Niccolò Rising, book one of the series, finds us in Bruges, 1460. Jousting is the genteel pastime, and successful merchants are, of necessity, polyglot. Street smart, brilliant at figures, adept at the subtleties of diplomacy and the well-timed untruth, Dunnett's hero rises from wastrel to prodigy in a breathless adventure that wins him the hand of the strongest woman in Bruges and the hatred of two powerful enemies.

It is 1547, and Scotland has been humiliated by an English invasion and is threatened by machinations elsewhere beyond its borders, but it is still free. Paradoxically, her freedom may depend on a man who stands accused of treason. He is Francis Crawford of Lymond, a scapegrace nobleman of crooked felicities and murderous talents, possessed of a scholar's erudition and a tongue as wicked as a rapier. In The Game of Kings, this extraordinary antihero returns to the country that has outlawed him to redeem his reputations even at the risk of his life.

England, 1346: For Thomas Blackstone, the choice is easy - dance on the end of a rope for a murder he did not commit, or take up his war bow and join the king's invasion. As he fights his way across northern France, Blackstone learns the brutal lessons of war - from the terror and confusion of his first taste of combat, to the savage realities of siege warfare.

Arimnestos is a farm boy when war breaks out between the citizens of his native Plataea and their overbearing neighbours, Thebes. Standing in the battle line for the first time, alongside his father and brother, he shares in a famous and unlikely victory. But after being knocked unconscious in the melee, he awakes not a hero but a slave. Betrayed by his jealous and cowardly cousin, the freedom he fought for has now vanished, and he becomes the property of a rich citizen.

Born the bastard son of a Welsh princess, Myrdden Emrys - or as he would later be known, Merlin - leads a perilous childhood, haunted by portents and visions. But destiny has great plans for this no-man's-son, taking him from prophesying before High King Vortigern to the crowning of Uther Pendragon, and the conception of Arthur, king for once and always.

His name was Will Fowler, an actor in the esteemed theatrical company called Lord Westfield’s Men, a vibrant young man flushed from the success of a recent performance at the Queen’s Head theatre. So exuberant was he that he persuaded the resourceful manager of the company, Nicholas Bracewell, to quaff a pint or two at a nearby pub.

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns. In these turbulent times, three characters find their lives intertwined.

When HMS Reliant captures a French frigate and seizes its precious cargo - an unhatched dragon egg - fate sweeps Captain Will Laurence from his seafaring life into an uncertain future and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle.

Genghis Khan was born Temujin, the son of a khan, raised in a clan of hunters migrating across the rugged steppe. Shaped by abandonment and betrayal, Temujin endured, driven by a singular fury: to survive in the face of death, to kill before being killed, and to conquer enemies who could come without warning from beyond the horizon. Through a series of courageous raids, Temujin's legend grew until he was chasing a vision: to unite many tribes into one, to make the earth tremble under the hoofbeats of 1,000 warhorses, to subject all nations and empires to his will.

When The Far Pavilions was first published 19 years ago, it moved the critic Edmund Fuller to write this: "Were Miss Kaye to produce no other book, The Far Pavilions might stand as a lasting accomplishment in a single work comparable to Margaret Mitchell's achievement in Gond With the Wind." From its beginning in the foothills of the towering Himalayas, M. M. Kaye's masterwork is a vast, rich, and vibrant tapestry of love and war that ranks with the greatest panoramic sagas of modern fiction.

The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan - poet, diplomat, soldier - until a summer afternoon of savage brutality changes their relationship forever.

As a boy, Alexander dreamed of matching the heroic feats of Achilles. At 18 he led the Macedonian cavalry to a stunning victory against the Greeks. By 25 he had crushed the Persians in three monumental battles and was the master of the greatest empire the world had ever seen. Men began to call him a god. But behind the legend was another, more complex story.

It is a tale of ghosts, of madness, of revenge - of old alliances giving way to new intrigues. Denmark is changing, shaking off its medieval past. War with Norway is on the horizon. And Hamlet - son of the old king, nephew of the new - becomes increasingly entangled in a web of deception - and murder. Beautifully performed by actor Richard Armitage ("Thorin Oakenshield" in the Hobbit films), Hamlet, Prince of Denmark takes Shakespeare’s original into unexpected realms, reinventing a story we thought we knew.

Hugh of Singleton, fourth son of a minor knight, has been educated as a clerk, usually a prelude to taking holy orders. However, feeling no certain calling despite a lively faith, he turns to the profession of surgeon, training in Paris and then hanging out his sign in Oxford. A local lord asks him to track the killer of a young woman whose bones have been found in the castle cesspit. She is identified as the impetuous missing daughter of a local blacksmith, and her young man, whom she had provoked very publicly, is in due course arrested and sentenced at the Oxford assizes.