One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Erica Skyberg is thirty-five years old, recently divorced—and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit.

Jane and Dan have been married for nineteen years, but Jane isn’t sure they’re going to make it to twenty. The mother of two feels unneeded by her teenagers, and her writing career has screeched to an unsuccessful halt. Her one published novel sold under five hundred copies. Worse? She’s pretty sure Dan is cheating on her. When the couple goes to the renowned upscale restaurant La Fin du Monde to celebrate their anniversary, Jane thinks it’s as good a place as any to tell Dan she wants a divorce.

Going Home is a sparkling, funny, bighearted story of family and what happens when three men—all of whom are completely ill-suited for fatherhood—take charge of a toddler following an unexpected loss.

Robert Macfarlane brings his glittering style to a profound work of travel writing, reportage, and natural history. Is a River Alive? is a joyful, mind-expanding exploration of an ancient, urgent idea: that rivers are living beings who should be recognized as such in imagination and law. Macfarlane takes listeners on three unforgettable journeys teeming with extraordinary people, stories, and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin?

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

Chicky Diaz is everyone’s favorite doorman at the Bohemia, the most famous apartment house in the world, home of celebrities, financiers, and New York’s cultural elite. Up in the penthouse, Emily Longworth has the perfect-looking everything, all except her husband, whom she’d quietly loathed even before the recent revelations about where all the money comes from. But his wealth is immense, their prenup is iron-clad, and Emily can’t bring herself to leave him. Yet.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world. Add two children. And a horse. From a Scottish word meaning a transient moment, a shock, a faint glimpse, Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matter more than ever.

On an ordinary summer morning, the world is changed by the appearance of seven mysterious doors that seemingly lead to another world. People are, of course, mesmerized and intrigued: A new dimension filled with beauty and resources beckons them to step into an adventure. But, perhaps inevitably, people soon learn that what looks like paradise may very well be filled with danger.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

On an ordinary summer morning, the world is changed by the appearance of seven mysterious doors that seemingly lead to another world. People are, of course, mesmerized and intrigued: A new dimension filled with beauty and resources beckons them to step into an adventure. But, perhaps inevitably, people soon learn that what looks like paradise may very well be filled with danger.

Alex Lyons always has his mind made up by the time the curtain comes down at a performance—the show either deserves a five-star rave or a one-star pan. Anything in between is meaningless. On the opening night of the Edinburgh Festival Fringe, he doesn’t deliberate over the rating for Hayley Sinclair’s show, nor does he hesitate when the opportunity presents itself to have a one-night stand with the struggling actress.

From the bestselling and award-winning author of the Patrick Melrose novels, a hilarious and moving story about a group of wildly different characters whose fates are improbably yet inextricably linked—a novel about extinction and survival, inheritance and loss, written with St. Aubyn’s trademark wit and inimitable style

Clara Bishop hasn’t touched a piano since a concert hall fire nearly took her life a decade ago, ending her career as a rising star in the world of classical music. Significantly scarred and unable to play, she has turned away from everything and everyone associated with music, especially her ruthless mentor Madame, whom Clara blames for her injuries. Her life is upended when Madame dies, leaving Clara an unexpected inheritance: an ornate nineteenth-century metronome with a cryptic message hidden inside.

It’s been five years since Joni Ackerman tipped the antifreeze into her husband’s cocktail. Five years since he was found dead on the stairs. Five years since she got away with murder. At first, Joni feared the consequences of her transgression, but she’s learned to embrace the power of recklessness in a way she would have hated to see in anyone else. It was that recklessness, after all, that took her to this rewarding new life.

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.

This is a story of the rich and the very poor. This is a story of an illegal auction with dire consequences. This is a story of murders past and present. This is a story of intertwined relationships and the silent ripples they leave behind, where love becomes a guiding force, revealing the lengths one will go to protect those they cherish.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

Kinga is a woman who is just trying to make it through the week. There's a Kinga for every day: on Mondays, you can catch Kinga A deleting food delivery apps. By Friday, Kinga E is happy to spend the days soaking, wine-drunk, in the bath. Kingas A-G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic.

As they hurtle into midlife, Jim and his closest college friends get together to rekindle the bonds of their friendship in his family’s beautiful, generations-old vacation home along Buzzards Bay, the demands of work and family having caused them to drift apart over recent years. But what begins as a quiet and restorative seaside escape takes a darker turn when Bruce, an aloof but successful writer, disappears from the house without a trace, sending the group into an uneasy tension. Meanwhile, a series of mysterious break-ins besets the town.

4 a.m., New York City. A silent disaster. There is no flash of light, no crumbling, no quaking. Each person in New York wakes up on an unfamiliar block when the buildings all switch locations overnight. The power grid has snapped, thousands of residents are missing, and the Empire State Building is on Coney Island—for now. The next night, it happens again. Esme Green and Arjun Varma work for the City of New York’s Emergency Management team and are tasked with disaster response for “The Unmapping.”

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation.