The interwar period was a golden age for the occult. Spiritualists, clairvoyants, fakirs, Theosophists, mind readers, and Jinn summoners all set out to assure the masses that just as newly discovered invisible forces of electricity and magnetism determined the world of science, unseen powers commanded an unknown realm of human potential. Drawing on untapped sources in Arabic in addition to European ones, Raphael Cormack follows two of the most unusual and charismatic figures of this age.

Helliconia follows an eccentric orbit around a double-star system with a twenty-six-hundred-year cycle of very long seasons. As spring slowly breaks the brutally long winter, humans emerge from hiding and a long sequence of civilization and growth begins to repeat again, unbeknownst to the participants but watched by an orbiting satellite station, Avernus, created by Earth some centuries ago. Humans free themselves from slavery to the aboriginal Phagors, and religion and science flower and expand.

From creation myths and foundation legends to fascinating stories of human relationships and animal tales, these stories provide a diverse look at the countries and cultures across the African continent. Noted folklorist Helen Nde provides context for history and colonial influences for the stories.

Jean Strouse's Family Romance: John Singer Sargent and the Wertheimers looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career—and at the intersections of all these lives with the sparkle and strife of the Edwardian age.

Something wicked is going on in the village of Ascension. A mother wasting away from cancer is suddenly up and about. A boy trampled by a milk cart walks away from the accident. A hanged man can still speak, broken neck and all. The dead are not dying. When Rabbit and Sadie Grace accompany their friend Rose to Ascension to help take care of her ailing cousin, they immediately notice that their new house, Bethany Hall, is occupied by dozens of ghosts. And something is waiting for them in the attic.

Matthew Lutton's debut book about demon deals gone wrong. If your a fan of Tales from the Crypt and Books of Blood, be careful what you wish for, because this one is for you. Choose your 10 drinks wisely....

Edmund Gunderson—former Terran governor of the colony world of Belzagor—returns eight years after the planet has gained independence, drawn back for reasons he can’t quite explain. Things have changed significantly since he left, and he plays his part well—slightly pompous former government official—for the tourists he encounters on the way down. But this is more than a simple sight-seeing visit. As Gunderson comes face-to-face with the consequences of his former attitudes and actions, he finds himself on a journey—both physical and spiritual—to the legendary mountain of rebirth.

In a reunified Korea of the near future, the sun beats down on a junkyard filled with abandoned robots, broken down for parts. Eleven-year-old Ruijie sifts through the scraps, searching for a piece that might support her failing body. There among the piles of trash, something catches her eye: a robot boy—so lifelike and strange, unlike anything she’s ever seen before.

Cailleach, goddess of winter, was not born to be a blight on humanity, but she became one. She would say with scorn that it was their own fault: mortals were selfish, thoughtless, and destructive, bringing harm to each other and the earth without cause or qualms. One day, Cailleach goes too far. Thousands die, lost to her brutal winter. In punishment, her mother Danu, queen of the gods, strips the goddess of her powers and sends Cailleach to earth, to live and die as the mortals she so despises, until she understands what it is to be one of them.

It’s 2024, and Tobey Harlan—college dropout, temporary waiter, recently dumped—steals from the wall of his father’s house three paintings by the venerated and controversial artist Di Stiegl. Tobey’s just lost everything he owns to a Northern California wildfire, and if he can sell the paintings (albeit in a shady way to a notorious tech bro) he can start life anew in a place no one will ever find him, perhaps even Oregon. A hundred years before, Klaus Aaronsohn—German-Jewish immigrant, resident of the Lower East Side—inveigles his way into a film studio in Astoria, Queens.