Comic History

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes listeners through the progress of comics in the 20th century and beyond. Follow the history from the golden age of newspaper comic strips - Krazy Kat, Yellow Kid, Dick Tracy - to the midcentury superhero boom - Superman, Batman, Wonder Woman - and from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights to the graphic novel’s rise.

It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Inspired by their own fantasies, fears, and dreams, they create the Escapist.

This work dissects the origin and growth of superhero comic books, their major influences, and the creators behind them. It demonstrates how Batman, Wonder Woman, Captain America and many more stand as time capsules of their eras, rising and falling with societal changes, and reflecting an amalgam of influences. The book covers in detail the iconic superhero comic book creators and their unique contributions in their quest for realism, including Julius Schwartz and the science-fiction origins of superheroes.

The defining, behind-the-scenes chronicle of one of the most extraordinary, beloved, and dominant pop cultural entities in America’s history - Marvel Comics - and the outsized personalities who made Marvel, including Martin Goodman, Stan Lee, and Jack Kirby.

Step right up for the most uproariously irreverent chapter of Gilbert Abbott A’Beckett’s Comic History of England—where crowns are comedy props and history’s biggest egos trip over their own dogma!

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the bold, pulpy pages of comic books. The Ten-Cent Plague explores this cultural emergence and its fierce backlash while challenging common notions of the divide between "high" and "low" art.

Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others.

For the first time in a beautiful new edition, this omnibus will collect together the original official novelizations of both Ghostbusters 1 and 2.

Operation Iraqi Freedom Veteran and former host of All Access, DC Comics' web show, Jason Inman, discusses the influence war has had on some of the most memorable superheroes in comics.

In Superman Is Jewish? Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. He describes how the role of each hero reflects the evolution of the Jewish place in American culture - an alien in a foreign land, like Superman; a figure plagued by guilt for not having saved his family, like Spider-Man; outsiders persecuted for being different (X-Men); a nice, smart guy afraid people won't like him when he's angry (the Hulk).

From the Silicon Valley tech billionaires currently trying to work out whether or not the universe is one giant video game simulation to the self-proclaimed community of Italian time-travelers who are trying to save the world from destruction; The Theory of Everything Else will act as a handbook for those who want to think differently.

Josh Blaylock's now classic how-to prose book about the business of comic book publishing, after selling out of its updated 2012 edition, is now being rereleased to include Tim Seeley's companion writings on the behind-the-scenes realities of being a comic book artist.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

See You At San Diego is the comprehensive chronicle of Comic-Con International and modern geekdom itself as told through countless stories by nearly fifty of the most integral members of the Comic-Con and fandom scene. This full-fledged oral history—bursting with intimate reflections, hilarious observations, and at times, heartbreaking stories—is about how the geek at last inherited the earth and the story of the transformation of mainstream American pop culture into comic book culture over the past century.

Step into the madcap medieval world of A Comic History of England, Book IV, where Gilbert Abbott à Beckett turns the tumultuous era of Henry IV to Richard III into a sidesplitting spectacle!

A music student takes a hilarious time-travelling romp through 200 years of history to meet Mozart and find out why he wrote a lot a lot of smutty letters. On the way he wreaks havoc in the lives of everyone from Queen Victoria to Beethoven, which he has to fix on the way back. Achille Brown, 22-year-old music PhD student, is struggling with the subject of his thesis: the thorniest and most sensitive aspect of Mozartian scholarship - his scatological humour. Always obsessed with the composer, as a child he used to tell people his ambition was to meet Mozart. He realises he is exactly six ...

Bestselling author and award-winning comics writer Ryan North has the answers. In this introduction to the science of comic-book supervillainy, he details a number of outlandish villainous schemes that harness the potential of today’s most advanced technologies. Picking up where How to Invent Everything left off, his explanations are as fun and elucidating as they are completely absurd.

Mention the names Arthur Stanley Jefferson and Norvell Hardy to a cinema-adoring crowd and you’ll get countless reactions in return. A few may scratch their heads. Others may fumble with their ties and grin nervously. If you’re very unlucky, someone will start to cry. But mention the names Stan Laurel and Oliver Hardy and those reactions will become associated with the characters they know and love. These were the names that made them famous and still conjure up images today. Laurel & Hardy. Popular but not populist. They appealed to the masses; and the masses have kept them in the ...

"Even better than the first one, which I enjoyed a hell of a lot. Boffo superhero action, metaphysical speculation, and -- much rarer -- real character development.... I will be following this series to the end, and advise others to do so too!" - S.M. Stirling, Best-Selling Author of the Change Series In the sequel to Armageddon Girl, Christine Dark and Face-Off must face their inner demons while they try to save Earth Alpha, a world where superheroes are real and danger is everywhere. Can a former gamer chick endowed with cosmic powers and a murderous vigilante deal with their differences ...

Christine Dark faces her most dangerous enemy yet - herself. In another reality, Christine became corrupted, evil, a murderous villain with immense power and no compassion or restraint, a tyrant who destroyed the world and surrendered to the Outsiders. And now she has arrived to Earth Alpha, bringing chaos and destruction in her wake. The fourth book of the New Olympus Saga follows heroes and villains endowed with great power and all-too human flaws as they deal with the aftermath of the Genocide War and a new threat in their midst. This story combines action, romance, suspense and humor.