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Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

This monumental biography by David Levering Lewis—eight years in the research and writing—treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how W.E.B. Du Bois changed forever the way Americans think about themselves. William Edward Burghardt Du Bois—the premier architect of the civil rights movement in America—was a towering and controversial personality, a fiercely proud individual blessed with the language of the poet and the impatience of the agitator.

Mandii B and WeezyWTF, hosts of the Decisions, Decisions (formerly WHOREible Decisions) podcast, deliver a bold, unfiltered, and raw, sex-positive collection of relatable tales. They tackle everything from pleasure to pain and the journey of healing through progression to reclaim your personal and sexual power.

Author and TV commentator Lawrence Otis Graham, one of the nation's most prominent spokesmen on race and class, spent six years interviewing the wealthiest black families in America. He includes historical photos of a people that made their first millions in the 1870s. Graham tells who's in and who's not in the group today with separate chapters on the elite in New York, Los Angeles, Washington, Chicago, Detroit, Memphis, Atlanta, Philadelphia, Nashville, and New Orleans.

Internationally acclaimed human rights lawyer Keio Yoshida uncovers the ongoing battle for LGBTQ+ rights, how far we’ve come, and how much further we have to go. The right to life and the right to live life free from discrimination are rights that are codified and legally protected, but—unlike those on women’s rights, disability rights, children’s rights, freedom from torture, and racial discrimination—there is no dedicated and binding treaty or convention in international human rights law with respect to LGBTQ+ rights.

An upcoming book to be published by Penguin Random House.

Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans. Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of Martin Luther King, Jr., James Baldwin, and Maya Angelou, the liberation movements of the 1950s, 60s, and 70s, or hip hop and gangsta rap culture, hooks lets us know what love’s got to do with it.

Serviceberry, The \ Los frutos del guillomo (Spanish edition) has descriptive copy which is not yet available from the Publisher.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.

Prioritize your peace of mind. Black women deal with devaluing challenges too often. Yet there can be a way to face them head-on while helping yourself heal and grow stronger. That is why I Came to Slay is a motivational book for black women you won't want to miss. Covering strategies on conquering boundaries, harmful labels, and more, you'll find many ways to take action and emerge victorious.

Athena Stevens has never learned the name of the doctor whose lack of intervention at her birth lead to her cerebral palsy, but she feels the consequences of his actions – and inaction – every day. The factor observed first and foremost in her life will forever be the effects of what other people have done to her, rather than her accomplishments. And yet, she was groomed to believe that she would overcome any force that stood in her way.

From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.”

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms.

Why do so many Black Americans—whether privileged or poor, urban or suburban, young or old—live in a state of chronic anxiety, fear, and shame? Rock My Soul: Black People and Self-Esteem breaks through collective denial and dares to imagine a more liberatory framework for understanding “self and identity in a world where loss is commonplace.” With visionary insight, hooks exposes the underlying reality that it has been difficult—if not impossible—for our nation to create a culture that promotes and sustains healthy self-esteem.

What if Christianity was far more liberating than the culture wars suggest? Can the conflict concerning Christianity and homosexuality be viewed from a more interpretative lens? James Alison, a Catholic priest who is also a gay man, has been wrestling with the matter for over forty years. This luminous and rigorous book dismantles the fear-based binaries which have dominated conversations in the Church.

Under the guise of writing about a single subject, Greg Tate’s essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics—from the rise of hip-hop; the art of JeanMichel Basquiat; the music of Miles Davis, James Brown, Jimi Hendrix, Bad Brains, and many others; to the crisis of the Black intellectual and the irony of the GOP recruiting Black Americans— Tate writes in a brave and distinctive voice that is angry, joyous, anxious, and funny.

In January 1959, Art Copleston was escorted out of his college accounting class by three police officers. In a motel room, blinds drawn, he sat in front of a state senator and the legal counsel for the Florida Legislative Investigation Committee, nicknamed the “Johns Committee.” His crime? Being a suspected homosexual. And the government of Florida would use any tactic at their disposal—legal or not—to get Copleston to admit it.

In this latest book in Beacon’s award-winning ReVisioning History series, Professors C. Riley Snorton and Darius Bost unearth the often overlooked history of the Black queer community in the United States. Arguing that both gender and sexual expression have been an intimate and intricate part of Black freedom struggle, Snorton and Bost present historical contributions of Black queer, trans, and gender non-conforming Americans from slavery to the present day to highlight how the fight against racial injustice has always been linked to that of sexual and gender justice.

Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

Born to a Secwepemc father and Jewish-Irish mother, Julian Brave Noisecat’s childhood was full of contradictions. Despite living in the urban Native community of Oakland, California, he was raised primarily by his white mother. He was a competitive powwow dancer, but asked his father to cut his hair short, fearing that his white classmates would call him a girl if he kept it long. When his father, tormented by an abusive and impoverished rez upbringing, eventually left the family, Noisecat was left to make sense of his Indigenous heritage and identity on his own.