Comic Writing

How to Write Comic Strips is a step-by-step guide to show aspiring comic strip writers how to create their own comic. It leads the listener through the wondrous world of comic writing. The concept of humor and what is funny is different for different people. The author shows the listener how to deal and cope with these differences.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

My Top Ten Favorite Books of All Time is and essay by James J. Caterino, the author of My Encounter with the Partridge Family, sort of, What If, Girl Pop, Make Me Cry Please, The Girl Out of Time, Romance Stories, To Meghan, True Stories, Time Travel Stories, and much more.

In this memoir, Lockwood draws upon his forty years in the newspaper industry as a reporter and editor, offering a unique glimpse into the world of newspaper cartoon strips. He details the production and promotion of countless comic strips, while also providing his own assessments of the most iconic cartoonists of the last half-century. The book is filled with fascinating anecdotes about his relationships with some of America's greatest cartoonists and the syndicate reps who sold their cartoon strips.

Drawing on concepts from several disciplinary fields including: semiotics, literary and narrative theory, art history, and psychology, El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image.

True love and friendship has no boundaries, even across time. Christopher and Susan are two teens who are best friends – one a talented guitarist with dreams of attending Julliard and the other a talented young writer who accidentally travel back to the year 1963. While they are there they fall deeply in love and have to make a decision; do they stay with those they love and care about or return home while they still have a chance? But if only one of them returns, how will that change the timeline? Will their entire lives be changed for the better or for the worse? Will their dreams still...