The first book in Kerouac’s Duluoz Legend, a novella detailing the writer’s early life as refracted through the prism of the untimely loss of his brother.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

More than 60 years ago, William S. Burroughs and Jack Kerouac, two novice writers at the dawn of their careers, sat down to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. Alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence.

Kerouac examines his own New York life in a collection of colorful essays. Always transfixed by Neal Cassady—here named Cody Pomeray—along with Allen Ginsberg and William Burroughs, Kerouac also explores the feelings he had for a man who inspired much of his work. Transcribing taped conversations between members of their group as they took drugs and drank, Visions of Cody reveals an intimate portrait of people caught up in destructive relationships with substances, and one another, capturing the members of the Beat Generation in the years before any label had been affixed to them.

Against Nature was one of the most shocking French novels of the 19th century. When it was published in 1884, it thrilled the aesthetes, the poets, and the intellectuals of Europe on both sides of the Channel (notably Oscar Wilde) because for all its lofty tone, it had, as its core, an unbridled decadence, and it was this same character that challenged, even horrified, established bourgeois society.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

In this 1962 novel, Kerouac's alter ego, Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance. In the words of Allen Ginsberg, Big Sur "reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion".

Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac’s early classics, On the Road. Centering around the tempestuous romance and breakup of Leo Percepied and Mardou Fox—two denizens of the 1950s San Francisco underground—The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America’s field of vision.

The Heart Sutra is Buddhism in a nutshell. It has had the most profound and wide-reaching influence of any text in Buddhism. This short text covers more of the Buddha’s teachings than any other scripture, and it does so without being superficial or hurried. Although the original author is unknown, he was clearly someone with a deep realization of the Dharma. For this new English translation, Red Pine has utilized various Sanskrit and Chinese versions, refining the teachings of dozens of ancient teachers together with his own commentary to offer a profound word-for-word explication.

This book presents the formative years in the life of Jack Duluoz—Kerouac’s alter ego—beginning with his high school experiences as a sporting jock in small-town New England and his time at Columbia University on a football scholarship. Just as Jack’s glamorous new adult life begins, so does World War II, and he joins the US Navy to travel the world. The more he experiences, the more he realizes the limits of his former plans and decides to and return to New York, where he collides with the start of the Beat movement—and a riot of drugs, sex, and writing.

Written seven years before The Town and the City officially launched his writing career, The Sea Is My Brother marks the pivotal point at which Kerouac began laying the foundations for his pioneering method and signature style. The novel chronicles the misadventures of two seamen who at first seem different but are really two sides of the same coin: 27-year-old Wesley Martin, who “loved the sea with a strange, lonely love,” and William Everhart, an assistant professor of English at Columbia College.

Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin. Neil comes from poor Newark, while Brenda is of suburban Short Hills. On one summer break, they meet and dive into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories that range in tone from the iconoclastic to the astonishingly tender.

"An excellent book by a genius”, said Kurt Vonnegut, Jr., of this now-classic exploration of the 1960s from the founder of New Journalism and author of such influential works as The Electric Kool-Aid Acid Test and The Bonfire of the Vanities. Tom Wolfe explores the style and culture of the 1960s in this dynamic collection of essays - originally stand-alone pieces, many of which were published in Esquire magazine - written in his unique, free-flowing style.

Before he became a best-selling novelist (The Bonfire of the Vanities), Tom Wolfe was an essayist and keen observer of 1960s and 1970s culture for Esquire and Rolling Stone. (This is the man who coined the phrase "Me Decade", after all.) This ear-candy collection of 20 essays and articles narrated by Edoardo Ballerini was handpicked by Wolfe and includes some of his best-known nonfiction work.

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.

Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac’s early classics, On the Road. Centering around the tempestuous romance and breakup of Leo Percepied and Mardou Fox—two denizens of the 1950s San Francisco underground—The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America’s field of vision.

Originally written in 1955 and now published for the first time in audiobook form, Wake Up is Kerouac's retelling of the life of Prince Siddartha Gotama, who as a young man abandoned his wealthy family and comfortable home for a lifelong searchfor Enlightenment. Distilled from a wide variety of canonical scriptures, Wake Up serves as both a penetrating account of the Buddha's life and a concise primer on the principal teachings of Buddhism.

Kerouac examines his own New York life in a collection of colorful essays. Always transfixed by Neal Cassady—here named Cody Pomeray—along with Allen Ginsberg and William Burroughs, Kerouac also explores the feelings he had for a man who inspired much of his work. Transcribing taped conversations between members of their group as they took drugs and drank, Visions of Cody reveals an intimate portrait of people caught up in destructive relationships with substances, and one another, capturing the members of the Beat Generation in the years before any label had been affixed to them.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

The first book in Kerouac’s Duluoz Legend, a novella detailing the writer’s early life as refracted through the prism of the untimely loss of his brother.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.

Anna Hunt may be the new girl at East Middle School, but she can already tell there’s something off about her eighth-grade class. Rachel Riley, who just last year was one of the most popular girls in school, has become a social outcast. But no one, including Rachel Riley herself, will tell Anna why.

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.