Actor, improviser, and founding member of Upright Citizens Brigade Matt Walsh (Veep, Manhunt) is touring this summer with Bluebird Improv and returns to the RSC Podcast to discuss how improv differs from acting (and sometimes doesn't). Matt reveals how improv is less about creation and more about discovery; the importance of and method for learning the value of patience; how he combined both acting and improv on Veep; why scripted punchlines are sometimes not as funny as improvised punchlines; the challenge of playing a racist monster in Manhunt; and (to unintentionally paraphrase Austin Powers) the importance of remembering that when onstage, just behave. (Length 27:46)

Host Austin Tichenor returns to Chicago's Back Room Shakespeare Project to perform in their production of William Shakespeare's Coriolanus on June 16, 2025 at the Hideout, and he discusses with the show's captain and first mate Sam Pearson and Gage Wallace how this cast and crew came together to embody the Project's ethos of "Serious actors. No director. One rehearsal. In a bar." Building on co-founder Samuel Taylor's notion these productions are "bad ideas," Gage and Sam reveal the core values that guide every Project production; how modern bars most resemble Shakespeare's original rowdy playhouses; how "youthful arrogance" is just another word for "incredible generosity;" and how audiences continue to flock to BRSP productions because they know their presence is not simply important, it's required. (Length 20:20) (Logo art by Collin Quinn Rice.)

Actor, author, and comedian Jon Glaser (Parks and Recreation, Delocated, Inside Amy Schumer, Neon Joe Werewolf Hunter) is turning his recent comedy album Jon Glaser's Soothing Meditations for the Solitary Dog into a live show that combines interactive artwork with storytelling, silly comedy, and support for shelters and organizations that care for pets and their owners. Jon reveals his desire to find an outlet for passion projects that are stupid but also do great work; how the project is evolving and reaching new people; how his new Instagram page highlights portraits created at his "VIP Sip & Paint" live events; and how meditations designed for dogs can help soothe our own very real anger and existential despair. (Length 17:37)

Beth Wolf, the founding producing artistic director of Midsommer Flight, discusses her company's upcoming production of Love’s Labour’s Lost, which has been performing for free in parks throughout Chicago since 2012. Beth reveals the planning that goes into her season; why Love's Labour's is such an important comedy right now; how for some reason outdoor summer Shakespeare is not everybody’s jam; her invaluable partnership with the Chicago Park District; the value of having a non-dogmatic approach to the text; the importance of theatre people being able to wear multiple hats; and how Midsommer Flight is a valuable stepping stone for early-career actors on the rise. (Length 19:53)

Adam Long, Reed Martin, and Austin Tichenor – the cast of the film version of The Complete Works of William Shakespeare (abridged) – reminisce about the 2000 filming of the RSC's signature work, and discuss the extraordinary lengths the production went to ensure they were jet-lagged for the entire process. Revelations include the secret cameo from co-author and RSC founding member Daniel Singer; how different actors must play jokes differently; the Spinal Tap observation that relative size is the difference between funny and scary; how to make friends in British and Irish pubs; and how the RSC vibe might best be described as squabbling siblings bound together in a brotherhood of Shakespeare. (Length 21:33) (PICTURED: Reed Martin, Adam Long, and Austin Tichenor enjoying post-show beverages in Shuttleworth's Pub, Charing Cross Road, 1992. Photo by Kent Tichenor.)

Merrimack Repertory Theatre in Lowell (MA) just announced its exciting 2025-2026 season and artistic director Courtney Sale discusses how she embraces both MRT's working-class roots and its commitment to the growing diversity of Lowell's population. Sale reveals her programming philosophy, which admirably veers away from the head and towards the heart; her investment in a world premiere from the self-described “Khmer Kerouac”; her fondness for theater that flatters the intellect and the imagination; how she owns MRT's identity as a “beer and pizza” theatre; and her appealing commitment to the 4 Cs: commissions, community, comedy, and catharsis. (Length 18:02)

Christopher Moore's new novel Anima Rising combines his signature elements – complicated artists, suspicious detectives, a bawdy sisterhood, and supernatural bonking – into a strangely moving tale of friendship and survival. Set in 1911 Vienna, Chris's new novel is a spiritual sequel to his 2012 art world masterpiece Sacré Bleu: A Comedy d'Art and, in anticipation of his upcoming book tour, Chris reveals how his fondness for Gustav Klimt and Mary Shelley drives this unlikely comic adventure; how both Sigmund Freud and Carl Jung had to figure into the story (because: 1911 Vienna); and how his novels are becoming increasingly touching...or at least that’s how they’re being read. (Length 21:17)

Playwrights and RSC artistic directors Reed Martin and Austin Tichenor discuss the updates they've been making to all their scripts (including All the Great Books (abridged), featuring Doug Harvey, Tré Zijuan Tyler, and Michael Faulkner, below) and how their writing process begins with coming up with material that's personal resonant. Martin and Tichenor reveal the despair of artists listening to the mortgage when evaluating their work; how not all laughs are created equal; how the great job of making people laugh now feels like an supremely important job; and how hearing the audience gasp at the turns in the narrative is even more satisfying to us. (Length 24:21)