Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

In Miracle at St. Anna, toward the end of World War II, four Buffalo Soldiers from the Army’s Negro 92nd Division find themselves separated from their unit and behind enemy lines. Risking their lives for a country in which they are treated with less respect than the enemy they are fighting, they discover humanity in the small Tuscan village of St. Anna di Stazzema—in the peasants who shelter them, in the unspoken affection of an orphaned child, in a newfound faith in fellow man. And even in the face of unspeakable tragedy, they—and we—learn to see the small miracles of life.

In 1965, a mysterious beam of blue light descended from space, illuminating Northern California. This extraterrestrial beam possessed strange powers, causing those it touched to either die, go mad, or gain a unique, extraordinary ability. This newfound power represented the full actualization of human potential, bestowing strengths, understandings, and communication abilities far beyond normal human capacities. Those affected by the light were soon dubbed "Blues" and were segregated from society due to their superhuman abilities.

Martin Just wakes up one morning after what feels like, and might actually be, a centuries-long sleep with two new innate pieces of knowledge: Humanity is a virus destined to destroy all existence. And he is the Cure. Martin begins slipping into an alternate consciousness, with new physical strengths, to violently defend his family—the only Black family in their neighborhood in the Hollywood Hills of Los Angeles—against pure evil.

On the road in a “borrowed” '36 Ford, nineteen-year-old Ezekiel "Easy" Rawlins and his companion, Raymond "Mouse" Alexander, are on a perilous odyssey that takes them from Houston to a mysterious bayou world of voodoo, sex, revenge, and death. Their destination is desolate Pariah, Texas—Mouse's home once, and still home to his hated stepfather.

His name is etched on the door of his Manhattan office: LEONID McGILL , PRIVATE INVESTIGATOR. It's a name that takes a little explaining, but he's used to it. Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGill's an old-school P.I. working a city that's gotten fancy all around him. Fancy or not, he has always managed to get by - keep a roof over the head of his wife and kids, and still manage a little fun on the side - mostly because he's never been above taking a shady job for a quick buck.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

In ancient mythology, the Titan Prometheus was punished by the gods for bringing man the gift of fire - an event that set humankind on its course of knowledge. As punishment, Prometheus was bound to a rock. But in The Gift of Fire, those chains cease to be, and the great champion of man walks from that immortal prison into present-day South Central Los Angeles. Disheveled and lost, he is thrown in jail, where he meets lifelong criminal Nosome Blane....

In his first book for young adults, best-selling author Walter Mosley deftly weaves historical and speculative fiction into a powerful narrative about the nature of freedom.

Gary Phillips has been published in The Los Angeles Times, The San Francisco Examiner, and Rap Pages magazine. High Hand introduces the unforgettable, six-foot tall Chainey (nobody calls her Martha), a former showgirl who transports under-the-table money for Las Vegas casinos. When masked shooters rob Chainey of seven million bucks, she's got three days to recover the money-or else.

Paris Minton is a man who would just as soon walk away from trouble as stand up to it. But in 1950s Los Angeles, sometimes trouble just comes and gets you. When one of L.A.'s wealthiest women hires Paris and his friend Fearless Jones to find a missing nephew, Paris steps into the a complex and terrifying corner of the black bourgeoisie, and wonders whom he should fear more - the people he's looking for or the people he's working for.

Los Angeles, 1963: African American Korean War veteran Harry Ingram earns a living as a news photographer and occasional process server: chasing police radio calls and dodging baseball bats. With racial tensions running high on the eve of Martin Luther King’s Freedom Rally, Ingram risks ending up one of the victims at every crime scene he photographs. When Ingram hears a call over the police scanner to the scene of a deadly automobile accident, he recognizes the vehicle described as belonging to his good friend and old army buddy, the white jazz trumpeter Ben Kinslow.

Academy Award nominee Samuel L. Jackson ( Pulp Fiction, Star Wars films), fresh off the success of his uproarious, Audie-nominated performance of the mock children’s book Go the F**k to Sleep, delivers a swaggering, darkly-humored rendering of Chester Himes’ classic first novel.

Tommy's nickname is Lucky, but no one would think this crippled boy was blessed. Cursed with health problems and drawn into trouble more often than not, Tommy is the recipient of pity rather than admiration. He is nothing like his stepbrother Eric.

Meet Elvis Cole, L.A. private eye.... He quotes Jiminy Cricket and carries a .38. He's a literate, wisecracking Vietnam vet who is determined never to grow up.