An unsettling tale of plague, drift and terror, The Shadow-Line documents a young seaman’s coming of age after he is recruited to captain a ship for the first time. Bad luck and disease haunt the inexperienced hero and his crew, and the evil legacy of the previous captain overshadows them with a feeling of supernatural menace.

The plot centers on Anthony Beavis, a dilettante social theorist, a man inclined to recoil from life. The pleasures of the physical world disgust him and the universe of ideas is but a poor refuge. Having long lost the art of intimacy, he betrays friendships and toys with the affections of women. But as Beavis approaches middle age, his world of perfect detachment begins to lose its appeal. Finally realizing that his withdrawal from life has been motivated not by intellectual honesty but by moral cowardice, Beavis, devastated and at crisis point, meets the remarkable and redoubtable Dr Miller.

Orphaned at the age of 10, Jim Burden moves to Nebraska to live with his grandparents. There he meets Ántonia Shimerda, the daughter of an immigrant family from Bohemia, who have come to carve out a life for themselves in the harsh and bountiful Nebraskan landscape. At the urging of her father, Jim teaches Ántonia English and together they share adventures that will bind them throughout their lives, despite the vicissitudes of time and fate, and years of separation.

In the quiet world of rural English clergy, lives are full of challenges, conflicts, desires and expectations. George Eliot’s first published work of fiction (1857) comprises three separate stories and has the hallmarks of her famous later works–her gentle wit and clever satire, her psychological insight, and her keen observation of human nature and frailty. These are beautifully written and poignant tales, set in and around the fictional Midlands town of Milby.

The year is 1866; the American Civil War is at its height. Five prisoners of war hatch an audacious plan to escape their camp by balloon. After a perilous 6,000-mile journey in a fierce storm, they are ‘shipwrecked’ on an unknown Pacific island. What follows is a thrilling tale of resourcefulness, courage and suspense. Together with our heroes we learn to hunt, to make weapons and pottery, to calculate our position by the sun, to extract iron and even to make explosives from the island’s remarkable natural resources.

Jim, the first mate aboard a small steamer named the Patna, travels from port to port in the Pacific Ocean. When the ship hits floating wreckage, Jim and the crew are forced to abandon it, leaving hundreds of ethnic travelers onboard. However, Jim's reprehensible actions are soon discovered by the court, and he is compelled to face his guilt and redeem himself - a journey that leads him to a remote exotic location where he is revered as the Lord, "Tuan Jim".

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

In the second half of the tenth century, Byzantium embarked on a series of spectacular conquests. By the early eleventh century, the empire was the most powerful state in the Mediterranean. Yet this imperial project came to a crashing collapse fifty years later, when political disunity, fiscal mismanagement, and defeat at the hands of the Seljuks and the Normans brought an end to Byzantine hegemony. By 1081, Byzantium's very existence was threatened.

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

Each of the stories in this collection is spun from a simple, if typically wry and bleak, idea. In "Gaspar Ruiz", a South American general who has fought in a war of independence tells his guests a long tale about a notorious strong man that explains the origin of his current domestic arrangements. "The Informer" leads the reader into the depths of a political conspiracy, dealing very slyly indeed with questions of truth and pretence.

Countless would-be readers and listeners of Finnegans Wake - James Joyce's 1939 masterwork, on which he labored for a third of his life - have given up after a few pages and "dismissed the book as a perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with novelist and poet Henry Morton Robinson, wrote the first guide to understanding the fascinating world of Finnegans Wake.

Rousseau's Discourse sets out to explore the origin of inequality among people, a journey that sees him trace the evolution of humans from the savage man to the foundations of civil society. With verve and passion, the philosopher argues that the birth of private property was the "beginning of evil". Throughout the book we are led to consider the development of language, reason, self-preservation, benevolence, pity, and law - all through the lens of perhaps the most original thinker of the 18th century.

After an unremarkable interview, Circus agent George Smiley determines the subject of a standard security check—a civil servant in the Foreign Office named Samuel Fennan—poses no threat, nor presents any reason for suspicion of espionage. Hours later, Samuel Fennan is found dead by suicide. Suddenly finding himself under intense scrutiny, Smiley realizes the Circus intends to blame him for Fennan's death. Rather than remain idle, Smiley begins his own investigation into the nature of the man's demise.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.