Los Angeles, August 4, 1962. The city broils through a midsummer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker’s looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash. The freewheeling Freddy O: tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim “Opportunity is love.” Freddy gets to work. He dimly perceives Marilyn Monroe’s death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle

We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination - in the underworld that connects Miami, Los Angeles, Chicago, DC....

January '42. L.A. reels behind the shock of Pearl Harbor. Local Japanese residents are rounded up and slammed behind bars. Massive thunderstorms hit the city. A body is unearthed in Griffith Park. The cops tag it a routine dead-man job. They're wrong. It's an early-warning signal of chaos. There's a murderous fire and a gold heist. There's Fifth Column treason on American soil. There are homegrown Nazis, Commies, and race racketeers. It's populism ascendant. There's two dead cops in a dive off the jazz-club strip. And three men and one woman have a hot date with history.

Dig. The Demon Dog gets down with a new book of scenes from America’s capital of kink: Los Angeles. Fourteen pieces, some fiction, some nonfiction, all true enough to be admissible as state’s evidence, and half of it in print for the first time. And every one of them bearing the James Ellroy brand of mayhem, machismo, and hollow-nose prose.

It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans—but now, war fever and race hate grip the city and the Japanese internment begins.

In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy L.A. suburb. Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was ten when his mother died, and he spent the next thirty-six years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running. He went back to L.A., to find out the truth about his mother--and himself.

In disgrace after a badly handled arrest in New Orleans, Sergeant Lloyd Hopkins is assigned as a liaison officer to an FBI investigation of a series of diabolical and clever bank robberies. Three men have done their homework: they choose bank managers who are having affairs, kidnap their girlfriends, and force the managers to open the banks early.

Detective Sergeant Lloyd Hopkins can't stand music, or any loud sounds. He's got a beautiful wife, but he can't get enough of other women. And instead of bedtime stories, he regales his daughters with bloody crime stories. He's a thinking man's cop with a dark past and an obsessive drive to hunt down monsters who prey on the innocent. Now, there's something haunting him. He sees a connection in a series of increasingly gruesome murders of women committed over a period of 20 years.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

Three citizens are butchered during a liquor store holdup. An unstable veteran cop vanishes without a trace. Nothing connects these events except for a nagging hunch in the back of Detective Sergeant Lloyd Hopkins' brain--a sinister foreboding that will lead him through the sin-and-sleaze playground of nighttime L.A. on the trail of a psycho psychiatrist with a talent for terror and mind-control. His gore-soaked journey through Hell will plunge this determined manhunter into the dark heart of madness--and beyond.

Fritz Brown’s L.A. - and his life - are masses of contradictions, like stirring chorales sung for the dead. A less-than-spotless former cop with a drinking problem - a private-eye-cum-repo man with a taste for great music - he has been known to wallow in the grime beneath the Hollywood glitter. But Fritz Brown’s life is about to change, thanks to the appearance of a racist psycho who flashes too much cash for a golf caddie and who walked away clean from a multiple murder rap.

Mickey Haller is a Lincoln Lawyer, a criminal defense attorney who operates out of the backseat of his Lincoln Town Car, traveling between the far-flung courthouses of Los Angeles to defend clients of every kind. Bikers, con artists, drunk drivers, drug dealers - they're all on Mickey Haller's client list. For him, the law is rarely about guilt or innocence; it's about negotiation and manipulation. Sometimes it's even about justice.

Michael Mann, four-time-Oscar-nominated writer-director of The Last of the Mohicans, The Insider, Ali, Miami Vice, Collateral, and Heat teams up with Edgar Award–winning author Meg Gardiner to deliver Mann’s first novel, an explosive return to the universe and characters of his classic crime film—with an all-new story unfolding in the years before and after the iconic movie.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.

In disgrace after a badly handled arrest in New Orleans, Sergeant Lloyd Hopkins is assigned as a liaison officer to an FBI investigation of a series of diabolical and clever bank robberies. Three men have done their homework: they choose bank managers who are having affairs, kidnap their girlfriends, and force the managers to open the banks early.

Three citizens are butchered during a liquor store holdup. An unstable veteran cop vanishes without a trace. Nothing connects these events except for a nagging hunch in the back of Detective Sergeant Lloyd Hopkins' brain--a sinister foreboding that will lead him through the sin-and-sleaze playground of nighttime L.A. on the trail of a psycho psychiatrist with a talent for terror and mind-control. His gore-soaked journey through Hell will plunge this determined manhunter into the dark heart of madness--and beyond.

Weighing in at 320 pounds, Winston "Tuffy" Foshay, is an East Harlem denizen who breaks jaws and shoots dogs and dreams of millions from his idea, Cap'n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and his wife, Yolanda, he married from jail over the phone. Shrewdly comical as this dazzling novel is, it turns acerbically sublime when the frustrated Tuffy agrees to run for City Council.

Mitchell S. Jackson grew up black in a neglected neighborhood in America’s whitest city, Portland, Oregon. In the ’90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Mitchell writes what it was to come of age in that time and place, with a break-out voice that’s nothing less than extraordinary. The Residue Years switches between the perspectives of a young man, Champ, and his mother, Grace.

Marshall Karp is an acclaimed playwright known for his witty sense of humor and crackling dialogue. His debut novel The Rabbit Factory stars the irreverent LAPD detective duo of Mike Lomax and Terry Biggs. Dean Lamaar is the architect of an entertainment empire and the creator of iconic characters like Rambunctious Rabbit and McGreedy the Moose.

NYPD sergeant Kathleen Mallory - computer genius, street fighter, provocative waif, peerless investigator, manipulative beauty - is the gorgeous, near-sociopathic heroine of this knife-edged suspense novel. Along with old pals, Ricker, Coffey, and faithful admirer Charles Butler, Mallory is determined to solve the brutal "art as death" murder of an untalented but highly touted artist-critic.

Burke's newest client is a woman named Flood, who has the face of an angel, the body of a high-priced stripper, and the skills of a professional executioner. She wants Burke to find a monster for her - so she can kill him with her bare hands. In this thriller, Andrew Vachss's renegade private eye teams up with a lethally gifted avenger to follow a child's murderer through the catacombs of New York, where every alley is blind and the penthouses are as dangerous as the basements.

Defending a surgeon in a malpractice case, Jake Lassiter begins to suspect that his client is innocent of negligence...but guilty of murder. Add a sexy widow, a deadly drug, and a grave robbery to the stew, and you have Miami's trial of the century.

Disillusioned newspaper reporter-turned-private detective Ray Dudgeon doesn't want to save the world; he just wants to do an honest job well. But when doing an honest job threatens society's most powerful and corrupt, Ray's odds of survival make for a sucker's bet.

When a vibrant young woman is found in bed by her hotshot businessman husband, carved from belly to throat with a very sharp knife, the elite Robbery-Homicide Division of the LAPD responds in full force. Best-case scenario for lead Detective Lena Gamble: Nikki Brant's husband killed her, case closed, and on to the next crime scene before the ravenous Hollywood media can get their lurid tabloid machinery up and running.

In the heart of America, a metropolis is quietly destroying itself. Detroit, once the richest city in the nation, is now its poorest. Once the vanguard of America’s machine age - mass production, automobiles, and blue-collar jobs - Detroit is now America’s capital for unemployment, illiteracy, foreclosure, and dropouts. With the steel-eyed reportage that has become his trademark and the righteous indignation that only a native son can possess, journalist Charlie LeDuff sets out to uncover what has brought low this once-vibrant city, his city.

After 10 years of cleaning up the dirt on Atlanta's streets, Callahan Garrity is trading in her badge for a broom and a staff of house cleaners. But, though the uniform is a little different, Callahan soon finds herself right back in the middle of a mystery when a client's pretty, pious 19-year-old nanny is gone...along with the jewelry, silver, and a few rather sensitive real estate documents. Before she knows it, the meticulous Callahan is up to her elbows in a case involving illicit love triangles, crooked business deals, long-distance scams, and a dead body.

Tim Hess is a semiretired veteran cop staring at a death sentence - his own. Detective Merci Rayborn, young enough to be his daughter, is brash, impatient, and not someone from whom Hess wants to be taking orders. He certainly isn't planning on falling in love with her. Together, they must track down a psychopathic killer who's been abducting beautiful young women from the malls of Orange County.

In Savages, Don Winslow introduced Ben and Chon, twentysomething best friends who risk everything to save the girl they both love, O. Now, in his high-octane prequel, Winslow reaches back in time to tell the story of how Ben, Chon, and O became the people they are. Spanning from 1960s Southern California to the recent past, it is a tale of family in all its forms. As the younger generation does battle with drug dealers and crooked cops, they learn that their future is inextricably linked with their parents' history.

L.A. police detective Shane Scully comes under investigation by Internal Affairs (derisively known as "the tin collectors") after he kills his ex-partner who was one of the mayor's bodyguards. Temporarily reassigned, so that he can remain under the department's watchful eye, Scully finds that more than his badge is at stake when he is set up to take the rap in a deadly plot of corruption and conspiracy that reaches to the highest levels of the LAPD.