In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition.

The protagonist of this story has no understanding of the words winter, cold, or snow because he has never experienced the phenomena they describe. We find ourselves in Victorica, a province of La Pampa, Argentina, some time after 2197–the year in which the last of the Antarctic icecaps melted and an unprecedented climate catastrophe ensued, radically transforming the landscape of the region into a Caribbean Pampas.

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.

The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets. Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas.

Maggie Webb has lived the last decade caring for elderly husband, Stanley, as memory loss gradually erases all the beautiful moments they created together. It's the loneliest she's ever felt in her life. When a mysterious stranger named Hassan appears at her door, he reveals a shocking truth: Stanley isn't losing his memories. Someone is actively removing them to hide a long-buried secret from coming to light. If Maggie does what she's told, she can reverse it. She can get her husband back.

There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood–that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. “Forget about daily life,” chides her grandmother on the phone. “We named you for a whole continent and you’re filming a park.”

Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years.

Among the ashes of a dying world, an agent of the Commandment finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean the death of each of them. There’s still a war going on, after all. And someone has to win. That’s how war works, right?

Greco-Roman mythology and the mystery of the vanished Roanoke colony collide in this epic adventure filled with sapphic longing and female rage—a debut novel for fans of Madeline Miller, Jennifer Saint, and Natalie Haynes.

It’s 2024, and Tobey Harlan—college dropout, temporary waiter, recently dumped—steals from the wall of his father’s house three paintings by the venerated and controversial artist Di Stiegl. Tobey’s just lost everything he owns to a Northern California wildfire, and if he can sell the paintings (albeit in a shady way to a notorious tech bro) he can start life anew in a place no one will ever find him, perhaps even Oregon. A hundred years before, Klaus Aaronsohn—German-Jewish immigrant, resident of the Lower East Side—inveigles his way into a film studio in Astoria, Queens.

Helliconia follows an eccentric orbit around a double-star system with a twenty-six-hundred-year cycle of very long seasons. As spring slowly breaks the brutally long winter, humans emerge from hiding and a long sequence of civilization and growth begins to repeat again, unbeknownst to the participants but watched by an orbiting satellite station, Avernus, created by Earth some centuries ago. Humans free themselves from slavery to the aboriginal Phagors, and religion and science flower and expand.

A real-life historical figure, the woman known as Malinalli, Malintzin, La Malinche, Doña Marina, and Malinalxochitl was the Nahua interpreter who helped Spanish conquistador Hernán Cortés communicate with the native people of Mexico. When indigenous leaders observed her marching into their cities, they believed she was a goddess—blessed with the divine power to interpret the Spaniards’ intentions for their land. Later, historians and pop culture would deem her a traitor—the “Indian” girl who helped sell Mexico’s future to an invader.

Once, Sammy Dominguez thought he knew how the world worked. The ugly things in his head—his uncle’s pathetic death, his parents’ mistrust, the twisted horrors he writes for the Internet—didn’t matter, because he and his girl, Ellery, were on track for the good life in this messed-up world. Then a car accident changed everything. Spiraling with grief and guilt, Sammy scrambles for distraction. He finds it in shock-value videos of gore and violence that terrified him as a child. When someone messages him a dark web link to footage of Ellery dying, he watches.

Cailleach, goddess of winter, was not born to be a blight on humanity, but she became one. She would say with scorn that it was their own fault: mortals were selfish, thoughtless, and destructive, bringing harm to each other and the earth without cause or qualms. One day, Cailleach goes too far. Thousands die, lost to her brutal winter. In punishment, her mother Danu, queen of the gods, strips the goddess of her powers and sends Cailleach to earth, to live and die as the mortals she so despises, until she understands what it is to be one of them.

JP and Dulin have been the best of friends for decades. When JP finds out his cancer has aggressively returned, Dulin decides it’s the perfect time for one last adventure: a week-long bus tour of North America’s Impossibles, the physics-defying glitches and geographic miracles that started cropping up seven years earlier—right after the Announcement that revealed our world to be merely a digital simulacrum. The outing, courtesy of Canterbury Trails Tours, promises the trip of a (not completely real) lifetime in a (not completely deluxe) coach.

An arrest for cocaine possession on the last day of a sweltering New York summer leaves Smith, a queer Black Stanford graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him, but his race does not. It’s just weeks after the death of his beloved roommate Elle, the daughter of a famous soul singer, and he’s still reeling from the tabloid spectacle—as well as lingering questions around how well he really knew his closest friend.

The year is 2072. At the lunar farside radio observatory, an old school radio broadcast is detected, similar to those broadcast on Earth in the 1940s and early 1950s, but in an unknown language, coming from an impossible source, and originating at an equally impossible location—Proxima Centauri. While the nations of Earth debate making First Contact, they learn that the Proximans are facing an extinction-level disaster, forcing a decision: Will Earth send a ship on a multiyear trip to provide aid?

At twenty-five years old, Michael Stewart was a young Black aspiring artist, deejay, and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980’s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall. Witnesses reported officers beating him with Billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after thirteen days in a coma.

Cambridge University, 2005: Student Joe Greene scribbles verses in the margins of his notebook, dreaming of a future where his words will echo through the ages, all while doubting it could ever happen. Then, the future quite literally finds him—in the form of Esi. She’s part of a time-traveling tour, a trip for people in the future to witness history’s greatest moments firsthand. The star of this tour? Joe Greene. In Esi’s era, Joe is as renowned as Shakespeare. And he’s about to meet Diana, a fellow student and aspiring actress, who will become his muse and the subject of his famous poems.

“Ask anyone non-Northern, they’ll only know Donny as punchline of a joke or place they changed trains once ont way to London.” But Doncaster’s also the home of Rach, Shaz, and Kel, bezzies since childhood and Donny lasses through and through. Never mind that Rach is skeptical of Shaz’s bolder plots; or that Shaz, who comes from a rougher end of town, feels left behind when the others begin plotting a course to uni; or that Kel sometimes feels split in two trying to keep the peace―the girls are inseparable, their friendship as indestructible as they are.

After a devastating military error with tragic results for humanity… a special squad is formed to reverse that error and restore the survival of humankind.

In Half Moon Bay, California, 2016, a young woman waits for her father's sailboat to arrive at port. They have agreed to meet on this day and time. Yet he never shows. He has told her this event might come. And if it did, she was ready. Go to the library in Berkeley, find a certain book, follow the instructions. But what if the instructions lead to more questions than answers?

Thus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century's great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious.