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Walking on the Ceiling
- A Novel
- Narrated by: Mozhan Marnò
- Length: 3 hrs and 48 mins
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Publisher's summary
"[Savaş] writes with both sensuality and coolness, as if determined to find a rational explanation for the irrationality of existence...." (The New York Times)
"I fell in love with this book." (Katie Kitamura, author of A Separation)
A mesmerizing novel set in Paris and a changing Istanbul, about a young Turkish woman grappling with her past - her country's and her own - and her complicated relationship with the famous British writer who longs for her memories.
After her mother's death, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city.
M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother's silence and anger, her father's death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu's fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she's told to protect herself from her memories.
A wise and unguarded glimpse into a young woman's coming into her own, Walking on the Ceiling is about memory, the pleasure of invention, and those places, real and imagined, we can't escape.
“Ayşegül Savaş is an enormous new talent who writes with the rigor of Didion and the tenderness of Sebald. Walking on the Ceiling holds the immediacy of youth and the depth of long-earned wisdom at once. Its elegant voice is sure to summon old memories and longings from each reader, relighting them anew.” (Catherine Lacey, author of The Answers)
“In Walking on the Ceiling, Aysegul Savas investigates the inability of any story to accurately evoke lived experience—yet her unconventional narrative succeeds in doing just that. Savas’s celebration of the minutest details of Paris and Istanbul is juxtaposed, to devastating effect, against rising political tensions. This quietly intense debut is the product of a wise and probing mind.” (Helen Phillips, author of The Need and The Beautiful Bureaucrat)
“Walking on the Ceiling is an elegant meditation on grief, identity, memory and homecoming. Moving between Paris and Istanbul, the novel captures the tangle of narrative around history, both personal and collective. I fell in love with this book.” (Katie Kitamura, author of A Separation)
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Critic reviews
“Nunu calls this reminiscence of M. an ‘inventory’, and that's exactly what Savaş has produced here, rendering with elegant intelligence the minute details of both places and people. That the novel moves in circles, acknowledging that some places can be glimpsed but never really explored, makes it all the more like a long walk through a city one can never quite call one's own. A refined and wistful exploration of the nature of memory.” (Kirkus, starred review)
“The dislocations of place, identity, time, and truth eddy through Savaş’ elegant debut.... Interweaving past and present, Paris and Istanbul, evasion and epiphany in spare yet evocative prose, Savaş’ moving coming-of-age novel offers a rich exploration of intimacy, loneliness, and the endless fluidity of historical, cultural, and personal narrative.” (Publishers Weekly)
“[A] delicate, melancholy debut novel.... The unreliability of memory; the ways we talk to ourselves and to each other; how we can act as detectives in our own lives, combing the past for clues; how places can seem clearer from afar than when we are there - all these themes are touched on in Savas’ spare, disarmingly simple prose. She writes with both sensuality and coolness, as if determined to find a rational explanation for the irrationality of existence, and for the narrator’s opaque understanding of herself.” (Sarah Lyall, The New York Times)
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- Unabridged
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In a steam-filled diner in a college town, Flannery Jansen catches sight of something more beautiful than she's ever seen: a graduate student, reading. The 17-year-old, new to everything around her - college, the East Coast, bodies of literature, and the sexual flurries of student life - is shocked by her desire to follow this wherever it will take her.
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A gorgeous listen
- By MissLynn on 03-09-20
By: Sylvia Brownrigg
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The Parisian
- By: Isabella Hammad
- Narrated by: Fiona Button
- Length: 20 hrs and 18 mins
- Unabridged
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A masterful debut novel by Plimpton Prize winner Isabella Hammad, The Parisian illuminates a pivotal period of Palestinian history through the journey and romances of one young man, from his studies in France during World War I to his return to Palestine at the dawn of its battle for independence.
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Overly ambitious
- By Placeholder on 06-16-19
By: Isabella Hammad
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44 Scotland Street
- By: Alexander McCall Smith
- Narrated by: Robert Ian Mackenzie
- Length: 11 hrs and 52 mins
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The brilliant Alexander McCall Smith became an international sensation with his New York Times best-selling No. 1 Ladies' Detective Agency novels. His award-winning wit, made famous through that series, is fully on display in 44 Scotland Street.
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Smith's answer to Maupin
- By Amazon Customer on 10-23-05
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The First Man
- By: Albert Camus
- Narrated by: Jefferson Mays
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In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.
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Great Narration by Jefferson Mays
- By Sean Patrick Stevens on 07-31-21
By: Albert Camus
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A Tale of Love and Darkness
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It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.
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His life was interesting, but not his memoir
- By DR Harle on 01-27-19
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The Cut Out Girl
- A Story of War and Family, Lost and Found
- By: Bart van Es
- Narrated by: Bart van Es
- Length: 8 hrs and 44 mins
- Unabridged
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Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: A young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents. The girl had been raised by her foster family as one of their own, but then, well after the war, they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war and after? So began an investigation that would consume Bart van Es's life and change it.
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a powerful & unique work on the Holocaust
- By D. Littman on 03-06-19
By: Bart van Es
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Sanshiro
- Penguin Classics
- By: Natsume Soseki, Haruki Murakami, Jay Rubin
- Narrated by: Andrew Koji
- Length: 7 hrs and 54 mins
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One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.
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This story had no point.
- By icelandicponies on 12-30-21
By: Natsume Soseki, and others
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Last Evenings on Earth
- By: Roberto Bolano, Chris Andrews - translator
- Narrated by: David Crommett
- Length: 7 hrs and 30 mins
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The first short-story collection in English by the acclaimed Chilean author Roberto Bolano. Winner of a 2005 PEN Translation Fund Award. "The melancholy folklore of exile", as Roberto Bolano once put it, pervades these 14 haunting stories. Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime.
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Solid Character based Stories
- By Michael on 06-06-24
By: Roberto Bolano, and others
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I was wowed.
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What listeners say about Walking on the Ceiling
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tanya Weinberg
- 01-12-23
Lovely but ultimately not that interesting
The prose and delivery are lovely and wistful. The paint a picture and a(n inner) world and a sense of melancholic regret. But ultimately the book was more atmospheric than anything else. I think as a straight memoir it may have been more revelatory rather than assuming the pretense of a novel.
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- Sonja Akpinar
- 05-04-24
Mothers daughters, Istanbul and Paris
A short novel about youth and relationship between mother and daughter. Taking place in Istanbul and Paris, giving an insight in the life of a young woman Nunu and her way to find out the mixture of her past
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- cemal
- 06-09-19
Fantastic book!
Fascinating book. Includes great descriptions of contemporary istanbul as well as the ups and downs the city went through in the past two decades. I don’t know how much of a Parisienne Aysegul Savas is, but she most certainly is a true Istanbulite - istanbullu. Able to describe not only landmarks and neighborhoods but also how to enjoy them, down to the type of wish you order for Sunday lunch. She doesn’t hold back from describing the city’s recent uncontrollable growth either, the concrete mushrooms of buildings that sprout, the dwindling hopes of many istanbulites for the future. They are all here in this wonderful book.
I wouldn’t mind staying in 90 minutes of istanbul traffic and get to the “other side” in a non-air conditioned taxi just to be able to walk the streets of Moda or perhaps Yenikoy and talk with Aysegul Savas, the way the narrator talks with her friend M walking through the parks of Paris.
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3 people found this helpful