-
Titus Alone
- Volume 3 of the Gormenghast Trilogy
- Narrated by: Robert Whitfield
- Length: 7 hrs and 33 mins
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Publisher's summary
In this third volume, Titus turns against the iron discipline of Gormenghast's ritual and sets forth on an uncertain quest - to find himself. His pilgrimage leads to encounters with mysteriously omnipotent, ruthless police, and a battle to the death with Veil, a gaunt ogre with a body like whips and a face that moves "like the shiftings of the gray slime of the pit". Titus, in his quest for independence from his legacy, despite the fantastical trappings of his odyssey, captures successfully the humanistic conception of contemporary man.
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In the ancient city of Lankhmar, two men forge a friendship in battle. The red-haired barbarian Fafhrd left the snowy reaches of Nehwon looking for a new life, while the Gray Mouser, apprentice magician, fled after finding his master dead. These bawdy brothers-in-arms cement a friendship that leads them through the wilds of Nehwon facing thieves, wizards, princesses, and the depths of their desires and fears.
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Fafhrd/Gray Mouser
- By melody333 on 08-21-08
By: Fritz Leiber
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The Blue Guitar
- A Novel
- By: John Banville
- Narrated by: Gerry O'Brien
- Length: 9 hrs and 28 mins
- Unabridged
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From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.
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Masterful
- By Amazon customer on 11-25-15
By: John Banville
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Fear
- By: L. Ron Hubbard
- Narrated by: Roddy McDowall
- Length: 2 hrs and 56 mins
- Abridged
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Professor James Lowry didn’t believe in spirits, or witches, or demons. Not until a gentle spring evening when his hat disappeared, and suddenly he couldn’t remember the last four hours of his life. Now, the quiet university town of Atworthy is changing - slightly at first, then faster and more frighteningly each time he tries to remember.
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The Best of Hubbard
- By JJ on 01-31-15
By: L. Ron Hubbard
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A Shadow on the Glass
- By: Ian Irvine
- Narrated by: Grant Cartwright
- Length: 21 hrs and 26 mins
- Unabridged
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Once there were three worlds, each with their own human species. Then, fleeing out of the void came a fourth species, the Charon. Desperate, on the edge of extinction, they changed the balance between the worlds forever. Karan, a sensitive with a troubled heritage, is forced to steal an ancient relic in repayment of a debt. It turns out to be the Mirror of Aachan, a twisted, deceitful thing that remembers everything it has ever seen.
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Not quite good enough.
- By Scott S. on 03-13-12
By: Ian Irvine
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The Book of Magic
- By: Gardner Dozois - editor, Scott Lynch, Elizabeth Bear, and others
- Narrated by: Karissa Vacker, Sile Bermingham, Maxwell Caulfield, and others
- Length: 24 hrs and 38 mins
- Unabridged
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Hot on the heels of Gardner Dozois's acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf... and a Saruman. For every Dorothy, a Glinda... and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore... and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped - or misshaped - by the potent magic they seek to wield.
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some stinkers mostly good
- By M.T. on 12-11-18
By: Gardner Dozois - editor, and others
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Dog Wizard
- By: Barbara Hambly
- Narrated by: Nicole Poole
- Length: 15 hrs and 40 mins
- Unabridged
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The Citadel of Wizards was under siege. Deep in the Vaults beneath the walled city, gates into inhuman realities were opening and closing without warning. Monsters emerged from other dimensions; and ancient, malign magics came to life under the influence of cosmic chaos. Someone was tampering with the Void. The Council of Wizards blamed Antryg Windrose, the rebel mage who had fled their justice to find haven in the City of Angels.
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Kept my interest
- By Kenneth on 06-27-13
By: Barbara Hambly
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The Pearl
- By: John Steinbeck
- Narrated by: Hector Elizondo
- Length: 2 hrs and 35 mins
- Unabridged
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In this short book illuminated by a deep understanding and love of humanity, John Steinbeck retells an old Mexican folk tale: the story of the great pearl, how it was found, and how it was lost. For the diver Kino, finding a magnificent pearl means the promise of a better life for his impoverished family. His dream blinds him to the greed and suspicions the pearl arouses in him and his neighbors, and even his loving wife cannot temper his obsession or stem the events leading to the tragedy. For Steinbeck, Kino and his wife illustrate the fall from innocence of people who believe that wealth erases all problems.
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Stay poor
- By Jim "The Impatient" on 10-31-11
By: John Steinbeck
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The Book of Kells
- By: R. A. MacAvoy
- Narrated by: Alan Robertson
- Length: 14 hrs and 56 mins
- Unabridged
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A contemporary man, John Thornburn (a meek, non-violent and unpredictable artist) and woman, Derval (his tough, confrontational, strong and warrior-like lover) time travel to ancient Ireland to avenge a Viking attack. Packed with fascinating details of historical time and place in Irish history and delicately balanced on the border between realism and fantasy, the story centers around one of the most famous and beautiful illuminated manuscripts in history, the legendary but entirely real Book of Kells.
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The Book of Irish Fantasy
- By S. Wells on 12-10-12
By: R. A. MacAvoy
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Interview with the Vampire
- By: Anne Rice
- Narrated by: Simon Vance
- Length: 14 hrs and 24 mins
- Unabridged
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We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....
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New Editions!
- By A. Sentoni on 06-04-11
By: Anne Rice
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The Watchers
- By: A.M. Shine
- Narrated by: Jacqueline Milne
- Length: 9 hrs and 27 mins
- Unabridged
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This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.
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Surprising and original
- By Leia Schoeck on 10-08-22
By: A.M. Shine
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Something Wicked This Way Comes
- By: Ray Bradbury
- Narrated by: Christian Rummel
- Length: 9 hrs and 5 mins
- Unabridged
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A carnival rolls in sometime after the midnight hour on a chill Midwestern October eve, ushering in Halloween a week before its time. A calliope's shrill siren song beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark's Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery.
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It's so creepy
- By Midwestbonsai on 11-14-14
By: Ray Bradbury
What listeners say about Titus Alone
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Cosmikk
- 05-02-24
rich boy who doesn't care about anything has women take care of him
Really lost the plot with this one. Titus decides to run away from home and be homeless, he doesn't care about anything, have any motivation other than not wanting to do things, and not wanting to be around people. Yet beautiful rich women continue to be obsessed with him and invite him, who they believe is a homeless begger, to live in their mansions. After a while he gets tired of banging them and runs away again. I'm embarrassed that an adult wrote this.
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- Steven
- 07-02-13
Titus Declines
I believe that Mervyn Peake is one of the best writers I have read since Charles Dickens. He draws characters like none other. His eye for detail and the weirdness of his characters is probably attributable to his being a fine artist in the first instance and a writer second. His biography also states that much of his Gormenghast world is based on his experiences of vast and ancient castles as a child growing up in rural China where his father was a doctor and missionary.
Clearly Titus Groan and Gormenghast (parts one and two of what was to be a series of books) are masterpieces. I have raved on about them, their characters and – to a far lesser extent – their plot. The final book, Titus Alone, should have been the culmination of this vast saga. Again Peake flourishes his craft, but almost immediately one realises something is amiss. The story is fragmented, the timescale confused, the flow is jerky with abrupt, apparently unrelated scenes. There is little cohesion and Peake manages to paint glimpses of people and startling episodes which are not linked in any cohesive way. One gets the impression that the book consists of sketches which will one day be written into a properly structured whole.
Although Titus has fled from Gormenghast and finds himself in another world and in another time altogether the reader soon becomes aware that the characters are merely shallow replicas of the Gormenghast crew – he is a master of character, but it is as if he has created all the characters he can and now churns them out time and again with little variation. The overwhelming impression is one of chaos and surreal anarchy. All of this makes sense when one understands that Peake was in a rapidly declining phase of dementia when writing the book and although still relatively young (about 50) he was losing his mind and would soon be in a home for the rest of his short life. His mental condition reflects in the delirium of his writing. We can only mourn that such a magnificent talent was taken too soon.
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10 people found this helpful
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- albert e evans
- 09-07-15
one of my faves
I have read the books, I thoroughly enjoyed this performance. I think the reader adds to Peake's mastery.
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1 person found this helpful
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- Jefferson
- 07-31-12
Titus Groan and Gormenghast in the Modern World
Is Gormenghast only the delusion of a "dotty" young man? It appears in no atlas and belongs to a past age of lineage, lords, and castles. After his birth in the vast castle in Titus Groan (1946), the first novel in Mervyn Peake's trilogy, and after his desertion of it in Gormenghast (1950), the second novel, in Titus Alone (1959/1992) young Titus finds himself lost in a modern world of cities, cars, airplanes, factories, concentration camps, detectives, and even sentient spy globes (and maybe even clones), ever pursued by mysterious identical twin men in tall helmets.
Titus Alone is a strange novel! Picaresque, allegorical, science fictional, and dream-like. It concerns Titus' struggle to come to terms with Gormenghast, with his desertion and memories of it, with his tenuous hold on its reality. Forthright and self-centered, Titus moves through the modern world like an unstable Candide, not wanting to become tied down to places, friends, or lovers. Nevertheless, he builds relationships with various people, including the larger than life, rudder-nosed, free-spirited Muzzlehatch, the beautiful, ample, and kind Juno, his three beggar bodyguards from the Under-River (into which the failures of the world descend), and the exquisite and spoiled rich girl Cheeta, whose father is a scientist who has built a factory with identical faces in the windows and sounds like the smell of death.
Robert Whitfield (AKA Simon Vance) gives a stellar reading of Titus Alone. His voices for Muzzlehatch and the denizens of the Under-River are engaging and savory, and his reading of Titus' delirious ravings (in which he channels the people from his past) is inspired. The only flaw is that his Cheeta sounds too weak and petulant and not malevolent enough.
The audiobook is the 1959 edition with 109 chapters, not the more recent and restored version from 1992 with 122. The added chapters develop Juno's character, the factory, and the charade climax, but I think the original version of the audiobook is fine without them.
Titus Alone is half as long as the first two novels in the trilogy, has fewer detailed descriptions and shorter chapters, and feels less immersive, coherent, and polished. And I sympathize with readers who feel that, due to his declining health, Peake was not able to write a third novel to equal the first two in bizarre and compelling grandeur, and that it's better just to read a duology and to ignore the third volume. However, readers who love the first two books will find flashes of their brilliance as well as new moods and modes in Titus Alone, and though it is not a masterpiece on their level, it is interesting and has unforgettable characters, scenes, and lines, for example, the absurd courtroom questioning of Titus about Gormenghast, the pleasurable early love between Titus and Juno, the horrible conversation between former prison camp guard Veil and former prisoner Black Rose, and the sad sunset clouds that look like silently roaring animals to Muzzlehatch.
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7 people found this helpful
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- Joseph
- 07-20-08
Poetic Fantasy
The final book in the Gormenghast Trilogy, considered by many to be one of the greatest fantasy series ever written, right up there with Tolkiens Lord of the Rings. Mr. Peak died before completing his last book, and Titus Alone was compiled after his death from his notes. The book is weaker than the first two installments for that reason. But the sheer brilliance of the prose makes it a pleasure to listen to.
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7 people found this helpful
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- Austin S
- 07-05-21
Old Version of a Great Book
A recording of the original, unrevised version. Some parts(sentences and occasionally entire paragraphs)from later editions missing, some bits that were taken out later are still there. A great performance, but it won't match up to most modern printing of the book if you're reading along.
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Overall
- Chris
- 04-19-07
Get the abridged version
After listening to the entire unabridged trilogy, I strongly recommend the abridged version. Although the story line wasn’t bad the author spent WAY TOO MUCH time developing minor characters. It seemed that he constantly went off on tangents that in the end had almost nothing to do with developing the main story line. He also would have made my English literature teach proud with his excessive use of adjectives. It often took 10 sentences to say what could have been said in 10 words.
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5 people found this helpful