries, Lepore has enabled us to see how the ways in which we remember past events are as important in their effect on our history as were the events themselves.

For much of his life, historian Howard Zinn chronicled American history from the bottom up, throwing out the official version taught in schools - with its emphasis on great men in high places - to focus on the street, the home, and the workplace. Known for its lively, clear prose as well as its scholarly research, A People's History of the United States is the only volume to tell America's story from the point of view of - and in the words of - America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers.

Liberal democracy in America has always contained contradictions—most notably, a noble but abstract commitment to freedom, justice, and equality that, tragically, has seldom been realized in practice. While these contradictions have caused dissent and even violence, there was always an underlying and evolving solidarity drawn from the cultural resources of America’s “hybrid Enlightenment”. James Davison Hunter, who introduced the concept of “culture wars” 30 years ago, tells us in this new book that those historic sources of national solidarity have now largely dissolved.

E. H. Gombrich's world history, an international best seller now available in English for the first time, is a text dominated not by dates and facts but by the sweep of experience across the centuries, a guide to humanity's achievements, and an acute witness to its frailties.

Between 1861 and 1865, the clash of the greatest armies the Western hemisphere had ever seen turned small towns, little-known streams, and obscure meadows in the American countryside into names we will always remember. In those great battles, those streams ran red with blood-and the United States was truly born.

Anthony Appiah's landmark work, featured on the cover of The New York Times Magazine, challenges the separatist doctrines espoused in books like Samuel Huntington's The Clash of Civilizations. Reviving the ancient philosophy of "cosmopolitanism", a school of thought that dates to the Cynics of the fourth century BC, Appiah traces its influence on the ethical legacies of the Enlightenment, the French Revolution, and the UN's Universal Declaration of Human Rights.

Although half of the population, women were treated as second class citizens in the United States and denied the fundamental right to vote. In 1872, Susan B. Anthony dared to cast her vote in a national election. She was arrested, tried, and convicted of the crime of "voting without having a lawful right to vote". This thrilling, firsthand account from suffragist Doris Stevens details the organized protests that hundreds of courageous women from across the country undertook in DC between 1913 and 1919, as well as the brutal consequences they had to endure.