Tono-Bungay
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Narrated by:
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Greg Wagland
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By:
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H. G. Wells
About this listen
Tono-Bungay is very possibly H. G. Wells' finest novel, bringing together so many strands of his work: that of the novelist, the scientific romancer, the humorist, the historian, and the prophet-like sociologist. It was published in 1909, and although Wells was disappointed by its poor sales, Arnold Bennett praised it thus: "When with the thrill of emotion that a great work communicates I finished reading Tono-Bungay, I was filled with a holy joy because Wells had stirred up the dregs again and more violently than ever.... Human nature - you get it pretty complete in Tono-Bungay."
George Ponderevo is the novel's first person narrator, his mother the housekeeper of Bladesover House, a great country house in Sussex, that Wells uses throughout the novel to embody the decline of England, its certainties and its values. Tono-Bungay is Dickensian in stature, broad in its social panorama, taking George from childhood in the 1860s, to Chatham in Kent, to teeming London, to Africa and France: His life unfolds warts and all, as he rubs shoulders with every class, goes to live with his aunt and uncle, a Wimblehurst chemist, who goes on to invent a patent medicine of dubious efficacy, that he names, for no obvious reason, Tono-Bungay.
George goes up to London to study, falls in love, goes to work for his increasingly wealthy uncle, abandons academia, marries, returns to the study of aeronautics (theory and practice), eventually attempting to dig the crumbling family business out of a very deep hole, by prospecting illegally for a nastily radioactive substance called quap on Mordet Island, and even attempting a moonlit flit in the Lord Roberts beta flying machine. George Ponderevo is a mass of contradictions, seeking truth in science, truth in romance, mourning the passing of old England, chasing the new and the novel.
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One of Edith Wharton's most acclaimed works, The Custom of the Country is a blistering indictment of materialism, power, and misplaced values. Its heroine, Undine Spragg, is one of the most ruthless characters in all of literature, as selfishly unscrupulous as she is fiercely beautiful. As she climbs the class ladder through a series of marriages and affairs, she shows little concern for who she has to step on.
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Narrator kills the book
- By Mississippi Malka on 05-24-10
By: Edith Wharton
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The Real Life of Sebastian Knight
- By: Vladimir Nabokov
- Narrated by: Luke Daniels
- Length: 6 hrs and 3 mins
- Unabridged
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The Real Life of Sebastian Knight, the first novel Nabokov wrote in English, is a tantalizing literary mystery in which a writer’s half brother searches to unravel the enigma of the life of the famous author of Albinos in Black, The Back of the Moon, and Doubtful Asphodel. A characteristically cunning play on identity and deception, the novel concludes “ I am Sebastian, or Sebastian is I, or perhaps we both are someone whom neither of us knows.”
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A dry run at big, complex themes
- By Darwin8u on 12-08-13
By: Vladimir Nabokov
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Jude The Obscure
- By: Thomas Hardy
- Narrated by: Stephen Thorne
- Length: 15 hrs and 21 mins
- Unabridged
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This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.
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Staggering
- By Tad Davis on 02-16-10
By: Thomas Hardy
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Parade's End
- By: Ford Madox Ford
- Narrated by: Steven Crossley
- Length: 38 hrs and 12 mins
- Unabridged
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First published as four separate novels ( Some Do Not…, No More Parades, A Man Could Stand Up, and The Last Post) between 1924 and 1928, Parade’s End explores the world of the English ruling class as it descends into the chaos of war. Christopher Tietjens is an officer from a wealthy family who finds himself torn between his unfaithful socialite wife, Sylvia, and his suffragette mistress, Valentine. A profound portrait of one man’s internal struggles during a time of brutal world conflict, Parade’s End bears out Graham Greene’s prediction that "there is no novelist of this century more likely to live than Ford Madox Ford."
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A brilliant, challenging, and valuable work
- By leora on 09-11-12
By: Ford Madox Ford
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Cakes and Ale
- By: W. Somerset Maugham
- Narrated by: James Saxon
- Length: 6 hrs and 29 mins
- Unabridged
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When Cakes and Ale was first published in 1930 it roused a storm of controversy, since many people imagined they recognised portraits of literary figures now no more. It is the novel for which Maugham wished to be remembered.
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Delightful
- By RueRue on 04-22-16
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The Young Clementina
- By: D. E. Stevenson
- Narrated by: Karen Cass
- Length: 10 hrs
- Unabridged
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Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.
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Miss Dean's Dilemma
- By Jerri C on 05-02-18
By: D. E. Stevenson
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Brideshead Revisited
- By: Evelyn Waugh
- Narrated by: Jeremy Irons
- Length: 11 hrs and 33 mins
- Unabridged
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Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.
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Extraordinary
- By Vieux Carré Blonde on 12-12-12
By: Evelyn Waugh
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The Go-Between
- By: L. P. Hartley
- Narrated by: Sean Barrett
- Length: 10 hrs and 39 mins
- Unabridged
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During the long, hot summer of 1900, young Leo Colston is invited to stay for a month at a lordly, aristocratic manor in Norfolk. There he falls in love with his friend's older sister, who commissions him to ferry secret messages to the local farmer, her lover. His naiveté sustains their affair until ultimately leading to an event that will change their lives irrevocably.
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Great walk back in time.
- By Linda Ward on 01-19-17
By: L. P. Hartley
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The Turmoil
- By: Booth Tarkington
- Narrated by: Harry Shaw
- Length: 9 hrs and 44 mins
- Unabridged
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Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.
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Fast and heartwarming
- By dfjord on 08-06-24
By: Booth Tarkington
What listeners say about Tono-Bungay
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Bill
- 03-25-24
Interesting life story
Between aeronautics and ship building a man also has time to help his uncle pull off a huge Ponzi scheme
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- Tad Davis
- 08-09-16
Different from the usual Wells
Tono Bungay is the odd name (picked out of a hat?) of a patent medicine developed by one of the characters in this "social novel" by HG Wells. It makes the inventor a tremendous fortune - for awhile. But in some ways it's more of a MacGuffin - a plot device - than anything else. The novel really isn't about Tono Bungay; mainly it's about the effect of sudden wealth on his main character (and narrator), George Ponderevo.
(If this were one of Wells's science fiction novels, Tono Bungay would turn out to have miraculous healing powers. But this one takes place in the real world.)
George was the son of a housekeeper on the Bladesover estate. As he grows up, he meets and falls in love with Beatrice, the laird's daughter. Only much later he learns that she'd fallen in love with him as well; but their class differences would have ruled out a marriage anyway.
George's life takes a different turn. He works for his uncle, a pharmacist, who invents a snake oil product that turns out to be surprisingly successful - the result, thinks the uncle, of combining a benign product with skillful advertising. George shares in his uncle's growing wealth. They move repeatedly, each time to a bigger estate. George marries Marion, a woman he doesn't love; has a passionate affair with a secretary; gets a divorce; makes another failed bid for Beatrice's hand, this time from a position of wealth - but not class - equal to her own.
He isn't an especially appealing character. He's nice enough in the beginning, and clever; he uses his wealth to finance his interest in balloons and gliders, his designs becoming more grandiose with each iteration. But he also uses people, and his efforts to save his uncle's business, once it begins failing, takes him into some dark moral territory indeed.
The first two-thirds of the novel is mostly all narration. Dialogue does break out from time to time, but usually only for a line or two. This sounds like a recipe for boredom, but George is a charming and delightful narrator (if not human being), and I found myself completely absorbed in the story. In the latter part of the novel, the scenes become longer, the conflicts more intense, the characters more sharply drawn. (It does, unfortunately, have a very preachy epilogue, but it's not a long one.)
Greg Wagland is a really good narrator of Wells. He's done other writers as well, including several volumes of Sherlock Holmes stories, but Wells seems to be a special project of his. I enjoyed his performance and recommend the book. Some critics apparently compared it to Dickens: I wouldn't go that far; it doesn't have Dickens' brio. But it does have an array of highly individualized characters and a morally dubious narrator.
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- Eve Howard
- 02-28-21
Dickens meets Huxley
HG Wells' 1909 (non sci-fi) satiric novel, Tono-Bungay is the semi-autobiographical story of a scientifically minded young man who helps his brilliantly shady uncle build a patent medicine business into a financial empire. Uncle Ponderevo is a British PT Barum type, who uses advertising and the gullible public's desire to buy hope in a bottle, to first make and then mismanage a fortune. The narrator, who knows Tono-Bungay is rubbish, nevertheless is in need of a career, so he can court, then support, the various young ladies who come into his life. Further complications are caused by the stresses and strains of early 20th century sexual and societal mores, which contravene the impulses of nature to a high degree. This book starts out similar to Wells' earlier autobiographical novel Love and Mr. Lewisham, then it wanders into Galsworthy territory before swinging off into a dark and very terrible Joseph Conrad style adventure off the coast of Africa, in pursuit of a radioactive substance called Quap and it winds up in a Jules Verne-like escapade, as young Ponderevo, who is also a pioneer of early aeronautics, pilots his now fugitive uncle out of England in an airship of his own building. This book is filled with original characters, including a young woman, the protagonist's aunt, who masterfully jokes and teases her way through life. A quick way to sum up Wells, I think, would be Dickens meets Aldous Huxley, two fine elements combined to make something quite new in a book.
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1 person found this helpful