Underground
The Tokyo Gas Attack and the Japanese Psyche
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Narrated by:
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Feodor Chin
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Ian Anthony Dale
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Janet Song
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By:
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Haruki Murakami
About this listen
In this haunting work of journalistic investigation, Haruki Murakami tells the story of the horrific terrorist attack on Japanese soil that shook the entire world.
On a clear spring day in 1995, five members of a religious cult unleashed poison gas on the Tokyo subway system. In attempt to discover why, Haruki Murakmi talks to the people who lived through the catastrophe, and in so doing lays bare the Japanese psyche. As he discerns the fundamental issues that led to the attack, Murakami paints a clear vision of an event that could occur anytime, anywhere.
©1997 Haruki Murakami (P)2013 Random House AudioCritic reviews
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In this engaging book, the internationally best-selling author and famously private writer Haruki Murakami shares with listeners his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.
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Love Murakami - Struggled with this Narrator
- By Harry Bartle on 11-30-22
By: Haruki Murakami, and others
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Kafka on the Shore
- By: Haruki Murakami
- Narrated by: Sean Barrett, Oliver Le Sueur
- Length: 19 hrs and 8 mins
- Unabridged
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With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
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What's better than Murakami? More Murakami
- By Dr. Curmudgeon on 04-11-14
By: Haruki Murakami
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Killing Commendatore
- A Novel
- By: Haruki Murakami, Philip Gabriel - translator, Ted Goossen - translator
- Narrated by: Kirby Heyborne
- Length: 28 hrs and 27 mins
- Unabridged
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In Killing Commendatore, a 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna.
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A Masterpiece and A Good Novel To Start
- By Elif Kaya on 10-18-18
By: Haruki Murakami, and others
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The City and Its Uncertain Walls
- A Novel
- By: Haruki Murakami, Philip Gabriel - translator
- Narrated by: Brian Nishii
- Length: 17 hrs and 26 mins
- Unabridged
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We begin with a nameless young couple: a boy and a girl, teenagers in love. One day, she disappears . . . and her absence haunts him for the rest of his life. Thus begins a search for this lost love that takes the man into middle age and on a journey between the real world and an other world—a mysterious, perhaps imaginary, walled town where unicorns roam, where a Gatekeeper determines who can enter and who must remain behind, and where shadows become untethered from their selves.
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Easily One of His Best, Maybe Even the Best
- By Buddy Lamorey on 11-24-24
By: Haruki Murakami, and others
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Men Without Women
- Stories
- By: Haruki Murakami, Philip Gabriel - translator, Ted Goossen - translator
- Narrated by: Kirby Heyborne
- Length: 7 hrs and 18 mins
- Unabridged
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Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.
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That's how we become Men Without Women
- By Darwin8u on 07-27-17
By: Haruki Murakami, and others
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The Wind-Up Bird Chronicle
- A Novel
- By: Haruki Murakami
- Narrated by: Rupert Degas
- Length: 26 hrs and 11 mins
- Unabridged
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In a Tokyo suburb, a young man named Toru Okada searches for his wife’s missing cat—and then for his wife as well—in a netherworld beneath the city’s placid surface. As these searches intersect, he encounters a bizarre group of allies and antagonists. Gripping, prophetic, and suffused with comedy and menace, this is one of Haruki Murakami’s most acclaimed and beloved novels.
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Wonderful book, flawed narration.
- By REBECCA on 02-08-14
By: Haruki Murakami
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Norwegian Wood
- By: Haruki Murakami
- Narrated by: John Chancer
- Length: 13 hrs and 21 mins
- Unabridged
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Toru, a serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. As Naoko retreats further into her own world, Toru finds himself drawn to a fiercely independent and sexually liberated young woman.
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Sorry, but I didn't like the narrator.
- By Kelly McCarty on 10-30-15
By: Haruki Murakami
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1Q84
- By: Haruki Murakami, Jay Rubin - translator, Philip Gabriel - translator
- Narrated by: Allison Hiroto, Marc Vietor, Mark Boyett
- Length: 46 hrs and 45 mins
- Unabridged
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The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question....
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WOW, WOW, WOW.
- By Amanda on 11-06-11
By: Haruki Murakami, and others
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Colorless Tsukuru Tazaki and his Years of Pilgrimage
- A novel
- By: Haruki Murakami, Philip Gabriel - translator
- Narrated by: Bruce Locke
- Length: 10 hrs and 9 mins
- Unabridged
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The new novel - a book that sold more than a million copies the first week it went on sale in Japan - from the internationally acclaimed author, his first since IQ84. Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present. It is a story of love, friendship, and heartbreak for the ages.
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Great book ruined by the narration
- By David on 08-14-14
By: Haruki Murakami, and others
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Kokoro
- By: Natsume Soseki
- Narrated by: Matt Shea
- Length: 7 hrs and 8 mins
- Unabridged
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The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.
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The Heart Of Things, Relationships & Feelings
- By Sara on 04-27-15
By: Natsume Soseki
What listeners say about Underground
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- JLI
- 03-12-23
Insight …
An insight into the Japanese psyche. Mr. Murakami patiently sits outside the story with an occasional interjection @ the precise moment!
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- Svetlana D.
- 10-16-23
Important piece to support reflection
Fascinating and relevant story to stimulate reflection about both society and one’s self in it.
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- David
- 04-20-16
A Potrait of a Day
What did you love best about Underground?
That Murakami was able to step back and let the stories tell themselves.
If you could give Underground a new subtitle, what would it be?
20 March 1995
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- PaulC
- 01-17-24
Humans
Murakami is my favorite author of stories that pry at the subconscious and touch upon human experiences that few others can capture in words. I’ve read most of his fiction and this was only my second of his non-fiction works (the other being The Reason I Jump). Before listening to this, ‘sarin gas on the Tokyo subway by cultists’ was about all I could dredge up from my memories of tv and radio news here in the U.S. back in the mid-90’s. Now I view it as a dark crux of a society in transition, which could really be any society at any point in human history. Getting the keen perspective of Haruki Murakami through his interactions with a whole spectrum of people involved in the event worked wonders for me. Studs Turkel would be proud and probably deeply moved too.
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- Anthony
- 02-10-23
I’m class reading
I was assigned to read some of this book for a class but I ended up reading the whole thing. I think we really are taken on a journey by Murakami as the guide. But everything is left for us to decide.
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- Sheila Hadden
- 01-31-18
Compelling
This is everything a great oral history of an inexplicable but significant event should be.
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1 person found this helpful
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- Jorge
- 09-07-20
A clue yo understand Murakami an Japanese culture
This non-fiction is a must in order to understand modern Japanese culture and it’s literary fiction. You get a glimpse into Haruki Murakami’s world, his wells, underground passages to the unknown worlds.
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- Tim
- 07-24-14
Bland Interviewer
I really wanted to give high marks to Haruki Murakami for reporting the victims' stories about the Tokyo subway sarin attack in 1995, "Underground", but I almost couldn't listen to any of their stories anymore. I found that Haruki Murakami's reporting style to be very bland and boring. After a while there was too many of the victims' stories all bunch together, where I found it tiresome to listen to.
As for the interviews of Aum Shinrikyo's members, it was interesting, but I preferred hearing from the victims instead. Maybe it's because the passive style of reporting from the Japanese culture or maybe Haruki Murakami is a really bad interviewer, but he should not write nonfiction anymore.
He is awful as a reporter.
This book just dragged on. I was really hoping to give at least three stars, but it's two stars at best.
There is one compelling story that I liked the most. It was about the housewife when she found out that her husband was one of the casualties. Her in laws came by train to the hospital to see their dead son. The family got closer and life went on, but his daughter will never know her father.
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7 people found this helpful
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- Darwin8u
- 08-26-15
Just as you breathe, you dream your story
"without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?"
- Haruki Murakami, Underground
Looking back 20 years to the Tokyo Gas Attack, it seems inevitable that Murakami would write about it. Writing about dark tunnels that bridge both the victims and the devout, that link a damp tongue of evil with the milk of everyday kindness seems a natural space for Murakami.
This isn't a perfect look at Japanese Death Cults or even the Sarin Subway Attack of 1995. It is basically a series of interviews. First with the victims of the attack, the survivors, the families, the doctors and scientists. The few who would actually talk about it. That was part of the purpose of this book. Japanese culture was quiet about the attack. The government would prefer to move past mistakes. The survivors too just wanted to move past their second victimization. The Japanese Psyche is an area that interested Murakami and he seemed to feel a need to explore the wounds that festered in Japan after the attack (and the Kobe quake). He felt a need to let the harmed speak; to give voice to silent; to clear the air. He wanted to return to his country and shine a light into the dark tunnels that many there wanted to seal off forever.
After interviewing a few of the victims (most of the hundreds of victims didn't want to talk about it, and only a few dozen were willing to be interviewed, even with Murakami's VERY liberal interview process), and after Underground was first published, Murakami wanted to get a better sense of those members of the Aum Shinrikyo cult. So, he added a section. He might not get to interview those who actually perpetrated the Sarin gas attack, but he could speak to their brothers and sisters. He could use those same techniques to explore what drew these young, intelligent seekers into a cult that would perpetrate such a heinous attack. He did it with very little pre-judgement. Those he interviewed from Aum covered the track of belief. Some had left. Many had moved on into smaller pods, surviving the best they could. Some struggled inside belief. Some struggled outside of belief, now empty of their faith, but unable to return to any form of normalcy.
In many way the book reminded me of both Jon Krakauer's 'Under the Banner of Heaven: A Story of Violent Faith' and Lawrence Wright's 'Going Clear: Scientology, Hollywood, and the Prison of Belief'. Murakami's book was less formal, less direct, and not quite as sharp as Krakauer or Wright's books. He let his subjects speak and thus the story would always remain unfocused a bit. His book's structural limitations let you sympathize with both groups, but there was very little mapping to the narrative.
It was a good book, just not a great book. It was interesting, just not fascinating. I'm glad I read it more because it was a Murakami book and less because it was a great book about cults or terrorism. It was a check mark. It was a pin on a map. It alone, however, wasn't a destination.
The narrators did a fine job, but there were several minor production issues (repetitions, gaps, etc) that only irritated a bit. Enough to acknowledge, but not enough to burn something down.
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20 people found this helpful