In the late 1960s and early 1970s, there were only three major television networks. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep”. For nearly four years, he channel-surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers.

In a career spanning more than 50 years, Harlan Ellison has written or edited 75 books; more than 1700 stories, essays, articles and newspaper columns; two dozen teleplays; and a dozen movies. Now, for the first time anywhere, Troublemakers presents a collection of Ellison's classic stories—chosen by the author—that will introduce new listeners to a writer described by the New York Times as having "the spellbinding quality of a great nonstop talker, with a cultural warehouse for a mind."

The following books are included...The Deadly Streets and No Doors, No Windows.

The following books are included: Over the Edge and Stalking the Nightmare.

The following books are included: Paingod and Other Delusions, I Have No Mouth & I Must Scream, and From the Land of Fear.

Quarry doesn't kill just anybody these days. He restricts himself to targeting other hitmen, availing his marked-for-death clients of two services: eliminating the killers sent after them, and finding out who hired them…and then removing that problem, as well. So far he's rid of the world of nobody who would be missed. But this time he finds himself zeroing in on the grieving family of a missing cheerleader. Does the hitman's hitman have the wrong quarry in his sights?

Lost for more than 60 years and overflowing with political and sexual intrigue, Thieves Fall Out provides a delicious glimpse into the mind of Gore Vidal in his formative years. By turns mischievous and deadly serious, Vidal tells the story of a man caught up in events bigger than he is, a down-on-his-luck American hired to smuggle an ancient relic out of Cairo at a time when revolution is brewing and heads are about to roll.

Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D, which Arctor takes in massive doses, gradually splits the user's brain into two distinct, combative entities, Fred doesn't realize he is narcing on himself.

When Mayor Cermak’s “Hoodlum Squad” brings Heller along on a raid with no instructions but to keep his mouth shut and his gun handy, he becomes an unwitting, unwilling part of a hit on Al Capone’s successor, Frank Nitti. As a result, Heller quits the force to become a private eye. His first job: head off a nation-shaking political assassination in Miami Beach. With the Chicago World’s Fair as a backdrop, Heller encounters a ragtag array of crooks and clients, including Al Capone, George Raft, “Dutch” Reagan, and FDR himself.

Haunting, harrowing, and downright horrifying, this classic collection from the modern master of the fantastic features: "The Small Assassin": a fine, healthy baby boy was the new mother's dream come true - or her nightmare.... "The Emissary": the faithful dog was the sick boy's only connection with the world outside - and beyond.... "The Wonderful Death of Dudley Stone": a most remarkable case of murder - the deceased was delighted! And more!

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

In the late 1960s and early 1970s, there were only three major television networks. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep”. For nearly four years, he channel-surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers.

If you think the only thing Ellison writes is speculative fiction, craziness about giant cockroaches that attack Detroit, or invaders from space who look like pink eggplant and smell like chicken soup, this dynamite novel of the emergent days of rock and roll will turn you around at least three times. No spaceships, no robots, just a nice kid from Louisville named Stag Preston with a voice like an angel, seductive moves like the devil, and an invisible monkey named Success riding him straight to hell.

This collection shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are "All the Sounds of Fear", "The Sky Is Burning", "The Very Last Day of a Good Woman", and "In Lonely Lands". Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than 50 years later.

The original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an "eviscerated" version - which subsequently has been voted the most beloved episode in the series' history. In its original form, The City on the Edge of Forever won the 1966-67 Writers Guild of America Award for Best Teleplay. As aired, it won the 1967 Hugo Award.

Harlan Ellison’s work shaped the science-fiction, fantasy, and horror genres in the twentieth century, and this collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as listeners discovering this zany, polyphonic writer for the first time.

With this, his bestselling and most critically acclaimed collection ever, Ellison celebrates four decades of brilliant, outrageous writing. The award-winning novella Mefisto in Onyx is the centerpiece of an irreverent and wildly imaginative book that the San Diego Union-Tribune called "electrifying … Ellison is back, as unsettling as ever."

In a post-apocalyptic future, 15-year-old Vic wanders the wasteland with Blood, his genetically-altered telepathic dog, in the Hugo Award-nominated and Nebula Award-winning novella, A Boy and His Dog - the basis of the cult classic film. An intergalactic conspiracy infects the minds of the most powerful politicians in the Republican Party - and only one jolly old elf can save them in “Santa Claus vs. S.P.I.D.E.R.” And in the Hugo Award-winning title story, disparate threads of violence, conflict, and conversation weave an intricate tapestry across worlds and times.

The following books are included: Gentleman Junkie and Other Stories of the Hung-Up Generation and Love Ain't Nothing but Sex Misspelled.

In a career spanning more than 50 years, Harlan Ellison has written or edited 75 books; more than 1700 stories, essays, articles and newspaper columns; two dozen teleplays; and a dozen movies. Now, for the first time anywhere, Troublemakers presents a collection of Ellison's classic stories—chosen by the author—that will introduce new listeners to a writer described by the New York Times as having "the spellbinding quality of a great nonstop talker, with a cultural warehouse for a mind."

Harlan Ellison's masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection. Deathbird Stories is a collection of 19 of Harlan Ellison's best stories, including Edgar and Hugo winners, originally published between 1960 and 1974.