Wuthering Heights [Trout Lake Media Edition]
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Narrated by:
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Emma Messenger
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By:
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Emily Brontë
About this listen
Famous, all-encompassing, passionate, but ultimately doomed love between Catherine Earnshaw and Heathcliff, and how this unresolved passion eventually destroys them and the people around them. Today considered a classic of English literature, Wuthering Heights was met with mixed reviews when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J. Taylor, a ballet, three operas (respectively by Bernard Herrmann, Carlisle Floyd, and Frédéric Chaslin), a role-playing game, and the 1979 chart topping song by Kate Bush.
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Richard Dawkins, author of The God Delusion and a life-long committed Darwinist, abridges and reads this special audio version of Charles Darwin's famous book. A literally world-changing book, Darwin put forward the anti-religious and scientific idea that humans in fact evolved over millions of generations from animals, starting with fish, all the way up through the ranks to apes, then to our current form.
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A Perfect Abridgement
- By M on 05-28-09
By: Charles Darwin
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An Old-Fashioned Girl
- By: Louisa May Alcott
- Narrated by: Anne Hancock
- Length: 9 hrs and 57 mins
- Unabridged
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Immediately following the success of Little Women, Louisa May Alcott sat down to write An-Old Fashioned Girl, expanding on the subject of rich versus poor that she explored in her first novel. It’s a story of a country mouse and a city mouse: 14-year-old Polly Milton travels to Boston for a stay with her friend Fanny Shaw. The wealthy Shaws’ way of life is foreign to Polly who tries to adapt but is quickly labeled “old-fashioned”. Fanny and her friends dress and behave as their elders do, flirting with boys and gossiping.
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Okay
- By selene on 07-15-18
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Tales of Terror
- By: Edgar Allan Poe
- Narrated by: Jack Foreman
- Length: 4 hrs and 50 mins
- Unabridged
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Edgar Allan Poe, the master of terror, wrote some of literature's most entertaining and influential short stories, works that invented or anticipated modern detective novels, science fiction, and the horror genre. Tales of Terror collects nine of Poe's best-loved stories, all performed in chilling, highly dramatic readings by Jack Foreman. This collection includes such classics as "The Tell-Tale Heart", "The Pit and the Pendulum", "The Fall of the House of Usher", and what many consider his masterpiece, "The Murders in the Rue Morgue."
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Poe's Best Horror by an Outstanding Narrator
- By Gary on 08-29-04
By: Edgar Allan Poe
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Jude The Obscure
- By: Thomas Hardy
- Narrated by: Stephen Thorne
- Length: 15 hrs and 21 mins
- Unabridged
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This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.
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Staggering
- By Tad Davis on 02-16-10
By: Thomas Hardy
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Two Horror Classics: Frankenstein and Dracula
- By: Mary Shelley, Bram Stoker
- Narrated by: Gildart Jackson
- Length: 28 hrs and 6 mins
- Unabridged
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In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.
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Wonderful rendition of two Gothic Horror classics!
- By Teela'Na on 10-03-19
By: Mary Shelley, and others
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The Dead Secret
- By: Wilkie Collins
- Narrated by: Nicholas Boulton
- Length: 13 hrs and 20 mins
- Unabridged
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A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.
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Only complaint is I wish it were longer
- By alisammeredith on 03-15-22
By: Wilkie Collins
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They meet as children. They grow up together. It’s only after one fatefully misheard conversation that Heathcliff leaves, believing his love for Catherine isn’t reciprocated. When he returns, he is a wealthy and polished man but things have now changed–drastically–and Heathcliff starts to exact terrible revenge on those who wronged him…
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One voice, several distinct characters!
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Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before: of the intense passion between the foundling Heathcliff and Catherine Earnshaw, and her betrayal of him. As Heathcliff's bitterness and vengeance is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past.
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Beautiful reading made complex language understandable
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Wuthering Heights
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Almost Peerless
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Wuthering Heights is Emily Brontë's only novel. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective, wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.
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Wuthering Heights
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- By: Rachel Joyce, Emily Brontë
- Narrated by: Ben Batt, Chloe Pirrie, Emma Fielding, and others
- Length: 2 hrs and 17 mins
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Chloe Pirrie and Ben Batt star in this stunning dramatisation of Emily Brontë's classic, adapted by best-selling author Rachel Joyce. When homeless orphan Heathcliff is brought to the isolated, storm-swept farmhouse of Wuthering Heights, he sparks very different emotions in the children of the house, Hindley and Cathy. While Hindley instantly hates him and makes his life miserable, Heathcliff finds a soul mate in Cathy, and the two spend days playing together on the wild Yorkshire moors. Inseparable as children, passionately in love as adolescents, they are everything to each other....
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Not recommend
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They meet as children. They grow up together. It’s only after one fatefully misheard conversation that Heathcliff leaves, believing his love for Catherine isn’t reciprocated. When he returns, he is a wealthy and polished man but things have now changed–drastically–and Heathcliff starts to exact terrible revenge on those who wronged him…
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By: Emily Brontë
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Beautiful reading made complex language understandable
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What listeners say about Wuthering Heights [Trout Lake Media Edition]
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Esaias Engelbertus de Villiers
- 09-21-17
Great book
Loved the book, a epic and thrilling tale, and read in such a way that eagerly wanted to get back to it when ever I could!
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1 person found this helpful
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- Kindle Customer
- 09-08-17
Narrator Held This Back
What did you like best about Wuthering Heights [Trout Lake Media Edition]? What did you like least?
It was difficult for me to distinguish point of view character due to the narrator. Her voice didn't change enough for me to easily pick this up and I kept getting lost in the "who's speaking now?". The narrator did a fine job with the "country" dialects. Over the story was just ok for me. Not too interesting, not too uninteresting, so a three star rating.
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1 person found this helpful
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- denise & bill newman
- 03-19-15
Denise
Destitution I might inject, horridly boring and everlasting sadness, nothing to look forward to. So devastatingly rebellious in all forms.
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- Shawn
- 05-23-16
Not a Fan of the Narration
Unlike most of the reviews I had issues with the narration. My primary complaint is that the narrator, Emma Messenger, does not have enough distinction among the main characters, nor does she vary their speech as they age. The book follows a non-linear history and jumps back and forth across several years at a time. I found myself having to remind myself where I was at in the story instead of getting lost in the story. Is this Heathcliff, Linton, Hareton, or Hindley and how old are they at this point in the story? Frankly, if I didn't know the story line before I listened to this production, I would have been utterly lost. The narrator has some very distinct voices and tones for the supporting characters (the voicing of Joseph is amazing), but it is the lack of distinction between the main male characters that I struggled with. She has a very good voice and brings Emily Bronte's extensive vocabulary to life -- I just kept getting lost with a host of male characters that sounded alike.
If you are not familiar with the plot, there is little action outside of the interaction between a dozen characters in two locations. So if you are looking for travel and adventure, this book would disappoint. However the interaction is so intense and the writing so vibrant that the book has stood the test of time.
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- Elizabeth
- 12-11-12
one of the best novels of all time
one of the best novels of all time and very well narrated. one that you can listen to over and over.
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7 people found this helpful
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- Virginia
- 02-03-14
Oh The Language!
Any additional comments?
I have been on a classic book kick lately. I LOVE the language, the rhythm, and the detail to event, the thought process, intelligence, and above all; I love never having to worry about the gratuitous vulgar language. Yes, today's culture has evolved and the language has changed, but the classic struggled to love and to be love hasn't changed at all. Of course this is a classic for the ages and most know the story even if only through legends, but while reading "Wuthering Heights" keep in mind the day and time it was written. Women were seen almost as property, as well as the children, and the struggle to find and true love was ridiculously hard and really considered trivial. Emily Brontë's writing compels us to pity, loathe, and cry for these characters. I for one love this book, sometimes the narrative is hard to understand because the language is so different, but who care listen twice. The more I read these classic stories the more I can see how much of today's so-called original works were influenced. So now it is on to the next classic.....
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1 person found this helpful
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- ECL
- 08-09-17
story telling at its best
I like the way they used two people to read the story from both view points, the female and the male. Nice voices, able to keep my attention.
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- Anonymous User
- 05-22-17
Tdyf
recursive. Nino hoi high n job ink on I n no Nino. Jon I Nino no on. Hi hi
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- Bridgette
- 06-13-16
my favorite book of all time!
no I've read it many times, this was my first time listening to it. the production was well done and it was enjoyable.
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- MH
- 09-03-17
More of a tragedy than a classic
Though rich in character description and pathological behavior, WH is a rather dark story with little to redeem it in moral, character, or plot terms. If time is short and precious, I might steer clear of the heights.
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1 person found this helpful