An epic saga from New York Times best-selling author Stephanie Dray based on the true story of an extraordinary castle in the heart of France and the remarkable women bound by its legacy.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

Cornwall, 1730: A young girl known only as Red travels with her father making a living predicting fortunes using the ancient Cornish method of the Square of Sevens. Shortly before he dies, her father entrusts Red’s care to a gentleman scholar, along with a document containing the secret of the Square of Sevens technique.

The Story of My Life is the explosive and exhilarating autobiography by the infamous libertine Giacomo Casanova. Intense and scandalous, Casanova's extraordinary adventures take the listener on an incredible voyage across 18th-century Europe - from France to Russia, Poland to Spain and Turkey to Germany, with Venice at their heart. He falls madly in love, has wild flings and delirious orgies, and encounters some of the most brilliant figures of his time, including Catherine the Great, Louis XV and Benjamin Franklin. He holds a verbal dual with Voltaire and finds himself hauled before the court multiple times.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Pevear and Volokhonsky offer a brilliant translation of Dostoevsky's classic novel that presents a clear insight into this astounding psychological thriller. This audio edition of Crime and Punishment is expressively brought to life by Peter Batchelor.

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.

Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister enters Molly's quiet life, the loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

Miss Miranda Bartley is in love with the Honorable Ethan Roderick, their engagement all but official. But as she basks in the success of her London Season, her joy is cut short when Ethan ends their courtship, claiming she is too insensitive. In the wake of her heartbreak, Miranda is dealt yet another blow, one that changes everything. In a harsh twist of fate, she quickly falls from Society darling to servant in her uncle’s home.

As England slides into Civil War, master-goldsmith and money-lender, Luciano Falcieri del Santi embarks on his own hidden agenda. A chance meeting one dark night results in an unlikely friendship with Member of Parliament, Richard Maxwell. Richard’s daughter, Kate - a spirited girl who vows to hold their home against both Cavalier and Roundhead - soon finds herself fighting an involuntary attraction to the clever, magnetic, and diabolically beautiful Italian.

When Edward de Salis travels to America after the death of his first wife, he is astonished to find himself falling in love with Marguerite, a young woman many years his junior. Full of hope for the future, he returns to his Irish estate, Cashelmara, but in 19th-century Ireland - a country racked by poverty and famine - his family eventually becomes trapped in a sinister spiral of violence that Edward could never have foreseen.

Fitzwilliam Darcy is enraged when, already reeling from Elizabeth Bennet’s disdain, he discovers his sister locked in a passionate embrace with George Wickham—and suffers an apoplexy at the sight. With proper speech locked uselessly inside his mind, his Fitzwilliam relations are quick to take advantage of the situation, calling his illness insanity, and scheming to keep both Darcys under their control.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

Aphrodite Du Bell has always resented her name. While the members of the ton, and even the queen herself, praise her warm brown skin, perfect curls, and exquisite features, Aphrodite can’t help but think that living up to the literal goddess of beauty is asking a bit much. Her renowned loveliness certainly didn’t stop the love of her life from jilting her and marrying another woman four years ago.

Rowley Knight, Duke of Knighton, is too busy being a duke to bother with such nonsense as love. With three heirs, he is in no hurry whatsoever to succumb to the lures of the leg-shackles. He is content managing his siblings and estates, and avoiding society whenever possible. If he can only find someone to manage his young sister, life can go back to its proper order.

An extraordinary woman living in extraordinary times, Lady Frances Ffolkes is an Edwardian era suffragette who has an uncanny ability to attract danger and romance. When Major Colcombe, a family friend and war veteran, dies under mysterious circumstances, the good Lady discovers that he was working on a manuscript, about South Africa's bloody Boer War, that reportedly revealed a scandalous mistake that cost many innocent lives.

When Edward de Salis travels to America after the death of his first wife, he is astonished to find himself falling in love with Marguerite, a young woman many years his junior. Full of hope for the future, he returns to his Irish estate, Cashelmara, but in 19th-century Ireland - a country racked by poverty and famine - his family eventually becomes trapped in a sinister spiral of violence that Edward could never have foreseen.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

Loved and appreciated by all with whom he works, Harding lives an ordered, regular life in his protected religious environment. Then one day, a young reformer feels he has uncovered a mismanagement of funds and Harding is held to blame. The accusation comes as a shock not only to Harding himself but also to the cathedral community. It then comes to wider notice when the cause is taken up by a national newspaper.

Lord Alexander Pyne-ffoulkes, the younger son of the Duke of Ilvar, holds a bitter grudge against his wealthy father. The Duke intends to give his Duchess a priceless diamond parure on their wedding anniversary - so Alec hires a pair of jewel thieves to steal it. The Duke's remote castle is a difficult target, and Alec needs a way to get the thieves in. Soldier-turned-criminal Jerry Crozier has the answer: He'll pose as a Society gentleman and become Alec's new best friend.

Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

At its heart, The Insulted and the Injured is a story of human tragedy and suffering, but it is also a love story. Narrated by a fictitious young author, Vanya, this book tells the story of Natasha and her lover, Alyosha, who also happens to be the son of the cruel Prince Valkovsky.

Miss Miranda Bartley is in love with the Honorable Ethan Roderick, their engagement all but official. But as she basks in the success of her London Season, her joy is cut short when Ethan ends their courtship, claiming she is too insensitive. In the wake of her heartbreak, Miranda is dealt yet another blow, one that changes everything. In a harsh twist of fate, she quickly falls from Society darling to servant in her uncle’s home.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Pevear and Volokhonsky offer a brilliant translation of Dostoevsky's classic novel that presents a clear insight into this astounding psychological thriller. This audio edition of Crime and Punishment is expressively brought to life by Peter Batchelor.

In the eyes of London Society, Gillian Phelps is suitable enough. Though the ton whispers about her change of residence, any speculation remains just that: ballroom gossip. No one—not even the other Huntresses, the group of ladies she calls her dearest friends—knows that she is harboring a devastating family secret. Gillian has become adept at hiding the reality of her circumstances, but the close quarters of a house party will test her ability to conceal the crushing truth. And with so many people to deceive, the late arrival of another guest is a most unwelcome surprise.

Young Prince Mishkin is that rare thing - a "completely beautiful human being". He is honest, humble, generous, and selfless, but unfortunately these traits mean he is often mistaken for an idiot. Upon his return to St. Petersburg, after being away at a Swiss sanatorium for the treatment of epilepsy, Prince Mishkin is taken under the wing of the wife of General Yepanchin, who arranges for him to live with the family of her money-obsessed friend Ganya.

Fitzwilliam Darcy is a powerful magician who controls fire, water, and wind. What he cannot control is his growing feelings for Miss Elizabeth Bennet. Elizabeth's sentiments towards Darcy are quite different. She detests his arrogance, and she fears he will expose her use of forbidden magic - forbidden to women, that is. He is the last man in the world she would choose to help her on a difficult and dangerous task. But when a magical war looms between the land of Faerie and their world, a Lord of Faerie demands that Darcy and Elizabeth serve together as his emissaries to make peace.

The Bette referred to in this magnificent novel's title is Lisbeth Fischer, an excruciatingly cunning poor relation who both depends upon and nurses a terrible grudge against the family of her beautiful cousin, Adeline. That family is slowly being ruined by the uncontrollable sexual appetites of Adeline's husband, Baron Hulot - appetites that will, in time, give Cousin Bette opportunity to exact her vengeance.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence". Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

Andalin is accustomed to her father’s frequent travels - and to being left behind. So when he returns home and instructs her to pack her belongings, she is bewildered - but there is no time for questions as she is whisked away on a mysterious journey under the cover of night. When their tense flight leads them into the forbidding Black Forest, the pair quickly finds themselves in great peril. With little hope of escape, father and daughter are spared when rescue appears in the form of the mysterious Dark Rider, a notorious deadly highwayman feared by all he meets.