A place of comfort. A place of rest and peace. A place where divorcee and single mom, Kim Tinsley, can go to try to make a new life for herself, raising her baby while praying for her older child who has left the faith of her childhood and is questioning everything she’d ever taught her.

The cattle car is dark, except for the light filtering through the boarded windows. There are too many of us to count, crushed up against each other. The air is stuffy, carrying the scent of our terror—none of us know what awaits us when this train stops. I cling onto Mama’s hand and Nora, my twin sister, clutches Papa’s.

Working at a little shop on Main Street in a small town is exactly the break that executive Merry Anna Foster needs following her divorce. She’s made a bet with her ex-husband that she can live on the amount of money she’s giving him in alimony. If she can do it, then Kevin will have to stop complaining and leave her alone. But after three months of this new life, will she even want to leave Antler Creek?

Cornwall, England, 1943. When her husband is killed fighting in the navy, grief-stricken Gwenna Devoran tries to fill the void in her life by offering shelter to two Jewish refugees in her farmhouse high on the Cornish cliffs. But at the train station, 10-year-old Lotti is waiting all alone in her neat red coat. Lotti’s mother died protecting her on the journey. Now Gwenna is all this little girl has. Traumatised Lotti won’t speak a word, and when an order comes for German prisoners of war to work the farm, she’s in more danger than ever. What will happen if the Germans find out Lotti is Jewish?

Our family of three is perfect. Just me, Noah and our teenage daughter Maya. The day the police knock at our door, telling us about the car accident, is the worst day of my life. My heart shatters, but what they say next almost makes it stop beating: Noah was in the car with another woman who died at the scene. Her two-year-old girl, Luna, miraculously survived. With Noah fighting for his life, I’m desperate for the truth, and when I search his desk, I find checks made out to Luna’s mother. Did my loving, loyal husband have a secret family all along?

Jenny Tanner opens the box she has cherished for decades. Contained within are her most precious mementoes, amongst them a pebble, a carving and a newspaper cutting she can hardly bear to read. But Jenny knows the time is finally here. After the war, in a mountainside village in Italy, she left behind a piece of her heart. However painful, she must return to Cinque Alberi. And lay the past to rest.

At Ridgewood High, Amy, Frankie, Rachael, and Nina formed a deep bond. Now, 15 years after leaving school behind, they’re back for a reunion, laughing, reminiscing, and chatting how much has changed - and how much hasn’t. But Frankie has an idea to help solve that: a singles cruise for the holidays.

‘I’m sorry, Sam’s not available,’ says the woman who answers my husband’s phone. I can’t place her voice, so I politely ask who she is. Her answer sends my world spinning out of control: ‘I’m his wife.’

When an unorthodox arrangement is proposed, Jennifer decides to take it. She agrees to be the "girlfriend" of Alexander Wenn, the reluctant, billionaire CEO of Wenn Enterprises, who is so devastatingly good looking, he needs a beautiful woman like Jennifer on his arm to "keep the wolves at bay." In this case, the wolves are other women, all of whom vie for his attention so aggressively, they keep him from focusing on business.

Emma and I were inseparable. Growing up, we did everything together. Until the unspeakable night that everything changed. So I ran away—from my mom, my sister, everything I knew, and Emma and I haven’t spoken since. My sister, Lily, was at the beach that night too. She hasn’t been able to utter a single word since. That was 10 years ago. Now, Mom and Lily need my help, and I realize I can’t run from the past forever. I’m ready to talk to Emma, ready to try to move on.

Perfect for mature teens and nostalgic adults, this LGBTQ+ series celebrates authentic intimacy, realistic relationships, and the beautiful chaos of growing up queer. Rewind to the nineties and join a group of teenagers as they try to figure out who they are, and who they want to love. Meet your new friends:

Trapped in a dead-end town, Justin Warren has had his life defined by the suspicious deaths of his grandparents. The unsolved crime happened long before Justin was born, but the ripple effects are still felt after thirty-eight years. Justin always knew he wouldn’t have much of a future. He just never imagined that his life might take him backward.

In her first weeks at Hawthorne College, Malin is swept up into a tight-knit circle that will stick together through all four years. There’s Gemma, an insecure theater major from London; John, a tall, handsome, wealthy New Englander; Max, John’s cousin, a shy pre-med major; Khaled, a wisecracking prince from Abu Dhabi; and Ruby, a beautiful art history major. But Malin isn’t like the rest of her friends. She’s an expert at hiding her troubled past - all while using her extraordinary insight to detect their deepest vulnerabilities and weaknesses.

When my mother decided to pull me out of school, I didn’t say anything. When she homeschooled me, isolated me, kept me fearful of my peers, I followed along. When she packed me up and sent me across the country to live with my grandmother in the one-stoplight town of Lee Vines, I did as she said. But now that she’s left me here I’m on my own. I can make my own decisions. Make my own mistakes. And that includes if I let in the four boys that live next door.

Whitney had some misgivings when she dropped her increasingly moody teenage daughter, Amelia, off at Lauren’s house. She’d never met the parents, and usually she’d go in, but Amelia clearly wasn’t going to let something so humiliating happen, so instead Whitney waved to her daughter before pulling away from the little house with the roses in front. But when she goes back the next day, an elderly couple answers the door - Amelia and Lauren aren’t there, and this couple swears they never were, that she’s at the wrong house.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.