Countdown for blastoff x-minus five, four, three, two, x-minus one, fire! "From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future, adventures in which you'll live in a million could-be years on a thousand may-be worlds." Once again, these 18 digitally restored and remastered episodes are available from the Radio Spirits Archives Collection. This digital re-release of our long out of print cassette collection includes updated and corrected episode dates and series titles.

Onward into the future with radio's most acclaimed science fiction anthology! From producer William Welch, script editors Ernest Kinoy and George Lefferts, and a rocket full of the genre's most respected authors come 18 classic episodes of X Minus One!

A wounded soldier is transported back in time to the days of his childhood. Based on a story by H. Beam Piper, this episode of Dimension X originally aired on July 12, 1951.

"The last man on Earth sat alone in a room. There was a knock on the door." A new crop of writers emerged from the dawning of the nuclear age, grappling with humankind's place in the universe. While imagining the wonders of space exploration and the rise of technological advancements, they questioned whether we were prepared to encounter aliens, or even control the machines and weapons we'd built ourselves.

X Minus One, widely regarded as one of the finest science fiction dramas ever produced for radio, was broadcast on NBC from 1955 until 1958. It began as a revival of NBC's Dimension X, which ran for just a year and a half, from 1950 to 1951.

All of us fear and fantasize about what is to come - be it tomorrow or next year or for the next generation. Sixty-five years after its creation, radio's most successful early venture into adult science fiction continues to entertain - and to stimulate the imaginations of a whole new audience.

Close your eyes and see the future. Radio often explored the issues of the day by imagining the days to come - and never did it better than in the stories you'll hear in this collection! From 2000 Plus to Dimension X, this is Great Radio Science Fiction!

From the late 1940's through the 1950's, in a world where space travel and nuclear annihilation were no longer merely the stuff of fantasy, science fiction began to achieve a new popularity. And, the work of noted genre writers began to be adapted in movies and radio programs. Based (however implausibly) on science, these radio broadcasts reflected the depths of the nation's fears, and the boundlessness of its imagination.

Dimension X was one of old-time radio's first adult science-fiction shows. Though it ran for only a short time, the show made its mark by adapting short stories written by some of the best-known masters of the genre - Isaac Asimov, Ray Bradbury, Robert Heinlein, Kurt Vonnegut, and others. Writers Ernest Kinoy and George Lefferts adapted the stories, occasionally contributing original scripts of their own.

Bradbury's Mars is a place of hope, dreams, and metaphor - of crystal pillars and fossil seas - where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn - first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars...and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.

Theater Five was ABC's attempt to revive radio drama during the early 1960s. The series name was derived from its time slot, 5:00 p.m. Running Monday through Friday, it was an anthology of short stories, each about 20 minutes long. News programs and commercials filled out the full 30 minutes. There was a good bit of science fiction, and some of the plots seem to have been taken from the daily newspaper. Fred Foy of The Lone Ranger fame was an ABC staff announcer in the early '60s who, among other duties, did Theater Five.

Five seminal science fiction classics are brought vividly to life in these gripping BBC Radio dramatisations, with casts including Robert Glenister, William Gaunt, Carleton Hobbs and Joanne Froggatt. Titles include Frankenstein (1994), The Time Machine (2009), The Lost World (1975), R.U.R. (1989) and Solaris (2007). Accompanying this collection is a bonus PDF file featuring extensive sleeve notes by Andrew Pixley.

Before TV’s The Twilight Zone, there was radio’s The Inner Sanctum Mystery, Lights Out!, The Weird Circle, and so many other great mysteries starring Orson Welles, Jane Wyman, Dana Andrews, Edmond O’Brien, James Cagney and more. 100 great mystery classics in one collection.

Agonizing predicaments, stellar sound effects, and high wattage Hollywood star power combine in radio's top thriller. Myrna Loy, Joseph Cotten, Lucille Ball, Robert Taylor, Ronald Colman, and Agnes Moorehead give brilliant performances in blood-chilling stories. Twenty white-knuckled episodes (produced and directed by the legendary William Spier) feature a superior supporting cast, including John Dehner, Howard Duff, Elliott Lewis, William Johnstone, Joseph Kearns, and more. The tension and excitement of this Peabody Award-winning series are well calculated to keep you in...Suspense!

The totalitarian East has triumphed in a massive invasion, and the United States has fallen to a dictatorial superpower bent on total domination. That power is consolidating its grip through concentration camps, police state tactics, and a total monopoly upon the very thoughts of the conquered populace. A tiny enclave of scientists and soldiers survives, unbeknownst to America’s new rulers. It’s six against six million - but those six happen to include a scientific genius, a master of subterfuge and disguise who learned his trade as a lawyer-turned-hobo, and a tough-minded commander....

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.