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Wild Houses
- Narrated by: Damian Gildea
- Length: 6 hrs and 50 mins
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Publisher's summary
The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.
With his acclaimed and award-winning collections Young Skins and Homesickness Colin Barrett cemented his reputation as one of contemporary Irish literature’s most daring stylists. Praised by the Oprah Daily as “a doyen of the sentence”, and by the Los Angeles Times as a writer of “unique genius”, Barrett now expands his canvas with a debut novel that contains as much grit, plot, and linguistic energy as any of his celebrated short stories.
As Ballina prepares for its biggest weekend of the year, introspective loner Dev answers his door on Friday night to find Doll English—younger brother of small-time local dealer Cillian English—bruised and in the clutches of Gabe and Sketch Ferdia, County Mayo’s fraternal enforcers and Dev’s cousins. Dev’s quiet homelife is upturned as he is quickly and unwillingly drawn headlong into the Ferdias' frenetic revenge plot against Cillian. Meanwhile, Doll’s girlfriend, 17-year-old Nicky, reeling from a fractious Friday and plagued by ghosts and tragedy of her own, sets out on a feverish mission to save Doll, even as she questions her future in Ballina.
Set against Barrett’s trademark depictions of small town Irish life, Wild Houses is the thrillingly told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence.
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- Length: 1 hr and 7 mins
- Unabridged
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The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.
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The actual book The Art of War, not a commentary
- By Fred271 on 12-31-19
By: Sun Tzu
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Technically Speaking
- By: Michael Elliot
- Narrated by: Coco Jones, Keith Powers, Queen Latifah, and others
- Length: 1 hr and 50 mins
- Original Recording
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Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.
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Overdue Diverse Representation in Tech!
- By Jatai Pollock on 09-26-24
By: Michael Elliot
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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The Best Possible Experience
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A thirty-four-year-old American woman—a secret agent—is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct.
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Author should not have been the reader
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Descriptive copy is not yet available from the publisher.
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Boring
- By lin on 09-18-24
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Old School
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Determined to fit in at his New England prep school, the narrator has learned to mimic the bearing and manners of his adoptive tribe while concealing as much as possible about himself. His final year, however, unravels everything he’s achieved and steers his destiny in directions no one could have predicted.
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listen to this
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Dancer
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Taking his inspiration from biographical facts, novelist Colum McCann tells the erotically charged story of the Russian dancer Rudolf Nureyev through the cast of those who knew him. Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the '80s, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn, and John Lennon.
By: Colum McCann
What listeners say about Wild Houses
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- norma
- 05-13-24
The narrator was superb.
The characters, the plot, the metaphors, the telling of the story were more than what I expected.
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Overall
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- Susan C
- 04-08-24
Complex characters
In-depth probes of the many, diverse characters added psychological interest, and the story line was suspenseful, if dark. Great dialogue throughout! But as a whole the narrative voice lacked cohesion and descriptions were overwritten in places, diminishing the impact.
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Performance
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Story
- Cynthia Bazinet
- 06-13-24
Holy Moly! What a ride!
The narrator was absolutely amazing!! Let's have more of Damian Gildea!
This novel was spectacular--suspenseful, nuanced, humane, and beautiful. Mr. Barrett has a tremendous future ahead of him.
Sentences to make a body swoon.....
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Performance
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- Ian Huntington
- 08-27-24
A beautifully told story connecting a most unfortunate series of circumstances.
What attracted me initially to this story and kept me throughout the book was the author’s ability to write in a straightforward yet skillfully artistic style.
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- Probably did
- 03-24-24
Insider look at a small crime
I found this book intriguing, scary, and sometimes a bit funny.
I loved that the author used a small bit of crime to look at the interactions between individuals, the formation and maintenance of relationships, and their internal struggles. Although at first, some of the dialogue can seem mundane, it is what was important to these characters at the time. Many times common dialogue is used to convey messages with greater weight.
In the first hour of reading, I found the heavy accent of the reader a bit thick. But, it was no problem as I became used to it. And it is thick; as thick and meaningful as the rain, threats, anger, shame, smells, and confusion.
(SMALL PLOT REVEAL) The story doesn't end with some giant twist. I actually enjoyed that. I had guessed that one character might do this, or another character might do that...but they didn't. No one became a superhero or a super-villain. They just stayed in character. That was a twist that I couldn't have anticipated.
So, yes, I very much recommend this book. It lets you into the lives of a small group who are more or less the same as everyone else. It was interesting to me to discover which (more OR less). The people are real...so, my conclusion was more.
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2 people found this helpful
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- kay kay
- 10-21-24
Not worth my time
This had so much hype, but there was very little plot development. Wish I had skipped this book.
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