A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.

Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects—from love to death and sex to writing—Bukowski’s unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.

Bukowski's mad immortal origins, surfaced from the literary underground, have addicted legions of audiences who've recognized Bukowski as one of America's greatest realist writers and poets. Audible Studios narrator and OBIE winner Will Patton ( Remember the Titans, The Good Wife, Armageddon) gives a tour de force performance of Bukowski's greatest work in his prime.

Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac’s early classics, On the Road. Centering around the tempestuous romance and breakup of Leo Percepied and Mardou Fox—two denizens of the 1950s San Francisco underground—The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America’s field of vision.

Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man”, Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments, as well as some of his most joyful and inspired. In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff.

Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac’s own birthplace, the dingy factory town of Lowell, Massachusetts. There, Doctor Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack’s fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom.

Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

In his teens, Jim Carroll roamed the streets of New York, shooting baskets with some of New York's best "playground" stars, and shooting heroin with some of the city's most memorable street characters. The Basketball Diaries is his chronicle of those years. Written while in his teens, it is a literary tour-de-force and a stunning portrait of contemporary urban street life. The characters and incidents are moving and funny and sad, but always very real.

Bukowski's alter ego, Henry Chinaski, returns, revelling in his eternal penchant for booze, women, and horse-racing as he makes the precarious journey from poet to screenwriter. Based on Bukowski's experiences when working on the film Barfly, the absurdity and egotism of the film industry are laid bare in this deadpan, touching, and funny glimpse into the endless negotiations and back-stabbings of la-la land. Hollywood is an irreverent jaunt that serves up the beating heart of Hollywood with razor-sharp humour.

The first book in Kerouac’s Duluoz Legend, a novella detailing the writer’s early life as refracted through the prism of the untimely loss of his brother.

A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.

Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects—from love to death and sex to writing—Bukowski’s unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.

In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years, and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

"It began as a mistake." By middle age, Henry Chinaski has lost more than 12 years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at 50, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

One of Charles Bukowski's best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.

Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

Born from Bukowski's columns, the LA underground press of the 1960s, Bukowski defined his early alter ego, Hank Chinaski, as a self-described dirty old man who eyes his defeatist attitude about himself with his clarity to see humor and holiness in others. Addictive and instructive listening, Bukowski delivers the humanity and intelligence of all the unseen. Filled with his usual obsessions - sex, booze, gambling - Notes features Bukowski's offbeat insights into politics and literature, and his tortured, violent relationships.

This collection of Buk's grimmest diaries gives an insight into the noir and brutal Los Angeles that Bukowski observed and lived so well. He was a legend in his time: a madman, a recluse, a lover...tender, vicious...never the same. These are exceptional stories that came pounding out of his violent and depraved life - horrible and holy. You cannot listen to them and come away the same again.

Bukowski's alter ego, Henry Chinaski, returns, revelling in his eternal penchant for booze, women, and horse-racing as he makes the precarious journey from poet to screenwriter. Based on Bukowski's experiences when working on the film Barfly, the absurdity and egotism of the film industry are laid bare in this deadpan, touching, and funny glimpse into the endless negotiations and back-stabbings of la-la land. Hollywood is an irreverent jaunt that serves up the beating heart of Hollywood with razor-sharp humour.

Hot Water Music is a collection of short stories by Charles Bukowski, published in 1983. The collection deals largely with: drinking, women, gambling, and writing. It is an important collection that establishes Bukowski's minimalist style and his thematic oeuvre.

On Cats offers Bukowski's musings on these beloved animals and their toughness and resiliency. He honors them as fighters, hunters, survivors who command awe and respect as they grip tightly on to the world around them: "A cat is only ITSELF, representative of the strong forces of life that won't let go."

Bukowski's mad immortal origins, surfaced from the literary underground, have addicted legions of audiences who've recognized Bukowski as one of America's greatest realist writers and poets. Audible Studios narrator and OBIE winner Will Patton ( Remember the Titans, The Good Wife, Armageddon) gives a tour de force performance of Bukowski's greatest work in his prime.

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.

In this 1962 novel, Kerouac's alter ego, Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance. In the words of Allen Ginsberg, Big Sur "reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion".