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Her words sent two queens to the scaffold. Her secrets shaped a kingdom. But her true story was hidden. Until now.

Simon & Schuster has a great audiobook for every listener.

Jonah's Gourd Vine, Zora Neale Hurston’s first novel, originally published in 1934, tells the story of John Buddy Pearson, “a living exultation” of a young man who loves too many women for his own good. Lucy, his long-suffering wife, is his true love, but there’s also Mehaly and Big ‘Oman and the scheming Hattie who conjures hoodoo spells to ensure his attentions. Even after becoming the popular pastor of Zion Hope where his sermons and prayers for cleansing rouse the congregation’s fervor, he has to confess that though he is a preacher on Sundays, he is a “natchel man” the rest of the week.

Swordsman Richard Hughes has arrived on the banks of the Grand Canal looking for a simpler life, only to be plunged—alongside Phillip de Chambray, a remarkable woman unable to show her true self—into the thick of the murkiest, most dangerous European politics, at a moment when someone is trying to destroy the opera, and Venice itself.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

As Allied bombs rain down on Torino in the autumn of 1942, Stella Costa’s mother sends her to safety with distant relatives in a Tuscan villa. There, Stella finds her family tasked with a great responsibility: hiding nearly 300 priceless masterpieces from Florence, including Botticelli’s famous Primavera. With the arrival of German troops imminent, Stella finds herself a stranger in her family’s villa and she struggles to understand why her aunt doesn’t like her. She knows it has something to do with her parents.

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

It begins with Thomas, the son of a Suffolk tradesman. A brilliant boy sent to study at Oxford at the tender age of eleven. It ends with a disgraced Cardinal, cast from the King's side and estranged from those he loves. In her groundbreaking new novel, Alison Weir draws out the inner man for the first time and tells his story. It is one of a scholar, a lover and a father, a rival, a politician and a priest. A man who built an empire in England while leading a secret second life, who paid the highest price for his success.

When Cesare Aldo learns of a conspiracy to assassinate Duke Cosimo de’ Medici, he is hired to protect the ruler of Florence. The deadly attack leads to bodies, bloodshed – and something far more dangerous. The instigators obtain a secret journal of Cosimo’s thoughts and strategies that – in the wrong hands – could destroy all of Florence. Aldo must hunt down those responsible and reclaim the journal, or face banishment from the city and everyone he loves.

When Beatrice’s husband Hugh returns from his excursion to the New World, he is not alone. Accompanying him are an unnamed pregnant woman, and an enormous painted globe. No one will explain who Hugh’s mysterious female house guest is. Meanwhile, Beatrice's resentment of the globe grows. To her, it represents a world that belongs entirely to her husband – a world where she will never belong. Then at night, the great hulking globe begins to turn. Terrifying new illustrations appear on its face – and when a chain of untimely deaths ensues, Beatrice is sure the drawings are connected.

The first in a brilliantly exciting new historical crime thriller series set at the time of Elizabeth I, from a No.1 Sunday Times bestselling author. Perfect for fans of Wolf Hall and the Shardlake series.

It's 1593, Elizabeth I is Queen and everyone is terrified of the worst outbreak of plague in a generation. Shakespeare has only written six plays and is lagging behind his friend Christopher Marlowe, London's leading playwright. When Marlowe is stabbed to death in mysterious circumstances, rumours abound – but the one that won't go away is that Shakespeare did it to remove his greatest rival. Will is determined to clear his name, and teams up with his old flame, Marlowe's sister Ann, who has plenty of secrets of her own.

Sister. Pawn. Liar. Traitor. Her words sent two queens to the scaffold. Her secrets shaped a kingdom. But her true story was hidden. Until now. Philippa Gregory brings the Boleyn traitor out of the shadows in a groundbreaking tale of love, betrayal — and survival.

Lady Madeline Sheldon has no intention of making a precipitous marriage. However, she has no objection to visiting Lord Grey Carshalton and his grandmother when the opportunity arises. His lordship is only recently returned from the Peninsular where he was serving as an intelligence officer. Grey isn't looking to set up his nursery – he’s more concerned with discovering the identity of the person dogging his every move. Because Grey is certain that someone is trying to kill him and he believes it to be associated with his time in the military.

Miss Grace DuPont has no wish to marry. However, her father is determined to gain entrance to the drawing rooms of the ton and believes his wealth and Grace’s beauty will be enough to attract an aristocratic suitor. Lord Bennett Sheldon is the perfect match for Grace - whether the gentleman wants her or not.