About to become parents, my husband and I decided to move to my small hometown to be closer to my family. Everything was perfect until I met our new neighbor—the reason I moved away to begin with. Kelly Van Patten. She's the epitome of beauty. With her radiant blond hair, captivating blue eyes, and a smile so warm and caring, it's no wonder everyone adores her… except me. Even my husband is falling for her charm and manipulation, or worse, falling for her. When Kelly slips and accidentally shows her true colors, I realize something even worse. Does she know what I've been hiding?

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

A woman falls to her death from a London bank’s twenty-fifth-floor roof terrace. You're arrested for her murder. You tell the police that you had only met the victim the previous night at your office party. She was threatening to jump down from the roof, but you had talked her down. You've got nothing to do with this tragedy. You're clearly being framed.

When a young nanny is found dead in mysterious circumstances, new mom, Tash, is intrigued. She has been searching for a story to launch her career as a freelance journalist. But she has also been searching for something else—new friends to help her navigate motherhood. She sees them at her son’s new playgroup. The other mothers. A group of sleek, sophisticated women who live in a neighborhood of tree-lined avenues and stunning houses. The sort of mothers Tash herself would like to be. When the mothers welcome her into their circle, Tash discovers the kind of life she has always dreamt of.

Emma hasn't told her husband much about her past. He knows her parents are dead and she hasn't spoken to her sisters in years. Then they lose their apartment, her husband gets laid off, and Emma discovers she's pregnant—right as the bank account slips into the red. That's when Emma confesses that she has one more asset: her parents' house, which she owns jointly with her estranged sisters. They can't sell it, but they can live in it. But returning home means that Emma is forced to reveal her secrets to her husband.

After a violent home invasion, Neve Maguire returns with her daughter to Black Lake, her childhood summer home, hoping for a fresh start. But when the body of a woman is found floating among the reeds in the lake behind her house, she fears she has made a horrible mistake. Neve is hiding secrets, though. Detective Jess Lambert can tell. Recently back after her own personal tragedy, Jess knows what it’s like to live with skeletons in your closet, and she’s sure Neve has a few of her own.

In Berkeley, California, in 1944, Homicide Detective Al Sullivan has just left the swanky Claremont Hotel after a drink in the bar when a presidential candidate is assassinated in one of the rooms upstairs. A rich industrialist with enemies among the anarchist factions on the far left, Walter Wilkinson could have been targeted by any number of groups. But strangely, Sullivan’s investigation brings up the specter of another tragedy at the Claremont, ten years earlier: the death of seven-year-old Iris Stafford, a member of the Bainbridge family, one of the wealthiest in all of San Francisco.

Welcome to Sunset Academy, the most coveted elementary school in Miami Beach, where there are three categories of families: rich, wealthy, and ultra-wealthy. Perfectly tanned and smiling Charlotte Giordani is Sunset Academy’s alpha mom. With a sleek blowout and relentless charm, Charlotte’s brashness serves her well. She’s up for election as the PTA president and is riding high, having just secured a massive donation from billionaire Don Walker and his socialite wife Patricia.

Bree’s new home is luxurious and private, with a fancy Beverly Hills address. What a shame it’s not hers. Widowed, penniless, living in her car, and out of options, she’s climbed the fence and crashed in the pool house. All she wants is a good night’s sleep. But when Sophie, the absentee owner, finds her, she gets a whole lot more.

Welcome to Mae Pruett’s Los Angeles, where “Nobody talks. But everybody whispers.” As a “black-bag” publicist tasked not with letting the good news out but keeping the bad news in, Mae works for one of LA’s most powerful and sought-after crisis PR firms, at the center of a sprawling web of lawyers, PR flaks, and private security firms she calls “The Beast.” They protect the rich and powerful and depraved by any means necessary.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.