We, the Drowned is the story of the port town of Marstal, Denmark, whose inhabitants sailed the world from the mid-nineteenth century to the end of the Second World War. The novel tells of ships wrecked and blown up in wars, of places of terror and violence that continue to lure each generation. The result is a brilliant seafaring novel, a gripping saga encompassing industrial growth, the years of expansion and exploration, the crucible of the first half of the twentieth century, and most of all, the sea.

Eddie Winston is 90 years old. He has lived and he has loved, but he has never been kissed. A true gentleman and incurable romantic, Eddie spends his days volunteering at a charity shop, where he sorts through the donations of the living and the dead, preserving letters and tokens of love along the way. And it is here that he meets Bella, a troubled young woman who, at 24 years old, has just lost the love of her life.

Natural-born healer Emma Starling once had big plans for her life, but she’s lost her way. A medical school dropout, she’s come back to small-town Everton, New Hampshire, to care for her father, who is dying from a mysterious brain disease. Clive Starling has been hallucinating small animals, as well as having visions of the ghost of a long-dead naturalist, Ernest Harold Baynes, once known for letting wild animals live in his house. This ghost has been giving Clive some ideas on how to spend his final days.

Lenny Marks is excellent at not having a life. She bikes home from work at exactly 4pm each day, buys the same groceries for the same meals every week, and owns thirty-six copies of The Hobbit (currently arranged by height). The closest thing she has to a friendship is playing Scrabble against an imaginary Monica Gellar while watching Friends reruns. And Lenny Marks is very, very good at not remembering what happened the day her mother and stepfather disappeared when she was still a child. The day a voice in the back of her mind started whispering, You did this.

Heir to a fortune, Marguerite is destined for a life of prosperity and gentility. Then she is orphaned, and her guardian—an enigmatic and volatile man—spends her inheritance and insists she accompany him on an expedition to New France. That journey takes a unexpected turn when Marguerite, accused of betrayal, is brutally punished and abandoned on a small island.

We, the Drowned is the story of the port town of Marstal, Denmark, whose inhabitants sailed the world from the mid-nineteenth century to the end of the Second World War. The novel tells of ships wrecked and blown up in wars, of places of terror and violence that continue to lure each generation. The result is a brilliant seafaring novel, a gripping saga encompassing industrial growth, the years of expansion and exploration, the crucible of the first half of the twentieth century, and most of all, the sea.

The Connor family is one of the few that is still left in their idyllic fishing village, Big Running; after the fish mysteriously disappeared, most families had no choice but to relocate and find work elsewhere. Aidan and Martha Connor now spend alternate months of the year working at an energy site up north to support their children, Cora and Finn. But soon the family fears they’ll have to leave Big Running for good.

Hi'i is proud to be a Naupaka, a family renowned for its contributions to hula and her hometown of Hilo, Hawaii, but there’s a lot she doesn’t understand. She’s never met her legendary grandmother and her mother has never revealed the identity of her father. Worse, unspoken divides within her tight-knit community have started to grow, creating fractures whose origins are somehow entangled with her own family history.

Rising star author Bea Williams needs a vacation. And her godmother’s snug Greek island retreat is the perfect place to use as an escape from her writer’s block. Until she finds she’s going to have to share her idyllic one bed cottage with him – Gibson Caddell, one time childhood friend and a great big, drop-dead-gorgeous red flag. As the sun sets on Santorini, Bea’s thoughts soon turn to something much more pressing – there’s two of them. And only one bed

Early morning, 1902. At 7/7 Marchmont Crescent, Eilidh the charlady tips coal into a fire grate and sets it alight. Overhearing, Grimalkin the cat ambles over to curl up against the welcome heat and lick his favorite human's hand. But this is to be his last day on earth…before he becomes the Ghost Cat. Follow Grimalkin as he witnesses the changes of the next 120 years, prowling unseen among the inhabitants of an Edinburgh tenement while unearthing some startling revelations about the mystery of existence, the unstoppable march of time and the true meaning of feline companionship.

Luz Alana set sail from Santo Domingo armed with three hundred casks of rum, her two best friends and one simple rule: under no circumstances is she to fall in love. In the City of Lights, she intends to expand the rum business her family built over three generations, but buyers and shippers alike can’t imagine doing business with a woman…never mind a woman of color. This, paired with being denied access to her inheritance unless she marries, leaves the heiress in a very precarious position.

Claire Kilroy takes listeners deep inside the early days of motherhood. Exploring the clash of fierce love with a seismic shift in identity, Kilroy conjures the raw, tumultuous emotions of a new mother, as her marriage strains and she struggles with questions of equality, autonomy, and creativity.

Harper is living a life she never expected. After a failed attempt at making it as an artist in New York while falling for and losing her first love, her dreams crumbled in the span of a week. A decade later, Harper is happily living a simpler life as an art teacher in Chattanooga with her beloved new husband, Ben. When Ben is diagnosed with late-stage cancer, their whole world shifts. Despite the bad news, Ben comes up with one final wish for his wife: he wants Harper to find a new partner before he dies.

In the Before, humankind is created with a hole in its heart, the designers not realizing their mistake—if it was a mistake—until too late. Elliot Chance is just a boy, and knows nothing of this. All he knows is that he doesn’t feel at home in this world, and his desire for escape becomes more urgent as he grows into adulthood, where the turbulence of life seems to offer no cure for the emptiness. Desperate and lost, he stumbles upon a support group on the edge of Manhattan. There he meets two other drifting souls and launches into the business of life, determined to be happy.

Pietro is a lonely boy living in Milan. With his parents becoming more distant each day, the only thing the family shares is their love for the mountains that surround Italy. While on vacation at the foot of the Aosta Valley, Pietro meets Bruno, an adventurous, spirited local boy. Together they spend many summers exploring the mountains’ meadows and peaks and discover the similarities and differences in their lives, their backgrounds, and their futures. The two boys come to find the true meaning of friendship and camaraderie, even as their divergent paths in life.

On a winter day north of the Arctic Circle, nine-year-old Elsa—daughter of Sámi reindeer herders—sees a man brutally kill her beloved reindeer calf and threaten her into silence. When her father takes her to report the crime, local police tell them that there is nothing they can do about these “stolen” animals. Killings like these are classified as theft in the reports that continue to pile up, uninvestigated. But reindeer are not just the Sámi’s livelihood, they also hold spiritual significance; attacking a reindeer is an attack on the culture itself.

Kate is a 26-year-old riddled with anxiety and panic attacks who works for a local paper in Brixton, London, covering forgettably small stories. When she's assigned to write about the closing of the local lido (an outdoor pool and recreation center), she meets Rosemary, an 86-year-old widow who has swum at the lido daily since it opened its doors when she was a child.

Synthetic woman Julia Walden was designed for one reason: to compete on The Proposal and claim the heart of bachelor Josh LaSala. Her casting is controversial, but Julia seems to get her fairy-tale ending when Josh gets down on one knee.

In the back room at an elite gallery party, 40-something soccer mom Johanna Porter stands face to face with her younger self. The girl in the portrait, La Rosa Blanca, is fierce and fearless, and Johanna sees the great painter she almost was before her lover, the powerful artist Nestor Pinedo, torched her career. When she cuts the million-dollar masterpiece out of its frame, rolls it up and walks out, it’s not a theft. It’s a rescue.

Sal Cannon’s life is in shambles. Her relationship is crumbling, and her career in journalism hits a low point after it’s revealed that her profile of a playwright is full of inaccuracies. She’s close to rock-bottom when she reads a short story by Martin Keller: a much older author she met at a literary event years ago. Much to her shock, the story is about her and the moment they met. When Sal learns the story is excerpted from his unpublished novel, she reaches out to the story’s editor—only to learn that Martin is deceased.