Many recognize Stan Lee as the face of Marvel. Yet Jack Kirby is the one who did a lot of the hard work in creating such heroes as Captain America, Iron Man, Thor, The Incredible Hulk, and Ant-Man. While Lee was the public face for what became the multimedia brand, Kirby’s legacy is relegated to the shadows. Much like Bill Finger of Batman and Gene L. Coon of Star Trek, this man doesn’t get enough credit. A man who gave everything to the comic book industry. This book hopes to shed some light on his life and career.

The Joker is dead, but not forgotten. Gotham City is saved, but it is still not safe. By night, its new symbol of hope, Batman, continues his fight to protect the innocent and the powerless. By day, his alter ego, Bruce Wayne, wonders whether there may someday be a future beyond skulking the city’s rooftops or the cavernous halls of his stately manor alongside the ever-dutiful Alfred Pennyworth. But even after death, the Clown Prince of Crime’s imprint can be seen in more than just the pavement.

Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Avengers, the X-Men, Watchmen, and more: the companion volume to the PBS documentary series of the same name that tells the story of the superhero in American popular culture.

Harlan Ellison’s work shaped the science-fiction, fantasy, and horror genres in the twentieth century, and this collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as listeners discovering this zany, polyphonic writer for the first time.

In the summer of 1982, eight science fiction films were released within six weeks of one another. E.T., Tron, Star Trek: Wrath of Khan, Conan the Barbarian, Blade Runner, Poltergeist, The Thing, and Mad Max: The Road Warrior changed the careers of some of Hollywood's now biggest names―altering the art of movie-making to this day.

Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics.

In Conan and the Emerald Lotus, the seeds of a deadly plant grant sorcerers immense power, but turn its users into inhuman killers. In the exclusive, long-awaited sequel Conan and the Living Plague, a Shemite wizard seeks to create a serum to use as a lethal weapon. Instead he unleashes a hideous monster on the city of Dulcine. Hired to loot the city of its treasures, Conan and his fellows in the mercenary troop find themselves trapped in the depths of the city’s keep. To escape, they must defeat the creature, its undead followers, then face Lovecraftian horrors beyond mortal comprehension.

The Last Action Heroes opens in May 1990 in Cannes, with Arnold Schwarzenegger and Sylvester Stallone waltzing together, cheered on by a crowd of famous faces. After years of bitter combat, the world’s biggest action stars have at last made peace. In this wildly entertaining account of the golden age of the action movie, Nick de Semlyen charts Stallone and Schwarzenegger’s carnage-packed journey from enmity to friendship against the backdrop of Reagan’s America and the Cold War.

Iron Man and Captain America are two core members of the Avengers, the world's greatest superhero team. But when a tragic battle blows a hole in the city of Stamford, killing hundreds of people, the US government demands that all superheroes unmask and register their powers. To Tony Stark - Iron Man - it's a regrettable but necessary step. To Captain America, it's an unbearable assault on civil liberties.

Hey, hey, book lovers, take off those big thick glasses - this is Deadpool speaking! Sorry Marvel, somethin' happened to your copy guy. Anyway, this is my first prose novel, and they got this dude Stefan Petrucha to write it. He's good people. He's written novels and comics. But here's the thing: This book is about dogs. Dogs that turn into big nasty monsters. And then I gotta kill 'em. Thing is, I like killing people - the ones that deserve it, anyway - but I won't kill dogs. So that's what we call a character dilemma.

Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics.

From one of the most acclaimed and profound writers in the world of comics comes a thrilling and provocative exploration of humankind's great modern myth: the superhero. In this exhilarating work of a lifetime, Grant Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero - why they matter, why they will always be with us, and what they tell us about who we are... and what we may yet become.

Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Avengers, the X-Men, Watchmen, and more: the companion volume to the PBS documentary series of the same name that tells the story of the superhero in American popular culture.

Since his creation, Batman has been many things: a two-fisted detective; a planet-hopping gadabout; a campy pop-art sensation; a pointy-eared master spy; and a grim and gritty ninja of the urban night. For more than three-quarters of a century, he has cycled from a figure of darkness to one of lightness and back again; he's a bat-shaped Rorschach inkblot who takes on the various meanings our changing culture projects onto him.

The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing.