Titus Alone Audiobook By Mervyn Peake cover art

Titus Alone

Volume 3 of the Gormenghast Trilogy

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Titus Alone

By: Mervyn Peake
Narrated by: Robert Whitfield
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In Volume 3 of the classic Gormenghast Trilogy, a doomed lord, an emergent hero, and an array of bizarre creatures haunt the world of Gormenghast Castle. This trilogy, along with Tolkien's Lord of the Rings, reigns as one of the undisputed fantasy classics of all time. At the center of everything is the 77th Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom.

In this third volume, Titus turns against the iron discipline of Gormenghast's ritual and sets forth on an uncertain quest - to find himself. His pilgrimage leads to encounters with mysteriously omnipotent, ruthless police, and a battle to the death with Veil, a gaunt ogre with a body like whips and a face that moves "like the shiftings of the gray slime of the pit". Titus, in his quest for independence from his legacy, despite the fantastical trappings of his odyssey, captures successfully the humanistic conception of contemporary man.

©1967, 1968 Mervyn Peake (P)2000 Blackstone Audiobooks Epic Epic Fantasy Fantasy Fiction Genre Fiction Literary Fiction Classics

Critic reviews

"[Peake's books] are actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience." (C.S. Lewis)
All stars
Most relevant  
I have read the books, I thoroughly enjoyed this performance. I think the reader adds to Peake's mastery.

one of my faves

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Is Gormenghast only the delusion of a "dotty" young man? It appears in no atlas and belongs to a past age of lineage, lords, and castles. After his birth in the vast castle in Titus Groan (1946), the first novel in Mervyn Peake's trilogy, and after his desertion of it in Gormenghast (1950), the second novel, in Titus Alone (1959/1992) young Titus finds himself lost in a modern world of cities, cars, airplanes, factories, concentration camps, detectives, and even sentient spy globes (and maybe even clones), ever pursued by mysterious identical twin men in tall helmets.

Titus Alone is a strange novel! Picaresque, allegorical, science fictional, and dream-like. It concerns Titus' struggle to come to terms with Gormenghast, with his desertion and memories of it, with his tenuous hold on its reality. Forthright and self-centered, Titus moves through the modern world like an unstable Candide, not wanting to become tied down to places, friends, or lovers. Nevertheless, he builds relationships with various people, including the larger than life, rudder-nosed, free-spirited Muzzlehatch, the beautiful, ample, and kind Juno, his three beggar bodyguards from the Under-River (into which the failures of the world descend), and the exquisite and spoiled rich girl Cheeta, whose father is a scientist who has built a factory with identical faces in the windows and sounds like the smell of death.

Robert Whitfield (AKA Simon Vance) gives a stellar reading of Titus Alone. His voices for Muzzlehatch and the denizens of the Under-River are engaging and savory, and his reading of Titus' delirious ravings (in which he channels the people from his past) is inspired. The only flaw is that his Cheeta sounds too weak and petulant and not malevolent enough.

The audiobook is the 1959 edition with 109 chapters, not the more recent and restored version from 1992 with 122. The added chapters develop Juno's character, the factory, and the charade climax, but I think the original version of the audiobook is fine without them.

Titus Alone is half as long as the first two novels in the trilogy, has fewer detailed descriptions and shorter chapters, and feels less immersive, coherent, and polished. And I sympathize with readers who feel that, due to his declining health, Peake was not able to write a third novel to equal the first two in bizarre and compelling grandeur, and that it's better just to read a duology and to ignore the third volume. However, readers who love the first two books will find flashes of their brilliance as well as new moods and modes in Titus Alone, and though it is not a masterpiece on their level, it is interesting and has unforgettable characters, scenes, and lines, for example, the absurd courtroom questioning of Titus about Gormenghast, the pleasurable early love between Titus and Juno, the horrible conversation between former prison camp guard Veil and former prisoner Black Rose, and the sad sunset clouds that look like silently roaring animals to Muzzlehatch.

Titus Groan and Gormenghast in the Modern World

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Excellent narration added to some of the most eloquent writing ever. Peakes writing is beautifully put together. It is wonderfully descriptive in surprising ways and flows seamlessly.

Beautiful prose

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I believe that Mervyn Peake is one of the best writers I have read since Charles Dickens. He draws characters like none other. His eye for detail and the weirdness of his characters is probably attributable to his being a fine artist in the first instance and a writer second. His biography also states that much of his Gormenghast world is based on his experiences of vast and ancient castles as a child growing up in rural China where his father was a doctor and missionary.
Clearly Titus Groan and Gormenghast (parts one and two of what was to be a series of books) are masterpieces. I have raved on about them, their characters and – to a far lesser extent – their plot. The final book, Titus Alone, should have been the culmination of this vast saga. Again Peake flourishes his craft, but almost immediately one realises something is amiss. The story is fragmented, the timescale confused, the flow is jerky with abrupt, apparently unrelated scenes. There is little cohesion and Peake manages to paint glimpses of people and startling episodes which are not linked in any cohesive way. One gets the impression that the book consists of sketches which will one day be written into a properly structured whole.
Although Titus has fled from Gormenghast and finds himself in another world and in another time altogether the reader soon becomes aware that the characters are merely shallow replicas of the Gormenghast crew – he is a master of character, but it is as if he has created all the characters he can and now churns them out time and again with little variation. The overwhelming impression is one of chaos and surreal anarchy. All of this makes sense when one understands that Peake was in a rapidly declining phase of dementia when writing the book and although still relatively young (about 50) he was losing his mind and would soon be in a home for the rest of his short life. His mental condition reflects in the delirium of his writing. We can only mourn that such a magnificent talent was taken too soon.

Titus Declines

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Really lost the plot with this one. Titus decides to run away from home and be homeless, he doesn't care about anything, have any motivation other than not wanting to do things, and not wanting to be around people. Yet beautiful rich women continue to be obsessed with him and invite him, who they believe is a homeless begger, to live in their mansions. After a while he gets tired of banging them and runs away again. I'm embarrassed that an adult wrote this.

rich boy who doesn't care about anything has women take care of him

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The final book in the Gormenghast Trilogy, considered by many to be one of the greatest fantasy series ever written, right up there with Tolkiens Lord of the Rings. Mr. Peak died before completing his last book, and Titus Alone was compiled after his death from his notes. The book is weaker than the first two installments for that reason. But the sheer brilliance of the prose makes it a pleasure to listen to.

Poetic Fantasy

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A recording of the original, unrevised version. Some parts(sentences and occasionally entire paragraphs)from later editions missing, some bits that were taken out later are still there. A great performance, but it won't match up to most modern printing of the book if you're reading along.

Old Version of a Great Book

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After listening to the entire unabridged trilogy, I strongly recommend the abridged version. Although the story line wasn’t bad the author spent WAY TOO MUCH time developing minor characters. It seemed that he constantly went off on tangents that in the end had almost nothing to do with developing the main story line. He also would have made my English literature teach proud with his excessive use of adjectives. It often took 10 sentences to say what could have been said in 10 words.

Get the abridged version

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Great reader, but it’s annoying that he the audio chapters don’t match the book chapters.

Annoying editing

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