Acting Techniques

Sanford Meisner was one of the best known and beloved teachers of acting in the country. This audiobook follows one of his acting classes for 15 months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential listening for beginning and professional actors alike. Throughout this audiobooks, Meisner is a delight - always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges.

With numerous examples and exercises, Michael Chekhov's To the Actor seamlessly synthesizes his many years of theater and theater instruction into a concise, engaging handbook of techniques essential for every actor. With his tested methods you will learn how to more easily call up emotion, develop a character, strengthen awareness and train your body and imagination to reach its full potential.

Applying performance techniques to propel your non-acting career can significantly enhance your communication skills, boost your confidence, and make you stand out in your professional field. Performance techniques traditionally associated with actors can apply to a wide range of careers. This book contains strategies to help you leverage your position using performance techniques for success at your job or business.

Acting & Auditioning for the 21st Century covers acting and auditioning in relation to new media, blue- and green-screen technology, motion capture, web series, audiobook work, evolving live-streamed web series, and international acting and audio work. Listeners are given a methodology for changing artistic technology and the global acting market, with chapters covering auditions of all kinds, contracts, the impact of new technology, and issues relating to disabled actors, actors of color, and actors who are part of the LGBTQIA community.

Esper worked closely with Meisner for 17 years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare.

In this completely updated edition of her bestselling book, renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in Hollywood.

Beat your competition and book acting jobs worthy of your talent! Download now and listen to Amy’s words of wisdom over and over - anywhere, anytime! The Lyndon Technique is the secret weapon for 50+ network series regulars, an Emmy winner, an Imagen Award winner, and thousands of working actors around the globe and at universities for more than 20 years! Amy Lyndon has over 100 IMDB Credits, was a former personal manager, and has been published all over the world as an expert in her field.

There is so much we get wrong about power: who has it, what it looks like, and the role it plays in our lives. Grounded in over two decades’ worth of scientific research and inspired by the popular class of the same name at Stanford’s Graduate School of Business, Acting with Power offers a new and eye-opening paradigm that overturns everything we thought we knew about the nature of power.

Acting is living and behaving truthfully and fully under imaginary circumstances. But why are “truthfully” and “fully” so hard for us? Why is it so difficult to be in the moment with our art and in our lives?

My name is Elizabeth Ruelas and I have been a professional stage actor, director, teacher, and co-founded and was the artistic director of The New Renaissance Theatre Company. I have also taught acting in universities as well as Introduction to Acting to non-majors. In this class, I will teach you the same techniques that I have used in my acting career as well as what I have taught professional actors and aspiring actors to help you better relate to your clients and customers.

Every budding actor knows acting is a difficult gig. There will be grueling auditions and punishing rejections. If you’re lucky, there’ll be roles that pay the bills and even roles that won’t. Roles we don’t believe in. So when the semester’s production project is announced and I’m cast as one of the leads, I’m ecstatic. A lot of responsibility, a lot of work, but I’m up for it. Even when I find out what my role is and who my partner is. Amos, the brooding James Dean wannabe, is my on-screen boyfriend. Which is great, except for the fact he hates me.

How to Develop a Powerful, Clear, and Resonant Speaking Voice is a straight-to-the-point, no-nonsense guide to simple techniques you can employ immediately to improve the quality of your voice. This audiobook, made for men and women, shows how to develop resonance, speak in the proper pitch, and use what’s called diaphragmatic breathing to magnify the power and expressiveness of your voice.

This comprehensive course is designed for actors aiming to master the diverse range of accents found across the United Kingdom and Ireland, offering an extensive foundation in both technical and cultural aspects of accent work, while maintaining accessibility for the novice learner. With an emphasis on authentic performance, the program provides step-by-step guidance on dialect production, using a wide variety of oral posture guidance, pronunciation exercises, and practical lexicon that actors can apply directly to their work.

"Foundations of Acting: The Essential Guide to Mastering the Art of Performance" is the first book in the comprehensive series "The Art of Performance." This book serves as an indispensable resource for aspiring actors and seasoned performers alike, offering a detailed exploration of the fundamental elements of acting.

We are all human actors. Acting Lessons for Living will help you identify what roles you have been playing, and what it is you really want which are your motivations when you play out the scenes of your life. It provides skills for discovering what is underneath the masks you wear, your secrets, and how they go unidentified and become internal obstacles to manifesting your pure potential.

The master acting teacher Richard Boleslavsky presents his acting theory and technique in a lively and accessible narrative form. Widely considered a must-have for beginning as well as established actors, Boleslavsky's work has long helped actors better understand the craft of acting and what it takes to grow as an artist. He has taught generations of some of the best stage and screen actors and actresses. Written in the form of a series of dialogues, these lessons aim to inform and instruct the budding actor on some of the basic principles of acting and learning to act.

With the COVID pandemic has come the need to reinvent, to reimagine and to learn how to navigate the waters of a new landscape for most businesses - and that includes the business of acting, which is on the verge of the next great era of storytelling. Great art has always come out of challenging times and there will be - as there are now - great stories for actors and other content creators to tell from these challenges. The new normal includes new rules, new regulations and a new narrative about moving forward and thriving in this new artistic landscape.

Working in an environment that often stereotypes or attempts to “universalize” experiences, it’s more important than ever that actors consider how culture, race, ethnicity, gender, sexuality, and ability are inseparable and important parts of their identity that should not be minimized and can instead enhance their work. In Breaking It Down: Audition Techniques for Actors of the Global Majority, Nicole Hodges Persley and Monica White Ndounou share real-world audition strategies that center the experiences of actors of color.

We watch people make naked power grabs and cringe, turning away from embracing power as something that is within the realm of the narcissistic. It feels incongruent with our values, with being a good person. What Gruenfeld argues is that it is, in fact, impossible to be a good person - one who is respected by others and ourselves - without getting comfortable with power. A good person does what's best for the group and sometimes that means standing up for others with less power, putting a bad actor in their place or letting someone else be in charge so that the group can move forward.

All Alicia Johnson has ever wanted is to be able to slip into someone else's life, clothing, and makeup to become a murderess, a socialite, or a nurse for an episode or a season. Being an actress comes with a healthy dose of financial insecurity and a willingness to live out of two jammed suitcases, ready to go wherever the next director wants her. Up until now, it's been worth it for the creative escape and the thrill of applause.