In the early days of photography, in the death-strewn wake of the Civil War, one man seized America's imagination. A "spirit photographer", William Mumler took portrait photographs that featured the ghostly presence of a lost loved one alongside the living subject. Mumler was a sensation. Peter Manseau brilliantly captures a nation wracked with grief and hungry for proof of the existence of ghosts and for contact with their dead husbands and sons. It took a circus-like trial of Mumler on fraud charges to expose a fault line of doubt and manipulation.

More than a traditional biography, In the Mountains of Madness will place Lovecraft and his work in a cultural context, as an artist more in tune with our time than his own. Much of the literary work on Lovecraft tries to place him in relation to Edgar Allan Poe, M. R. James, or Arthur Machen; these ideas have little meaning for most contemporary listeners. In his provocative new book, W. Scott Poole reclaims the true essence of Lovecraft in relation to the comics of Joe Lansdale, the novels of Stephen King, and more.

In a future ravaged by fire and drought, two climate refugees ride their motorcycles across the wasteland of the western US, and stumble upon an old silver mine. Descending into the cool darkness of the caved-in tunnels in desperate search of water, the two women find Lavinia Cain’s diary, a settler in search of prosperity who brought her family to Nevada in the late 1860s. Whispers of curses and phantom figures haunt the diary, and now, over 150 years later, trapped and injured in the abandoned mine, the women discover they’re not alone . . . with no easy way out.

This magisterial history - sure to become the definitive work on the subject - recasts the Enlightenment as a period not solely consumed with rationale and reason, but rather as a pursuit of practical means to achieve greater human happiness.

The Night Boat, Robert McCammon's third published novel, first appeared as a paperback original in 1980. Following on the heels of Baal and Bethany's Sin, it offered further proof that a writer of great narrative power and limitless potential - a writer who would achieve a significant position in modern popular fiction--had arrived.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

One man—visionary billionaire restaurant chain magnate T. R. Schmidt, Ph.D.—has a Big Idea for reversing global warming, a master plan perhaps best described as “elemental.” But will it work? Ranging from the Texas heartland to the Dutch royal palace in the Hague, from the snow-capped peaks of the Himalayas to the sunbaked Chihuahuan Desert, Termination Shock brings together a disparate group of characters from different cultures and continents who grapple with the real-life repercussions of global warming.

Author Thomas Healy resurrects a forgotten saga of race, capitalism, and the struggle for equality in this fascinating, forgotten story of the 1970s attempt to build a city dedicated to racial equality in the heart of “Klan Country”.

In The End Is Always Near, Dan Carlin looks at questions and historical events that force us to consider what sounds like fantasy; that we might suffer the same fate that all previous eras did. Will our world ever become a ruin for future archaeologists to dig up and explore? The questions themselves are both philosophical and like something out of The Twilight Zone.

When the once-mighty city of Rome was sacked by barbarians in 410 and lay in ruins, it signaled the end of an era—and the beginning of a thousand years of profound transformation. In a gripping narrative bursting with big names—from St Augustine and Attila the Hun to the Prophet Muhammad and Eleanor of Aquitaine—Dan Jones charges through the history of the Middle Ages. Powers and Thrones takes listeners on a journey through an emerging Europe, the great capitals of late Antiquity, as well as the influential cities of the Islamic West.

Humanity lurches into an uncertain future, dismissive of warning signs. Only the most naïve believe humanity will step back from the brink. Yet in a place that doesn’t exist, a riddle, a puzzle, hope, fear, danger, salvation - all come together. Zach Marjek has faced death in the far corners of the Earth and survived where others have failed. Now, he's thrust into an unimaginable situation where mercenaries, an Inuit wanderer, a murderous Yupik, a young mother, a video game designer, a retired general, a president, a Chinese marine, and mathematics prodigies must come together.

Without an understanding and appreciation of the culture we seek to preserve and protect, the defense of Western civilization is fundamentally futile; a culture that believes in nothing cannot defend itself, because it has nothing to defend. In this profound and wide-ranging historical survey, Michael Walsh illuminates the ways that the narrative and visual arts both reflect and affect the course of political history, outlining the way forward by arguing for the restoration of the heroic narrative that forms the basis of all Western cultural and religious traditions.

This is the most entertaining and broad survey of the paranormal ever made, combining forgotten lore, evidence from parapsychological experiments and the testament of scientists, archaeologists, anthropologists, psychologists, physicists, philosophers, and also quite a few celebrities. Exploring the possibility that paranormal phenomena may be and that some most likely are objectively real, this travelogue through the twilight zone of human consciousness is both scientifically rigorous and extremely entertaining.

What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.